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What a decade it has been! All over the horse racing world, champions emerged to dazzle us and lift our spirits. 

There were so many great thoroughbreds in the second decade of the twenty-first century, from Australia to Japan to the UK, Europe and North America, that I gave up on the idea of attempting to acknowledge each one here. Or to make a list of the “Top Ten” horses or moments of the decade.

When I look back, I’ll remember many, but the individuals that punctuate the passing decade for me are the ones who were more than figures on a screen. They touched me deeply in one way or other, inspiring imaginings as they took up residence somewhere close to my heart. Like a besotted paramour, I awaited each of their exploits with an anticipation so intense it hurt. They made my spirit dance.

So these are my stars of a kingdom filled with stars. I have made no attempt to compare them, because I know that comparisons are pointless; for that reason, they appear in chronological, not hierarchical, order.

To the connections of each of these great thoroughbreds, who so graciously gave of their time so that we could really get to know them, I give thanks. I also note that, the connections of all the thoroughbreds on my list save for one allowed their horses to race into their adult years, when their bodies and minds had matured, rather than pulling them off the public stage as 3 year olds.

In North America we have been conditioned to think that keeping older horses in competition is a risk but, in fact, campaigning babies before they have physically developed is far more dangerous. It was wonderful to be reminded what thoroughbreds at the height of their powers could do.

1) ZENYATTA

(2004, Street Cry X Vertigineux by Kris S.)

Some Powerful Ancestors: Native Dancer, Tom Fool, Nashua, Never Bend, Cosmah, Prince Rose, Hyperion, Mumtaz Mahal, The Tetrarch, Bimelech, Teddy.

It was the final year of the great Zenyatta’s racing career and as 2010 opened, she stood a Titan — undefeated in 12 starts, 2008 BC Ladies Classic and 2009 BC Classic winner, and about to garner her second Eclipse Award, as older female. In the latter case, fans were deeply disappointed by her loss of Horse of the Year for 2009, given that she was the first filly/mare to ever win the 2009 BC Classic and to ever win two different BC races. Instead, the title went to another remarkable filly, Rachel Alexandra, who was also winding down an incredible career. Rachel had won the Preakness, together with the Kentucky Oaks, Haskell and the Woodward against older males in 2009, and was as beloved by racing fans as Zenyatta.

By 2010, we all knew Zenyatta, our “Dancing Queen,” intimately. They were family.  We knew her owners, Jerry and Ann Moss and the other members of “Team Z” — trainer John Shirreffs, grooms Mario Espinoza and Carmen Zamona, exercise rider Steve Willard, jockey Mike Smith. We knew that Zenny loved her Guinness. A darling of the press, a star of 60 Minutes and the centre piece of her own website and “Zenyatta’s Diary,” written by the Moss’ racing manager, Dottie Ingordo Shirreffs, Zenyatta was the flagship of racing for millions of fans worldwide.

She contued her winning ways, chalking up 19 wins before the 2010 BC Classic, where she would bid to win it for a second time, a feat only accomplished once before, by the incomparable Tiznow.

Zenyatta arrived in Kentucky on Nov 2, 2010 for her BC run and the world was there to greet her:

I wanted her to do it. She was one of the most exceptional mares in North American racing history and putting colts to the sword felt like a fitting way to close out a brilliant career.

But when it came, in the night at Churchill Downs, victory was not to be. Lagging behind the field for too long, then caught wide on the turn coming home, Zenyatta still ran what was arguably the most impressive race of her career, even though she crossed the finish line a head short.

The 2010 BC Classic was the only loss of a 20-race career in which 13 of her wins came in G1’s.

To say the loss was a heartbreaker to all, from Team Z to fans a continent or more away, is an understatement. But I will always recall the words of an Australian turf writer a few days later, who wrote “…While it stands as her only loss, you know nothing about thoroughbred racing if that’s all you take away from her defeat. Zenyatta did things most thoroughbreds can’t do — coming from over 20 lengths from the leaders and travelling at over 60 mph in her drive to the wire, to lose by a diminishing head. Most of us will never see anything that even comes close to that ever again. This is one absolutely incredible thoroughbred — and that’s what I hope you will remember about her final race.”

Zenyatta was retired in December of 2010. Arriving at Keeneland from California with her whole team, she was greeted by hundreds of people who stood out in the freezing cold to welcome her to Kentucky.

In January 2011, Zenyatta was awarded the 2010 Eclipse Award for Horse of the Year.

 

2) FRANKEL

(2008, Galileo X Kind by Danehill)

Some Powerful Ancestors: Danzig, Northern Dancer, Nearco, Native Dancer, Buckpasser, Ribot, War Admiral, Man O’ War, Blue Larkspur, La Troienne, Bend Or, Commando, Domino.

Frankel started his career with a win that marked him as a “promising” juvenile, on a wet afternoon at Newmarket, crossing the finish line with Nathaniel, another Galileo colt, at his throat latch.

Named after the incomparable American trainer, Bobby Frankel, who had trained for Prince Khgalid Abdullah’s Juddmonte in the United States, Frankel was by Galileo out of the Prince’s Danehill mare, Kind. And even though his maiden win was in no way remarkable, we had all learned to “watch the Galileos.” I was intrigued by both Nathaniel and Frankel and resolved to keep an eye on both.

The British racing community is less inclined to “go over the top” about a horse than many other racing communities around the world, but by the end of 2011, it was pretty much impossible NOT to keep your eye on Frankel and his jockey, young Tom Queally. And even seasoned racing commentators struggled to find words to represent the history they knew they were living.

As for Frankel — he just kept going on and on.

 

After watching thoroughbreds for over 50 years, I knew I was a witness to an extraordinary individual, one who had been the product of 35 years of breeding by the Prince — as well as quite literally centuries in the making. Whereas the mysteries of breeding the ultimate thoroughbred have managed to elude even the most exacting scientific inquiry, what remains clear is that the evolution of the breed is not the work of any one person, but rather the combined efforts of breeders down through the centuries, together with the genetic contribution of many fine sires and dams. In Frankel, history and lineage had found its truest expression.

I often find myself wondering what it must have been like to experience Eclipse, or The Tetrarch, or Pretty Polly, or Man O’ War in their time, to have been one of the spectators, to have acxtually seen them in the flesh.

Frankel felt exactly like that kind of experience to me. I would be one who could say, “I was there.”

But running alongside Frankel’s unequivocal reign on the turf was another story, one that made each victory bittersweet: his trainer, Sir Henry Cecil, was dying. The irony was cruel, that one of Great Britain’s greatest trainers should come upon his crowning achievement in his last years. However, as Sir Henry would acknowledge shortly before his death, “I had to be there for Frankel” and there he was, in every sense of the word, right up to Frankel’s very last race.

The story that was Sir Henry and his brilliant colt, together with all the emotion, came together on the Knavesmire at York in the 2012 Juddmonte International:

The lovely thing about a horse race is that it shows us how to live in the moment.

When you are watching the career of one of the most remarkable thoroughbreds of all time, it is indeed a blessing to live each and every moment fully.

 

3) BLACK CAVIAR

(2006, by Bel Esprit X Helsinge by Desert Sun)

Some Powerful Ancestors: Nijinsky, Northern Dancer, Vain, Nasrullah, Hyperion, Hurry On, Scapa Flow, Gainsborough, Ajax, Isonomy, Doncaster.

I stayed up deep into the early morning to watch her run and paid for it. But there was simply no better place to be: she was my “whirlwind from down under” and I adored her.

In 2012 in the UK it was all about Frankel — and so a (usually) good-natured, if hard-nosed, rivalry rose up between the devoted on two sides of the world:

I’m never tempted to enter into such rivalries, but I will say that neither Frankel nor Nelly took a backseat as far as power and turn-of-foot were concerned.

“Hear The Angels” …..”The Pride of Australia” ……. “Regal Power Wrapped in an Elegant Machine” …. “And the Legend Lives On,” such were just a few of the calls that greeted the big, dark mare as she crossed the finish in her native land, her polka dot silks rippling on jockey Hugh Bowman, the field toiling behind her. She was the fullest expression her ancestors’ majesty, courage and heart.

If it was the signature shake of the reins and the immense surge of chest and forelegs in answer that I waited for when Frankel ran, in Nelly’s case it was the relentless, driving force of her sweep to victory that made my heart leap up.

Travelling to England in her much-publicized rubber suit to run in the 2012 Diamond Jubilee Stakes, Nelly delivered, though not in the style we were accustomed to see.

It was race #17 and never before had the great mare finished in a photo. Looking back, I still see it as a blip on the screen. After all, Nelly had journeyed from halfway around the world to appear at Royal Ascot.

Nelly went on to secure 25 straight victories in as many starts, 15 of which were G1s. It was an absolutely astounding record, by any standard.

So astounding, that as I look back on it, I still find Black Caviar’s brilliance difficult to fully register.

Sometimes it’s like that with the great ones.

 

4) TREVE

(2010, Motivator X Trevise by Anabaa)

Some Powerful Ancestors: Sharpen Up, Secretariat, Northern Dancer, Vaguely Noble, Bahram, Spearmint, Hyperion, Isinglass, Persimmon, St. Simon.

I can’t deny it. By the time Treve came into my life, I was pretty much convinced that I’d already witnessed the best it could get.

Then along came Treve.

I always paid attention to what the Head family was up to; this had been true since Freddy Head’s victories on Miesque grabbed my attention in the late 1980’s. After his retirement from riding, Freddy and his sister, Criquette Head Maarek, embarked on careers in training in France, with Freddy closing out 2009 with his brilliant mare, Goldikova. For her part, Criquette Head Maarek enjoyed popular successes with the likes of Three Troikas, Bering and Anabaa, who would go on to become an important sire and the BM sire of Treve.

Recording her first win (above), Treve looked a juvenile with possibilities. But her victory hardly left the world breathless — the tall, lithe filly was still a work in progress.

The Prix de l’Arc de Triomphe is the premier grass race for thoroughbreds in the world and France is its home. There is nothing better, as far as the French racing public is concerned, than to have a French-bred and trained Arc winner.

Champions appear when hearts dream them, and are ready to receive them. And by 2013, Treve, bred by the Head family and trained by Criquette Head-Maarek, was ready to answer those French dreaming hearts.

Coming up to the 2013 Arc, Treve had won the Prix de Diane and the Prix Vermeille, both distinguished races in their own right. The undefeated 3 year-old entered the Arc partnered by Thierry Jarnet, Frankie Dettori having broken his ankle in a fall in England. Among the “big horses” were Japan’s brilliant Orfevre, Coolmore’s Ruler of the World, Intello, and Juddmonte’s Flintshire.

It was a scintillating victory for a youngster, and especially since the Arc traditionally favours more mature thoroughbreds.

Youngster or otherwise, to win the Arc once is considered the pinnacle of any turf horse’s career. But to win it twice? In 2014, when Treve took her second shot at the Arc, only six had won it twice, of which Corrida (1936, 1937) was the only filly.

At first, it didn’t look as though Treve would be ready. Plagued by less-than-perfect feet, it was late in the racing calendar before she was declared a starter. Partnered again by Thierry Jarnet, this time she would face Japan’s quirky but talented Gold Ship, England’s Kingston Hill, second to Australia in the Derby, and Sea The Stars’ champion daughter, Taghrooda, winner of the 2014 Oaks.

Not only did Treve rise to the occassion, but she did it in style. The daughter of Motivator had secured her place in history.

The decision was made to campaign Treve in 2015, with the goal a third tilt at the Arc. Her thousands of fans stepped up as well, even composing a song for her. And as the video portrays, hopes were high for a mare beloved by connections and racing public alike.

In the end, Treve was unplaced behind the winner, England’s magnificent Golden Horn, ridden by Frankie Dettori and trained by John Gosden.

While hopes were dashed, it did little to diminish Treve. The Arc is a gruelling affair, one that asks all from those who run it. And Treve flew home a decisive winner twice in consecutive years.

The filly with the beautiful face and kind eye, who roused the hearts of a nation, accomplished the rarest of a feats — one that legends like Sea Bird, Ribot, Dancing Brave and Nijinsky couldn’t attain.

5) AMERICAN PHAROAH

(2012, Pioneerof The Nile X Littleprincessemma by Yankee Gentleman by Storm Cat)

Some Powerful Ancestors: Secretariat, Fappiano, Northern Dancer, Mr. Prospector, Brigadier Gerard, tracery, Pretty Polly, Fair Trial, Menow, Mata Hari, Man O’ War.

I can close my eyes and still see myself as a girl, watching Secretariat’s Belmont in complete and utter awe. Then came the finesse of Seattle Slew, followed by the heart-thumping charge of Affirmed to the wire, with the courageous Alydar glued to his throat-latch.

But then came a seemingly endless drought.

I don’t know that I’d given up on seeing another Triple Crown winner during my lifetime, but I sure was discouraged. Year after year, I was glued to Churchill Downs and then Pimlico, wishing for a Triple Crown. But defeats like that of California Chrome and Smarty Jones, and losses like that of the incomparable Barbaro, made dreams of another Triple Crown champion seem unlikely.

It had been 37 years — almost 4 decades — since Affirmed defeated Alydar at Belmont when a bay colt from California called American Pharoah hit the Triple Crown trail, mispelled name and all, for Hall of Fame trainer Bob Baffert.

As a two year-old, Pharoah had them buzzing in California. Even though an injury kept him out of the Breeders Cup in 2014, the juvenile still took the Eclipse Award for outstanding two year-old.

At your own risk do you ever ignore a Baffert runner: the man has the magic and the skill of a great horseman. He can spot a champion-in-the-raw and knows how to condition them properly for the crucible that is the American Triple Crown, a run of three races beginning with the most prestigious, the Kentucky Derby, followed by the Preakness and wrapping up with the Belmont Stakes in New York, over “Big Sandy,” the kind of track so deep and immense that it would dwarf a brontosaurus. There’s barely time for a young horse to catch its breath between the three of them, and each one is run over a different distance, the Belmont being the longest at 1.5 miles (2.4 km) with a long final stretch where many TC hopefuls have been caught — 37 by 2015, to be exact.

Pharoah had a beautiful pedigree — a son of Pioneerof The Nile, himself a son of the mighty Empire Maker (Unbridled X Toussaud by El Gran Senor). His dam, Littleprincessemma (Yankee Gentleman by Storm Cat, a grandson of Secretariat) similarly carried the potential of daughters and grandaughters of Storm Cat, who continues to influence the pedigrees of champions. But pedigree had been no guarantee of Triple Crown success over the decades since 1978.

When I watched the Baffert colt run away from the field over a sloppy track in the Rebel I was impressed….but was I ready to give my hopes and my heart away?

Then came the Arkansas Derby, Pharoah’s last prep before the first Saturday in May in Kentucky. Like the Rebel, the colt’s win seemed effortless, with jockey Victor Espinoza asking him for little and, once again, Pharoah crossed the wire with his ears pricked, as if to say, “So when do I get to really run?”

After this performance, he had me hook, line and sinker. And although it’s easy to have 20/20 vision in hindsight, the Arkansas gave me a glimpse of something unique, although what it was, I knew not. Thinking about it, it seemed to have something to do with his way of going that seemed deceptively slower than it actually was — and effortless, as though the colt could run for days.

By the time Derby day had arrived, Coolmore had already sealed the deal on Pharoah’s breeding rights. I took note of that.

Going into the race, I was most fearful of the gutsy Mubtahiij, and mindful of Carpe Diem and Dortmund, another Baffert entrant. Pharoah started from an outside post position — never ideal in a 20-horse field on a track where the first turn came upon you fast.

I wasn’t a fan of how Espinoza rode him on Derby day, but Pharoah got it done, persevering in the final strides, in spite of being so far from the rail around the turn. Meaning that he’d been asked to make a longer run than the others going in to the final turn and asked to do it early on. I could only respect the colt for his courage, getting up like that as the wire loomed, even though I’d been expecting him to lead the field home by several lengths. (As it turned out, Pharoah had “lost his A game,” according to Baffert, on the walkover to the saddling area when too many people got him riled up. Baffert also reported that Espinoza told him going into the final stretch “…he just didn’t feel the power beneath him.”)

Next up was the Preakness on a rainy day, over the slop. Having watched Pharoah’s Rebel win, I felt he had a decided advantage — rain didn’t faze him one bit. But I was mindful of the colt’s Derby because he hadn’t been quite himself, whatever the reason.

But, as it turned out, the pre-Derby Pharoah was back, taking the second leg of the Triple Crown with ease.

Now the heat was on. Did I dare to dream?

I had a modest “Belmont Party” on the day, with a friend whose dream was as hopeful as my own. By now, I knew Pharoah was special. Really special. But I’d been there before……

I almost choked on a chip, dropped my wine glass, hugged my friend and burst into tears.

It’s still impossible for me to describe all the feelings that rushed through me.

But I do know one thing: American Pharoah crossing the wire in the Belmont was most definitely My Moment of the decade.

6) WINX

(2011, Street Cry X Vegas Showgirl by Al Akbar)

Some Powerful Ancestors: Native Dancer, Cosmah, Halo, Hoist The Flag, Natalma, Hail To Reason, Man O’ War, Ajax, John O’ Gaunt, Pocahontas, Beeswing.

In 2014, Street Cry succumbed to complications of a rare neurological disorder. He was only 16 years old. The loss to Godolphin was immense, made even more tragic by the stallion’s success that seemed only to get better over time. Street Cry’s progeny included the Kentucky Derby winner Street Sense, champion Carlton House, the ill-fated Delta Prince, Pride of Dubai, Australian multi-millionaire Trekkings, together with his brilliant daughter, Zenyatta, and many other very good individuals, particularly in Australia.

A short year later, in 2015, noise started coming out of Australia about another Street Cry daughter: Winx.

Owned by the partnership of Magic Bloodstock Racing, R G Treweeke & Mrs D N “Debbie” Kepitis, the four year-old had found her stride in winning fashion in the big leagues. Once again, I started to stay up deep into the Canadian night to check Winx out. But it was soon going to be a pattern for me, fueled by a big brown mare who seemed — no, who was — invincible.

This was one case where statistics actually said it all:

43 starts — 37 wins — 3 places.

4 Cox Plates in successive years.

33 successive wins and 25 Group 1’s.

Finished out of the money only 3 times in a career that spanned 5 years.

As Bob Baffert said, “…She {Winx} always gives you the Hollywood ending.”

The mechanics of her running style might not have been a thing of beauty, but they were devastatingly efficient. And there were shades of Zenyatta — Winx almost always made her run from far off.

And once again, riches fell from the horse racing gods and I adopted a new family on the other side of the world. There was the charming Peter Tighe, Debbie Keptis in her purples and her “Go Winxy,” the softspoken Chris Waller, the expressive Hugh Bowman and the mare’s “best man,” strapper, Turkish-born Umut Odemislioglu. 

I didn’t care that I spent the day after one of her races in an absolute stupor, since I knew I’d never see another one like her. As a veteran of thoroughbred racing, I’d never witnessed any thoroughbred win 33 races in a row, most of them Group 1’s. And as a North American, sadly used to brilliant colts and fillies retiring at age 3 or 4, I delighted in the statement this mare was making to the racing world — Winx had come into her own at 4 and kept right on going. Had she been a North American thoroughbred, racing over here, the chances of her becoming the mega-star she became would have been zero.

It’s impossible to conclude such an amazing story in a few well-chosen words, so I’ll leave that to those who knew her best, as they were on her very last race, the 2019 G1 Queen Elizabeth Stakes:

 

7) ENABLE

(Nathaniel X Concentric by Sadler’s Wells)

Some Powerful Ancestors: Miswaki, Roberto, Icecapade, Mr. Prospector, Forli, Native Dancer, Tantieme, Minoru, Pretty Polly, Hyperion, Persimmon, St. Simon, Newminster, Beeswing.

What a decade it has been for Juddmonte! First there was Frankel, then Arrogate and, as 2019 closed, the prospect of the return of Britain’s Racing Queen, Enable. All homebreds from the stable that campaigned the likes of Dancing Brave, Zafonic, Commander In Chief, Midday and Kingman, among others.

“Have we seen the annointing of the 21st century’s Man O’ War?” called the track commentator at Meydan, as Arrogate came from far off the pace to win the 2017 Dubai World Cup. The colt had already won the 2016 Breeders Cup Classic and the first running of the Pegasus in Florida, before shipping to Dubai and was what horsemen call a “phenom.”

Love has smitten me again, this time in the form of a beautiful filly with a devastating kick and her team, the charismatic Frankie Dettori, masterful John Gosden, Tony Proctor, head travelling lad, and Imran Shahwani, Enable’s head lad and BFF.

Across an ocean she came, charging right into my heart as I watched her rise above all comers over the last 2 years, netting the Epsom, Irish and Yorkshire Oaks (the latter twice in 2017 & 2019), the King George & Queen Elizabeth (twice, in 2017 & 2019), the 2018 Breeders Cup Turf and, most amazing of all, the Prix de l’Arc de Triomphe twice in successive years (2017 & 2018).

Her performance in 2018, when surgery sidelined her, was particularly impressive, even though this is a filly with a strong, focused mind when it comes to racing. But that doesn’t change what Enable and her team served up in 2018, when she was only about 90% fit: a scintillating win against Magical in the BC Turf and a determined second Arc win against the fabulous, fast-closing Sea of Class. 2018 wasn’t the same as her Arc win in 2017, when Enable led the field home, but this took nothing away from the fact that courage and determination got her to the wire first in a dramatic, heart-pounding finish.

 

In 2019, after taking Cartier honours as the Champion Older Horse of 2018, Enable was back and the goal was a third tilt at the Arc. It was also speculated that this would be her final year on the turf, making each victory leading up to the Arc both sweet and nostalgic. Frankie wept, declaring “…she’s taken me places emotionally I’ve never been to before.” And my eyes filled with tears too, knowing the kind of superstars Frankie has ridden over the decades and realizing that it wasn’t only my spectator emotions that Enable had engaged: she owned Frankie too.

Her 2019 battle with Crystal Ocean in the King George & Queen E. takes highest grades for sheer drama, but I like to think her most dominant performance came a short 4 weeks later, at Ebor in the Yorkshire Oaks, where she and Magical again met up:

Then it was on to the Arc. To be honest, history seemed against her, but as the date approached I was buoyed by Criquette Head-Maarek’s endorsement of Enable, her assuredness that there was no other horse in the field that could touch her for sheer ability. My chief worry was the eventual winner, Waldgeist, because Longchamps was his home turf and he, too, was training well for the legendary Andre Fabre.

Enable had beaten Waldgeist before, but when the turf at Longchamps came up as soggy, I knew “my girl” was at a disadvantage because, as trainer John Gosden would explain, her famous turn of foot would be relatively ineffective. I’m inclined to throw this race out, not because Enable didn’t do her best — she absolutely did — but because the turf conditions were so against her and that, combined with the early speed, took its toll. It’s to Enable’s enormous credit that she finished up in second place. Waldgeist was a worthy winner, although his owner expressed complete shock that anybody, let alone his gallant boy, could actually beat Enable.

I was so saddened that Enable’s final race had ended in defeat — but then came the news that, as long as she was fit and still interested in racing, Enable would return in 2020. I applaud the sportsmanship and generosity of Prince Khalid and his team, and was elated to see Enable again crowned Cartier Horse of the Year, as well as Champion Older Horse.

It will be absolutely wonderful for racing. And as for Frankie — I imagine he’s stocking up on polo mints for his girl.

 

BONUS FEATURES

1) Zenyatta: Love Thing (AnimalsRock4Love)

 

2) American Pharoah: The 2015 Breeders Cup Classic. It was his final start — and he led them home with a flourish, in a new course record.

3) Frankel’s last race

4) The Trainer & The Racehorse, Part Two

 

5) Winx: A tribute

6) WInx : 60 Minutes

7) Enable: “…she’s always been a very proud filly…”

8) ENABLE: 2017 Prix de l’Arc de Triomphe

 

9) Black Caviar’s Story

10) Treve Feature (At The Races)

11) Treve: 2013 Prix de l’Arc de Triomphe

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What more can we say about this wonderful mare? Well, let’s have a look in “7 clicks” — just for fun.

 

CLICK #1: “…I think I remember saying to Chris (Waller), ‘Do you really like her?’ ” (one of the triad of Winx owners, Peter Tighe)

So it was that the daughter of Street Cry-Vegas Showgirl came to the stables of one of Australia’s outstanding trainers, Chris Waller. Owners Peter and Patty Tighe, Debbie Kepitis and Richard Treweeke were overjoyed at their purchase.

But had they asked Coolmore Australia’s stud manager, Peter O’Brien, who had attended the filly’s birth, he would have told them that from the outset Winx showed signs that she was going to be a late developer, even though she looked a really good individual in other ways.

During her days at Coolmore, Winx was easy to notice: she stood within 10 minutes of her birth, showed a great deal of independance very early on, and was blessed with a kind nature.

WINX at two days old. Photo and copyright: Coolmore.

 

Peter O’Brien’s understanding that it would take Winx some time to mature and show what she really was all about proved timely: Winx’s cavalry charge to the top of the world’s standings only started in earnest in 2015, when she was a four year-old.

It is likely that, had she gone to anyone other than Chris Waller, Winx would never have been given the time she needed to become the mighty mare we know today. And Winx’s owners were also prepared to wait, trusting in their trainer’s knowledge and experience.

 

CLICK #2: A surprise in Winx’s tail female

 

Winx’s dam, Vegas Showgirl, started thirty-five times, winning seven and retiring with earnings of $59,700 AUD. It is fair to say that she was not a household name, but she did win twice as a three year-old making her a solid, if not assured, broodmare prospect. Examining Vegas Showgirl’s tail female, what leaps out is Obeah in the third generation.

OBEAH, shown here with her trainer, Henry Clarke. Source: Mid-Atlantic Thoroughbred.

A grandaughter of 1943 Triple Crown winner, Count Fleet, Obeah raced for Harry and Jane Lunger out of Henry Clarke’s Delaware Park stable. Notable wins came in the Blue Hen Stakes and the Delaware and Firenze Handicaps.

But North American racing fans know Obeah best for one reason and one reason alone: she was the dam of the brilliant, ill-fated Go For Wand:

Pedigree influences up to the fifth generation carry some influence — although how much, exactly, is almost impossible to determine. But it’s a safe bet that North American fans of Winx will be delighted to learn that a small part of her DNA comes through Count Fleet and that she is a cousin, albeit a very distant one, of the beloved Go For Wand.

 

CLICK #3: How did Winx get her name?

According to owner Richard Treweeke, Winx’s name owes much to Vegas Showgirl. In an interview done by 60 Minutes Australia (below in Bonus Features), Treweeke recounted how, when one sees a stage show in Las Vegas, the showgirls give you a “…wink, wink, wink.”

So, with a slight adjustment, Vegas Showgirl’s filly became Winx.

“…wink,wink,wink.”

 

CLICK #4: What individual attributes help Winx to win — and keep on winning?

It has been speculated that Winx’s heart and lungs hold greater capacity than most thoroughbreds.

But one thing — other than her steely determination to win — that gives Winx a decided advantage has to do with her racing form, or style.

Granted, Winx’s running style isn’t the most fluid. Rather, she can look at times as though she has egg-beaters for legs.

But this is where what we think we see can be deceiving.

For one thing, the length of Winx’s stride has been measured at almost 6.8m. The stride of most thoroughbreds is about 6.1m. Exceptions are Phar Lap and Secretariat at 8.2m and the mighty Bernborough was said to have a massive stride of 8.6m.

But it’s not only Winx’s stride that helps her get the job done: whereas most thoroughbreds have a stride frequency of 130-140 strides per minute, Winx checks in at nearly 170 strides per minute. And she can maintain this frequency for much longer periods, notably as she kicks for home, a point in any race where most runners are tiring.

This short video of her win in the Sunshine Coast Guineas in 2015 highlights the impact of Winx’s stride and its frequency. The 2015 Guineas win also marks the beginning of Winx’s winning streak that now stands at 23 straight wins, 17 of which have been Group 1’s:

 

CLICK #5 : Winx and Hugh Bowman

Hugh Bowman is a jockey at the pinnacle of his career. But his promise showed even during his apprentice days, receiving the crown for champion apprentice NSW jockey in his very first year of riding, and champion Sydney apprentice followed in 1999/2000. The 37 year-old was awarded Longines’ 2017 Best World’s Jockey at the end of last season, having won 10 of the world’s Top 100 Group/Grade 1 races, six of which were on Winx. It was Bowman’s masterful win in the 2017 Japan Cup aboard Cheval Grand at Tokyo Racecourse that sealed the Longines’ title. Among the champions they beat in the Japan Cup were HOTY Kitasan Black and champions Makahiki, Soul Stirring and Satono Crown.

So strong is trainer Waller’s faith in Bowman, that Winx was withdrawn from what would have been her first start of the season (in the 2018 Apollo Stakesin Sydney) when a suspension made it impossible for Bowman to ride her. Unlikely that few were surprised by Waller’s decision, since Bowman and Winx are an established partnership at this point in time and no-one other than her inner circle knows the mare as well as Bowman. Famous racing pairs dot the history of thoroughbred racing worldwide and these powerful relationships underscore the importance of finding just the right fit between a jockey and a thoroughbred.

Here, in footage collected in February 2018 at a trail at Randwick,we catch a glimpse of some of the relationship between Winx and Bowman, as well as that between Bowman and Waller. The video also illustrates the complexities of conditioning a thoroughbred and, in this aspect, sheds a light on the profession that is universal.

(Note: Footage from the cam recorder picked up during Bowman’s ride comes at the end of the video.)

 

CLICK #6: Umet Odemisioglu  wanted to be an actor…

After her most recent win, in the 2018 Chipping Norton, an emotional Chris Waller noted that professional as she is, Winx loves to go home where “…she can just be a horse.”

And there’s no question that Umet Odemisioglu and Candice are the two of the humans that make Winx feel that she’s home.

 

WINX with Umet Odem.

Born in Turkey, Umet is Chris Waller’s foreman and one of Winx’s strappers. The champion mare is one of some twenty thoroughbreds in his care.

But his path to Winx’s side was an unlikely one: Umet’s first love was film. He studied acting for two years in Turkey before attending what he describes as a “horse university” in Istanbul. Once he’d graduated, Umet left for Ireland, where he worked on a stud farm until his arrival in Australia in 2006. He has worked for trainer Chris Waller since 2011.

Umet has looked after Winx since she first arrived in Waller’s barn as a youngster. If she were an actress, he figures Winx would be Angelina Jolie because, “…they’re both sweethearts, especially Angelina with the charities. They’re both box office superstars who bring in the crowds.” (quoted in “Strapper Recalls Winx Journey” by Matt Kelly in G1X)

Back at home after a trial or a race, Winx doesn’t like to be bothered — she likes lots of time to herself. And it is Umet who assures that the mare’s down time is just that. On big days, it’s Umet who brings her into the spotlight, equipped with hood that blocks out some of the sounds of the track.

Winx is no lover of the starting gate and Umet, together with Candice, as well as her trainer and jockey, each play their part in keeping her off her toes as much as they can before the gates fly open. He walks close to her, letting her know that he’s there and focusing on keeping the mare as calm and relaxed as possible. And this is no easy job when you’re assailed by cameras, together with the noise and movement of a huge, jostling crowd.

Winx may be used to the attention, but Umet needs to be able to anticipate what she’s not used to seeing. It’s a big part of keeping her safe.

(Note: To learn more about Winx’s second strapper, Candice, please see BONUS FEATURES, below.)

 

CLICK #7: The “Paradox of Champions”

The excitement that characterizes each time a champion like Winx races is fuelled by the risk of her losing. This is what we have coined as the “paradox of champions.”

All those feelings — “Can she do it again?” “Will X defeat her?” “Can she win no matter the odds?” “Is she ready for today’s race?” — are underpinned by the anxiety that Winx may, indeed, be beaten. Even the speculation that her owners might consider Ascot or Hong Kong or Japan or the 2018 Breeders’ Cup is underpinned, to some extent, by the lure of the risk.

It is this paradox that accounts for analogy between the careers of great thoroughbreds and the archetypal hero/heroine’s mythical journey. Like the heroine of myth, Winx needs to keep overcoming obstacles, be they foreign courses or other talented thoroughbreds to guard her title of one of the very best worldwide.

At this point, no-one knows what the 2018 plans are for Winx, in what may well be the last season of a brilliant career.

But, thankfully, it seems clear that Winx herself will be foremost in making that decision.

 

 

 

 

BONUS FEATURES

1) TEAM WINX

 

 

 

2) 60 MINUTES AUSTRALIA

 

 

**********************************************************************************************************************************************************************************************************************************************NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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My idea to collect photographs of the progeny of Northern Dancer, our King of Thoroughbred Racing here in Canada, led to the discovery of just how influential this tiny thoroughbred stallion really was — and continues to be today, particularly in Great Britain, Ireland, Europe and Australia.

NORTHERN DANCER QUOTE by SANGSTER_$_57

It was the last Kentucky Derby my ailing grandfather and I watched together. He sat, wrapped in blankets, in his favourite armchair and I sat cross-legged near him on the carpet, the rest of the family ranged in chairs around the black and white television console. When the little colt hit the wire, the room erupted with gasps, followed by delight. Here he was, the very first Canadian bred and owned 3 year-old to win the Kentucky Derby and he had done it in record-breaking time.

As we watched EP Taylor leading his fractious champion into the winner’s circle at Churchill Downs, my grandfather exclaimed, “Well I never……just look at him ….he’s only a pony!”

I had been born with Grandpa’s “horse gene,” as my mother liked to say. Shortly after the Derby win, I bought a copy of Sports Illustrated magazine, carefully removed a photo of “The Dancer” winning the Florida Derby and glued it onto a sturdy sheet of blue cardboard, under which I wrote: ” ‘He’s all blood and guts and he tries hard.’ Northern Dancer: first Canadian owned-bred horse to win the Kentucky Derby. Time: 2:00:00 flat.”

The photo and the memory stuck. Today, as I write this, the faded blue cardboard with The Dancer’s photo and my round printing sits in a frame just above the computer.

This SI shot of Northern Dancer winning the Florida Derby has come down through the decades with me. Once the prized possession of a 14 year-old girl, it now sits in a frame above my computer.

This SI shot of Northern Dancer winning the Florida Derby has come down through the decades with me. Once the prized possession of a 14 year-old girl, it now sits in a frame above my computer.

Punctuated as he was by the love of a grandfather who was gone only a year later, as well as that festering horse gene of mine, it was predictable that by 1990 I had decided to collect original press photos of Northern Dancer and some of his progeny. What I had in mind was a project: to collect some photos and then mount them in an album, together with a little research on The Dancer’s most prominent progeny.

Lester Piggott and NIJINSKY, the last British Triple Crown winner.

Lester Piggott and NIJINSKY, the last British Triple Crown winner.

I started out in earnest, shopping on places like the newly-opened EBAY. But little did I know what I was going to uncover. The search for original photos of Nijinsky and The Minstrel connected me to a number of UK sellers — and it was here that the proverbial “floodgates” flew open. My career and family had necessitated a lengthy sabbatical from all things thoroughbred, leaving me somewhat amazed to discover that through the aegis of the great trainer and horseman, Vincent O’Brien, Canada’s tiny Dancer had, in fact, gone viral. 

NORTHERN DANCER by Brewer, Jr.

NORTHERN DANCER by Allen F. Brewer, Jr. The artist’s exquisite portrait belies the temperament of Canada’s King of Thoroughbreds which was, to quote E.P. Taylor’s daughter, “Not very nice at all.”

 

I had bought a few albums to house the photos and had started mounting them together with text. But as the sheer number of photos mounted, I could see that I was making myself a project that would take a lifetime to complete. It wasn’t that I had no criteria for acquiring a photo…..it was that truly great thoroughbreds kept coming and coming, like an enormous tidal wave, prompting the question: Where do I draw the line?

Think about it. Out of the “Danzig connection” alone, another galaxy of superstars in England, Ireland, Europe and Australia have emerged. And this is only one of many Northern Dancer sire lines.

DANZIG pictured here at Claiborne Farm in Kentucky where he stood for the whole of his career at stud.

DANZIG pictured here at Claiborne Farm in Kentucky where he stood for the whole of his career at stud.

 

DANZIG'S best son, DANEHILL.

DANZIG’S best son, DANEHILL.

 

DANEHILL'S son, DANEHILL DANCER, a sire of sires.

DANEHILL’S son, DANEHILL DANCER, a sire of sires.

 

DANSILI, another son of DANEHILL who is making a huge impact on the breed worldwide.

Juddmonte’s DANSILI, another son of DANEHILL who is making a huge impact on the breed worldwide.

 

Among the remarkable thoroughbreds who descend from a bewildering galaxy of Northern Dancer sire lines and families, and who have recently retired are the champions: Rachel Alexandra (USA), America’s sweetheart and 2009 Horse of the Year, is a daughter of Medaglia d’Oro and granddaughter of Sadler’s Wells; Black Caviar (AUS) whose sire, Bel Esprit, is the grandson of Nijinsky and whose dam, Helsinge, is the granddaughter of the late Green Desert (by Danzig); the incomparable Frankel (GB) a son of Galileo (by Sadler’s Wells) whose dam, the Blue Hen, Kind, is a daughter of Danehill (by Danzig); America’s two-time Horse of the Year and turf star, Wise Dan (USA), who carries Storm Bird (by Northern Dancer) and Lyphard (by Northern Dancer) on both sides of his 4th generation pedigree; the 2014 and 2013 Investec Derby winners Australia (IRE) by Galileo and Camelot (IRE) by Montjeu; Arc winner Danedream (GER), whose sire Lomitas is a grandson of Nijinsky and whose dam, Danedrop, is a daughter of Danehill (by Danzig); the brilliant Nathaniel (IRE), a son of Galileo and only one of two horses to seriously challenge Frankel, the other being Zoffany (IRE) by Dansili, a son of Danehill and grandson of Danzig; the mighty Igugu (IRE), winner of the SA Triple Tiara and a daughter of Galileo; the immortal Hurricane Fly (IRE) whose sire Montjeu is a son of Sadler’s Wells; the undefeated Arc winner Zarkava (IRE) whose sire, Zamindar, is a grandson of The Minstrel and whose dam, Zarkasha, is by the superb Kahyasi, a grandson of Nijinsky; the ill-fated and brilliant St. Nicholas Abbey (IRE) a son of Montjeu; the Australian champion All Too Hard (AUS), the half-brother of Black Caviar, and a grandson of Danehill (by Danzig); the wonderful mare, The Fugue (IRE), a daughter of Dansili (by Danehill) whose dam, Twyla Tharp, is by Sadler’s Wells; Canada’s Inglorious, winner of the 2011 Queen’s Plate, who is a granddaughter of Storm Bird (by Northern Dancer); and last but hardly least, Goldikova (IRE) whose sire, Anabaa is a son of Danzig and whose dam, Born Gold, is a granddaughter of Lyphard (by Northern Dancer).

It’s impossible to think of thoroughbred racing or the National Hunt without these individuals — but even they are the tip of the proverbial iceberg in the ongoing genetic dance of The Dancer.

Below, a video of the American turf superstar, Wise Dan, winning the 2013 Breeders Cup Mile for the second straight year:

“The bird has flown” — the fabulous Nathaniel winning the King Edward VII Stakes at Royal Ascot:

The “sensational” Canadian filly,Inglorious, winning the 2011 Queen’s Plate at Woodbine, Toronto, Canada:

Stallions — so many names that one gets dizzy just trying to keep them in a kind of chronological order. Among the best-known: Giant’s Causeway, Medaglia d’Oro, Elusive Quality, Animal Kingdon, Big Brown and War Front in the USA; Galileo, Sea The Stars, Yeats, Invincible Spirit, Cape Cross (sire of Sea The Stars, Ouija Board and Golden Horn), New Approach, Oasis Dream, Kingman, Mastercraftsman, Dansili and Dubawi in Great Britain, Ireland and Europe; So You Think, Exceed and Excel, Sepoy, Redoute’s Choice, Fastnet Rock, More Than Ready, Bel Esprit and Snitzel in Australia; and in Japan, the great Empire Maker and leading sires by earnings, Deep Impact and King Kamehameha ( a son of Kingmambo who is inbred 2 X 4 to Northern Dancer through his sons, Nureyev and Lyphard, and carries Nijinsky’s son, Green Dancer, in his 4th generation).

A look back at the late Bart Cummings’ great champion, So You Think:

And in 2015?

Well, let’s see.

There’s America’s first Triple Crown winner in 37 years, American Pharoah (whose brilliance, I will continue to insist, owes at least as much to Empire Maker and his Blue Hen dam, Toussaud, a daughter of Northern Dancer’s El Gran Señor as to any other in his pedigree), the Investec Derby winner Golden Horn, Shadwell’s brilliant Muhaarar, Coolmore’s Gleneagles, the up-and-coming sire, Mastercraftman’s The Grey Gatsby and Amazing Maria in Great Britain. And it’s impossible to overlook the incomparable Treve, who now has her own theme song!

This year, they all look like him, carrying his bay coat and dark mane and tail into a future he never saw. But the familiar colours of my “tiny Dancer” always take me back to that last Kentucky Derby my grandfather and I watched together. And as for my collection of photographs, it’s tailed off considerably since it arrived at 500 + images. I’m well behind in recording them all, so the considerable overflow are now housed in an archival file.

But then along came 2015.

And I can see that my collecting is not yet done…….

 

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UPDATE

Since I began THE VAULT’S rescue fund, $1,542.00 CAD has been raised, allowing THE VAULT readers and yours truly to rescue Hale, as well as a Standardbred gelding and a beautiful blue roan QH mare, in foal, from slaughter. Too, donations have been made to Our Mims and RR Refuge. I continue to work to save horses, one horse at a time: this week, it was a granddaughter of Secretariat.

This blue roan mare, in foal, was rescued from slaughter by VAULT readers the week of August 31, 2015

This blue roan mare, in foal, was rescued from slaughter by VAULT readers the week of August 31, 2015

Here’s some footage of Hale, a mere month after VAULT readers, his new owner and yours truly rescued him:

If you love THE VAULT, please accept my heartfelt thanks. I write it for you.

And please consider making a donation:

http://www.gofundme.com/8d2cher4

Together we can make a difference.

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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The dams of this year’s top Derby contenders have had a 50% influence on the makeup of each of these colts. So what does the tail female of the top 5 contenders bring to the table?

2015_derby_poster_800

Mitochondrial DNA (mtDNA) is the way nature tracks “Who Is Your Mama?” in every species, including humans and racehorses, since it is passed down from mothers to daughters intact. mtDNA is like a kind of spice, scattered throughout the gene pool, that makes up a horse’s pedigree. One of the interesting things about mtDNA is that it is thought to play a large role as a speed influence in a thoroughbred’s pedigree.

 INTERNATIONAL STAR

Out of the mare Parlez, this colt’s BM sire is French Deputy (Deputy Minister). Parlez hails from a good female family and International Star (IS) is her third really good offspring. The other two are both by Not For Love, the filly Fools In Love and the gelding D C Dancer, winner of the Maryland Million Sprint. So Parlez has proven herself to be a good producer.

IS’s second and third dams also proved to be sound producers. Speak Halory (Verbatim) the colt’s second dam, has 7 winners out of 10 foals, including Lovely Sage, and is the grandam of New Edition (Stormy Atlantic) and Venezuela’s champion, Karun (Arch). IS’s third dam is the better known Halory (Halo), the dam of the great Halory Hunter (Jade Hunter), Key Lory (Key To The Mint), Van Nistelrooy (Storm Cat), the gelding, Prory (Procidal), Brushed Halory (Broad Brush) and grandam of the Storm Cat filly, Sly Storm.

What becomes apparent is that Parlez’s female family produce strong fillies and a few good colts, the best of which (other than IS) are Karun (VEN), Halory Hunter and Key Lory. However, the number of really good colts produced by Halory has not been duplicated by Speak Halory, leaving us with the question of whether or not Parlez is a strong influence in IS’s pedigree or not.

As for French Deputy, who stands at Japan’s Shadai Stallion Station, he seems best at siring 8f runners who are especially good as two year-olds. But, in 1995, French Deputy did post the highest 3 year-old Beyer figure (119) and his own sire, Deputy Minister, was one of the great progenitors of the breed.

 DORTMUND

The undefeated Dortmund’s dam, Our Josephina, wasn’t an impressive runner herself, but being a daughter of Tale of the Cat helps hugely.

“Coolmore’s Cat” is chalking up a very impressive record at stud, including champions like Stopchargingmaria, She’s A Tiger, Lion Heart, Gio Ponti, Cat Moves, My Trusty Cat and Tale of Ekati. Nor is the success of the 21 year-old confined to the Northern Hemisphere: his latest star in the Southern Hemisphere is The Diamond One, a very smart filly racing in Australia. The overwhelming influence of Terlingua (Secretariat) — Tale of the Cat’s grandam — is a signature of the most successful of Storm Cat’s progeny; you see it in their conformation, temperament —and lust for speed:

Another aspect of Dortmund’s tail female is the influence of Danzig in his third generation, repeating the lucrative Northern Dancer-Secretariat nick (responsible for Summer Squall, Secreto, Storm Bird, among others) while adding still another juicy element: the Danzig line in Europe has produced champion runners and sires in the form of Oasis Dream and Dansili.

 CARPE DIEM

The presence of Giant’s Causeway in Carpe Diem’s pedigree makes us less unsettled by Unbridled’s Song in his tail female, at least in terms of soundness issues. And his dam, Rebridled Dreams, also has two other very good progeny: Doncaster Rover (War Chant) and J B’s Thunder (Thunder Gulch), even though the best she did in Grade 2 company herself was a place and a show. In general, Carpe Diem’s maternal family in his tail female lacks depth, with the exception of Unbridled’s dam, Gana Facil, also the dam of Cahill Road (Fappiano).

However, the stallion influences are interesting: Fappiano, Caro, Danzig and Aloma’s Ruler appear in his 4th generation but that may be too far back to exert any real influence.

Still, in the mysterious muddle of thoroughbred genetics, this handsome son of Giant’s Causeway may have more than enough on top to carry him to victory. After all, his daddy’s nickname during his racing career was The Iron Horse!

 

AMERICAN PHAROAH

Not unlike Carpe Diem (above), American Pharoah’s bottom line is not particularly impressive.

Out of Littleprincessemma (Yankee Gentleman), the colt carries Storm Cat in his female family and, therefore, the promise of Terlingua’s speed. Of two foals, American Pharaoh is by far his dam’s best. A prohibitive Kentucky Derby favourite as of this writing, the colt’s second and thirds dams are useful, producing some winners with modest earnings. The most impressive female influence comes from his BM sire’s dam, Key Phrase, but her influence on his pedigree would be negligible at best. The stallions Flying Paster and Exclusive Native come up in the fourth generation of his tail female but, again, don’t expect a strong influence here.

The prohibitive Derby favourite (at this writing) owes far more to his sire, Pioneerof the Nile, a son of the mighty Empire Maker, and this comes through in his conformation and precocity.

FROSTED

There’s no denying that the brilliance of his sire, Tapit, shines in the coat and talent of Frosted. He is his dam Fast Cookie’s third and most successful foal, although the other two were winners, albeit in modest company. Fast Cookie is a daughter of the great sire, Deputy Minister, and her dam Fleet Lady (Avenue of Flags by Seattle Slew) is also the dam of Darley’s BC Juvenile and 2 YO Eclipse Champion colt, Midshipman (Unbridled’s Song). Frosted’s third dam, Dear Mimi (Roberto), is the maternal grandam of Pantomima (JPN) by Seattle Dancer and Mars Princess (JPN) by Danehill, both modest producers in Japan. Frosted is also inbred 2 X 4 to the immortal Seattle Slew.

So although Frosted’s female family is nothing to be sneered at, it is undoubtedly his sire’s influence that dominates.

 

PERSONAL ENSIGN appears in OCHO OCHO OCHO'S tail female. An omen perhaps?

PERSONAL ENSIGN appears in OCHO OCHO OCHO’S tail female. An omen perhaps?

 

OTHER FUN FACTS

MATERIALITY’S dam is also the dam of MY MISS SOPHIA and his second dam, DIAL A TRICK, is the dam of EYE OF THE TIGER. A daughter of DIAL A TRICK, WILDWOOD FLOWER, is the dam of AFLEET EXPRESS. The colt’s 3rd dam, ICE FANTASY, is the grandam of champions SNOW RIDGE & SWEETNORTHERNSAINT.

EL KABEIR’S 2nd dam, ROSE COLORED LADY, is the dam of TOO MUCH BLING.

PASSING MOOD, the dam of UPSTART‘s BM sire, TOUCH GOLD, was also the dam of champion WITH APPROVAL, winner of the Canadian Triple Crown.

FAR RIGHT’S tail female includes VINDICATION, SHADEED & AFFIRMED and his 4th dam is the fabulous CASCAPEDIA.

DANZIG MOON’S 3rd dam, PURE PROFIT, was the dam of the incomparable INSIDE INFORMATION and the great EDUCATED RISK. Below: INSIDE INFORMATION wins the 1995 BC DISTAFF:

WAR STORY’S 2nd dam, POLLY ADLER, is the dam of YOURSMINEOURS and his 3rd dam, HONEST AND TRUE is the dam of champion EPITOME and grandam of ESSENCE OF DUBAI.

STANFORD has a hugely impressive tail female through his 3rd dam, MYTH, the dam of champion JOHANNESBURG, and 4th dam, YARN, who is the dam of champions MINARDI and TALE OF THE CAT and the grandam of FED BIZ. Below, JOHANNESBURG’S 2001 BC JUVENILE win:

MR Z’S 2nd dam, AMELIA BEARHART, is the dam of champions CHIEF BEARHEART & EXPLOSIVE RED. Another daughter, RUBY RANSOM, is the dam of STRUT THE STAGE & SACRED SONG. MR Z’s 4th dam is none other than the great GOLD DIGGER, who is the dam of MR PROSPECTOR.

OCHO OCHO OCHO’S 3rd dam is none other than the incomparable PERSONAL ENSIGN.

BOLO’S 2nd dam, ASPENELLE, is the dam of MINING MY OWN, dam of Kentucky Derby winner MINE THAT BIRD and the champion DULLAHAN. Below, Churchill Downs welcomes MINE THAT BIRD in 2013:

KEEN ICE’S 4th dam, CHIC SHRINE, is the grandam of HUNGRY ISLAND, SOARING EMPIRE, VERRAZANO, EL PADRINO & SOMALI LEMONADE.

 

 

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 

 

 

 

 

 

 

 

 

 

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SEABISCUIT with Marcella Howard. Photo and copyright, Chicago Tribune

SEABISCUIT shares a moment with (Mrs.) Marcella Howard. Photo and copyright, THE CHICAGO TRIBUNE.

I have often wondered what our knowledge about horse racing would be like without the images of C.C. Cook, “Skeets” Meadors, Bert Clark Thayer, Bert Morgan, Tony Leonard, Bob and Adam Coglianese, Lydia Williams (LAW), Patricia McQueen, Barbara Livingston and L.S. Sutcliffe, or of Canada’s Michael Burns, Australia’s Bronwyn Healy and the UK’s Edward Whitaker, to name but a few of those whose lens’ are central to the construction of racing history.

Can you imagine taking this to the track? Photojournalist Jessie Tarbox and her camera, circa 1900.

Can you imagine taking this to the track? Photojournalist Jessie Tarbox and her camera, circa 1900.

Before I retired from a career in education, I spent a good deal of time researching the visual image and discovered, among other things, that photographs play the important socio-cultural role of holding memories in place. And perhaps because the visual image can be a “closed” representational system — and here I mean the photographic image in particular — it is adept at recording aspects of our social, cultural and universal histories in a way that all can understand. By “freezing” time in this way, photographs give us purchase on something as precious: the construction of a social and cultural history of just about everything.

If there were no images of the horses that we have loved and lost or the people and events that marked the progression of racing on the flat or over jumps from its rough beginnings to today, our collective memory would be rendered null and void. The role of the work of professional track photographers worldwide (from the famous to the fledgling) is that of a cultural ethnologist — people who record the workings of a culture so that others, outside of it, can come to understand what makes it tick. Track photographers take us into the culture of horses and people, evoking a world few of us will ever experience as intimately.

The great TONY LEONARD (back to camera) captures a moment for all time: GENUINE RISK being led in after her win in the Kentucky Derby.

The great TONY LEONARD (back to camera) captures a moment for all time: GENUINE RISK being led in after her win in the Kentucky Derby. Photograph and copyright The Chicago Tribune.

This image (below) brought me up sharply when I first saw it. C.C. Cook has captured an entire narrative in what seems, at first glance, a straightforward depiction of a thoroughbred coming on to the track. From the deserted and vast contours of the track that frame man and beast we are given to understand that both are about to confront the very essence of the game. But there is more — Cook has embodied the moment with a suggestion of anticipation, of infinite possibility, since the race itself lies ahead, in the future.

GOSHAWK walks onto the track. Taken in 1923 by the incomparable C.C.Cook.

GOSHAWK walks onto the track, with a young jockey whose last name is Keogh in the irons. Taken in 1923 by the incomparable C.C.Cook.

Goshawk (1920) is beautifully turned out, perhaps by the man walking beside him. His bandages are neat, his tail and mane braided, and his coat gleams. The son of Whisk Broom (1907) was bred by Harry Payne Whitney and sold, before this photograph was taken, to Gifford A. Cochran for the tidy sum of $50,000 USD. In the privately published “The Thoroughbred Stud of H.P. Whitney Esq.” (1928), Whitney describes the colt thus: “Goshawk was a colt of extreme speed and of stakes class.” As a two year-old, the Carol Shilling-trained Goshawk won the Saratoga Special and the Great American Stakes; at three, he won the Quickstep Handicap and ran second to the 1923 Kentucky Derby winner and Horse of the Year, Zev, in the Pimlico Fall Serial #1. Other than these few facts, little else is known of him.

But though Goshawk’s story remains obscure, Cook has given the colt immortality by setting his image in the landscape of his time.

Who knew? MAN O' WAR and Will Harbut in what seems to be an ad campaign for Dodge! Photo and copyright, the digital library of the University of Kentucky.

Who knew? MAN O’ WAR and WILL HARBUT in what seems to be an ad campaign for Dodge. Date unknown. Photo and copyright, the Digital Library of the University of Kentucky.

They were children, their bones and hand-eye coordination still developing.  Why weren’t they in school, or within the safety of their families? What brought them to the track? It seems almost unbelievable that children were competing in one of the most dangerous sports of the day — in the Twenties and Thirties, boys of twelve and thirteen were professional jockeys.

Jockey BASIL JAMES.

Jockey BASIL JAMES. In 1936, at the age of 16, James led all American jockeys in winnings. Photo and copyright, The Chicago Tribune.

BOBBY JONES (centre) and two other unidentified jockeys at trackside in 1926.

BOBBY JONES (centre) and two other unidentified jockeys at trackside in 1926. The son of a thoroughbred owner, Jones led all jockeys in earnings in 1933. Photo and copyright, The Chicago Tribune.

Jockey EARL PORTER with an unidentified woman.

Jockey EARL PORTER with an unidentified woman. Porter was a champion jockey in the 1930’s in the USA. Photo and copyright, The Chicago Tribune.

Jockey IRA HANFORD (rode Bold Venture to win the Kentucky Derby) with Max Hirsch and daughter, Mary Hirsch.

Jockey IRA “Babe” HANFORD, who rode Bold Venture to win the 1935 Kentucky Derby, with Max Hirsch and daughter, Mary Hirsch. Photo and copyright, The Chicago Tribune.

Innumerable track images convey aspects of racing history that are iconic, even though they were often taken before anyone had a sense of why they might matter in the future …..

MAN O' WAR'S sire, FAIR PLAY, is shown here receiving a visit from ELIZABETH KANE.

MAN O’ WAR’S sire, FAIR PLAY, is shown here receiving a visit from Riddle farm manager, ELIZABETH KANE. Photo and copyright, THE BALTIMORE SUN.

The champion filly, MRS. RUSTOM, shown here in 1934. Bred by the Aga Khan, MRS. RUSTOM was brilliant at two, winning the Gimcrack, Dewhurst and the Ham Stakes.

The champion filly, MRS. RUSTOM, shown here in 1934. Bred by the Aga Khan, MRS. RUSTOM was brilliant at two, winning the Gimcrack, Dewhurst and the Ham Stakes.

EXTERMINATOR and his best buddy, PEANUTS, lead horses to the post at Pimlico for the Exterminator Handicap.

EXTERMINATOR and his best buddy, PEANUTS, lead horses to the post at Pimlico for the Exterminator Handicap.

Few remember that NORTHERN DANCER ran most of his life with a debilitating hoof problem. Here, the arrow indicates the troublesome hoof as the colt grazes, circa 1964.

Few remember that NORTHERN DANCER ran most of his life with a debilitating hoof problem. Here, the arrow indicates the troublesome hoof as the colt grazes, circa 1964.

These white thoroughbreds are the first to be caught in a photographer's lens. They are WHITE BEAUTY and her brother,

These white thoroughbreds are among the first to be caught in a photographer’s lens, circa 1966. They are WHITE BEAUTY and her half-brother, WAR COLORS (outside), who was also categorized as a roan.

FERDINAND with WILLIE SHOEMAKER, pre-Derby. Several informal photos of the pair make it clear they loved each other.

FERDINAND with WILLIE SHOEMAKER, pre-Derby. Several informal photos of the pair make it clear they loved each other.

1973: GUNSYND, the "GOONIWINDI GREY" was only ever defeated once in starts of over one mile. He was then -- and remains -- beloved.

1973: GUNSYND, aka the “GOONDIWINDI GREY” was only ever defeated once in starts over one mile. He was then — and remains — beloved by Australian racing fans.

Lord Derby's stud, showing four outstanding stallions out for their daily walk with their lads: ALCYDION,

Lord Derby’s stud, showing four outstanding stallions out for their daily walk with their lads: ALYCIDON, NEVER SAY DIE, HYPERION and RIBOT.

1966: The injured ARKLE visits with his owner, Anne Grosvenor, the Duchess of Westminster. Three years later, succumbing to severe arthritis, ARKLE was gone.

1966: The injured ARKLE visits with his owner, Anne Grosvenor, the Duchess of Westminster. Three years later, succumbing to severe arthritis, ARKLE was gone.

BATTLESHIP and another son of MAN O'WAR, WAR VESSEL, depart for England aboard ship where the former would win the Grand National at Aintree.

BATTLESHIP and another son of MAN O’WAR, WAR VESSEL, depart for England aboard ship. BATTLESHIP was on a journey that saw him win the Grand National at Aintree,inscribing his name into a pantheon of champions.

Australia's legend, PETER PAN, shown here reading the morning paper.

Australia’s racing legend, PETER PAN, shown here reading the morning paper.

RUFFIAN being led in by owner Stuart Janney after her win in the last of American racing's Triple Crown For Fillies.

RUFFIAN being led in by owner Stuart Janney after she completes American racing’s Triple Crown For Fillies. Photo and copyright, NYRA.

 

Other images capture thoroughbreds, trainers and handlers interacting at work and play.

Canadian Michael Burns' fine shot of SECRETARIAT and Ronnie Turcotte working at Woodbine, in Toronto, before the colt's final race.

Canadian Michael Burns’ fine shot of SECRETARIAT and Ronnie Turcotte working at Woodbine, in Toronto, before the colt’s final race. Moments later, Turcotte would be set down, denying him one last ride on the colt he loved. Photo and copyright, MICHAEL BURNS.

The great ALYDAR with trainer, John Veitch.

The great ALYDAR with trainer, John Veitch, who makes no secret of his high regard for a colt who never gave up.

SUNDAY SILENCE and Charlie Whittingham.

SUNDAY SILENCE and HOF trainer Charlie Whittingham share a secret. Photo and copyright, THE CHICAGO TRIBUNE.

GREYHOUND with his Dalmatian dog.

GREYHOUND with his Dalmatian dog.

SYSONBY at Saratoga in 1904 takes a time-out to graze and watch the action on the backstretch.

SYSONBY at Saratoga in 1904 takes a time-out to graze and watch the action on the backstretch.

"SUNNY JIM" FITZSIMMONS trains youngsters at the starting gate before it went high-tech.

“SUNNY JIM” FITZSIMMONS trains youngsters at the starting gate before it went high-tech. Photo and copyright, THE CHICAGO TRIBUNE.

The gallant SWAPS meeting fans after a work out.

The gallant SWAPS meeting fans after a work out. Could this be a young Art Sherman in the saddle, trainer of 2015 HOTY CALIFORNIA CHROME? Photo and copyright, THE BALTIMORE SUN.

IMPERATRICE (centre), grandam of SECRETARIAT,

IMPERATRICE (centre), grandam of SECRETARIAT, wins the Fall High Weight Handicap at Belmont in 1942. Note her uncanny resemblance to Secretariat’s daughter, TERLINGUA, born over thirty years later. Photo and copyright, THE BALTIMORE SUN.

Minutes after his birth, baby IRON LEIGE and his dam,

Minutes after his birth, baby IRON LIEGE and his dam, IRON MAIDEN (daughter of WAR ADMIRAL). IRON LIEGE grew up to win the 1957 Kentucky Derby.

 

The romance of the turf gives these old photographs a patina all their own…..

Celebrated photographer and author, BERT CLARK THAYER, appears to be studying his subject's interest in his camera.

1940’s: Celebrated photographer and author, BERT CLARK THAYER, appears to be studying his subject’s interest in his camera.

COLONEL MATT WINN pictured in 1937.

COLONEL MATT WINN pictured in 1937. In 1902, when Churchill Downs in Kentucky was in serious financial difficulty, Winn formed a syndicate of investors to save it. A brilliant marketing manager, it was Winn who convinced Harry Payne Whitney to bring REGRET to Churchill for the Kentucky Derby, which she won.

1927: Lord Durham leads in his Epsom Oaks winner, BEAM, who broke the existing track record.

1927: Lord Durham leads in his Epsom Oaks winner, BEAM, who also broke the existing track record.

Two members of an American racing dynasty, FOXHALL AND JAMES KEENE at the races. KEENELAND is named after this distinguished American family.

Two members of an American racing dynasty, FOXHALL AND JAMES KEENE at the races.

OGDEN PHIPPS leads in Withers winner, WHITE COCKADE. The Phipps family remains prominent in American racing today.

OGDEN PHIPPS leads in Withers winner, WHITE COCKADE. The Phipps family remains prominent in American racing today.

Trainer GINGER McCAIN walking his champion, RED RUM. Ginger faithfully visited "Rummy" until the end of his days.

Trainer GINGER McCAIN walking his champion, RED RUM. Ginger faithfully visited “Rummy” until the end of his days.

WILLIAM WOODWARD at the track. The Woodward is named after him.

WILLIAM WOODWARD at the track. The Woodward is named after him.

1950: A dramatic shot of fillies rounding Tottenham Corner in the Epsom Oaks that same year. ASMENA was the winner.

1950: A dramatic shot of fillies rounding Tottenham Corner in the Epsom Oaks that same year. ASMENA was the winner. Photo and copyright, REUTERS.

1930: Horses go to the post in the Massachusetts Handicap, won by MENOW. Triple Crown winner WAR ADMIRAL is also in here somewhere.

1930: Horses go to the post in the Massachusetts Handicap, won by MENOW. Triple Crown winner WAR ADMIRAL is also in here somewhere.

Although women were either forbidden or else given restricted access to the track in 1925, Laura Walters found an innovative way to show her enthusiasm.

Although women were either forbidden or else given restricted access to the track in 1925, Laura Walters found an innovative way to show her enthusiasm.

1927: Mrs. John D. Hertz, who would later race Triple Crown winner COUNT FLEET, is shown here congratulating Chick Lang who guided her champion filly, ANITA PEABODY, to another win.

1927: Mrs. John D. Hertz, who would later race Triple Crown winner COUNT FLEET, is shown here congratulating Chick Lang who guided her champion filly, ANITA PEABODY, to another win.

Australian superstar TULLOCH, trained by TJ Smith, coming right at you.

HOF and Australian superstar, TULLOCH, trained by the great Tommy J. Smith, Gai Waterhouse’s father. TULLOCH is rated with the likes of champions PHAR LAP, CARBINE and BERNBOROUGH.

 

As newspapers and magazines worldwide go digital, their press photographs are turning up at auction, where some go for as much as $400 – $500 USD. And it’s not public libraries that are buying them but private collectors, thereby making them basically inaccessible to the rest of us.

We wonder if this dispersal might have sad consequences for those studying the thoroughbred and its history in the future. Perhaps it’s a generational “thing” to wonder if every photograph is being digitalized — as opposed to someone guessing what ought to be saved. Or to question the logic behind dispersals of this nature, as in: Why is there nothing to compel newspapers to turn their photo archives over to an institution like the Keeneland Library, that already holds the work of several important track photographers?

But perhaps that’s not state-of-the-art thinking in 2015.

The champion BILLY BARTON arrives from America to run in the Grand National. Only he and the winner, TIPPERARY TIM, would finish the race that year.

The champion BILLY BARTON arrives from America to run in the 1928 Grand National at Aintree. Never an easy horse to handle, brilliant BILLY is looking like he’ll kick up a fuss. On race day, only BILLY and the winner, TIPPERARY TIM, would cross the finish line. Photo and copyright, THE BALTIMORE SUN.

This may look like a typical shot, but it isn't. It shows the three gaits used by trotters and pacers all in the same frame.

This may look like a typical shot, but it isn’t. It shows the three gaits used by trotters and pacers — all in the same frame. Now imagine capturing this image in the 1940’s.

1941: SEABISCUIT leaves the track for the very last time.

1941: SEABISCUIT leaves the track for the very last time. Photo and copyright, THE CHICAGO TRIBUNE.

 

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Every nation has its pantheon of thoroughbred champions. In Australia, Bernborough’s name is one that still carries the power of greatness, even though he raced there over half a century ago. Adding to his legendary performance on the turf was the fact that, through no fault of his own, Bernborough was also an enigma…..

Bernborough: as the Daily Telegraph put it, in a 33-page circular they produced about the champion shortly after his retirement: ” … He is one of those extraordinary horses which turn up every now and then and are remembered for a lifetime.” Praise like this is reserved for only the greatest thoroughbreds, making it remarkable that Bernborough (1939) received this kind of accolade from the Australian press. It wasn’t that he lacked the “extraordinary.” It was more that he only got to the big Australian racecourses when he was  six  — and was retired less than 18 months later. But in that short time, Bernborough started 18 times, chalking up 15 consecutive wins against “all comers.” And it wasn’t just that he won — it was the way he did it. 

EMBOROUGH, the sire of BERNBOROUGH descended from the powerful GALOPIN sire line.

EMBOROUGH (1932), the sire of BERNBOROUGH, descended from the powerful NEWMINSTER (1848) sire line. More importantly, he was a son of GAINSBOROUGH (1915), the sire of HYPERION (1930).

The Sun News tribute to BERNBOROUGH on his retirement ran for 33 pages.

The Daily Telegraph’s tribute to BERNBOROUGH on his retirement ran for 33 pages.

Bernborough was bred in Queensland by Harry Winten at his Rosalie Plains Stud, although Winten died shortly thereafter. Bernborough was by the imported British stallion, Emborough, out of an Australian-bred mare called Bern Maid (1921) who, like the colt’s sire, also hailed from the Newminster sire line. Bern Maid was a very old lady when she and Bernborough were offered at the dispersal of Winten’s bloodstock, where they were bought by one John (“Jack”) Bach, who reputedly described the youngster as “the lousiest thing” he’d ever seen. The year was 1940 and World War Two was in full swing. A month later, Albert Hadwen paid Jack Bach 140 APS for Bernborough and in April 1941, he was shipped to the stables of trainer Bob Mitchell, in Toowoomba, Queensland to learn how to become a racehorse.

Young BERNBOROUGH beginning to learn his job.

Young BERNBOROUGH beginning to learn his job, Billy Nielsen up. He was still no beauty as a juvenile, but in the huge chest and powerful neck there seemed a promise of greatness.

It is impossible to say how tall the “trainee” was at the time of his arrival to Mitchell, although a rare early shot of Bernborough at around the age of two (above) shows an imposing frame. At maturity he stood a full 17.1 h with a girth that measured 72 inches and a galloping stride of 25 feet. (Phar Lap’s girth was 74 inches; his stride also 25 feet.)  In other words, Bernborough was a monster of a horse. But like other “gentle giants” of horse racing history, he was sweet-tempered and so docile that a toddler was safe on his back. He was also bomb-proof. Other distinguishing features were a white diamond in the centre of his brow and a mane that fell naturally on the left, rather than on the right, as would be the case in at least 85% of all horses.

The only marking on his otherwise bay coat was the star right in the centre of BERNBOROUGH'S brow.

The only marking on his otherwise bay coat was the star right in the centre of BERNBOROUGH’S brow.

Bernborough made his first start on February 7, 1942 as a 2 year-old at Toowoomba racecourse. He won when the winner was disqualified for cutting him off as the colt launched what would become a signature late charge. Unimpressed by the victory, Hadwen leased Bernborough to a Mr. J. Roberts. Losing his next start, the colt went on to win his next three handily. Owner Hadwen and trainer Mitchell were delighted, perhaps even more so given Bernborough’s size. Colts as large as 17.1 h will never be able to boast the manoeuvrability of smaller thoroughbreds and for the same reason, may also take longer to develop. But Bernborough not only showed signs of settling into his big frame, he was also able to win at the comparatively short distances of 5-5 1/2 furlongs. Quite a feat for such a big juvenile.

Until the end of his 5 year-old season, Bernborough was confined to Toowoomba racecourses despite his brilliance. From August 1, 1942-July 28, 1945, the big bay would come home 9 times a winner in 14 starts, winning at distances from 6-9 furlongs for owner Hadwen. And Bernborough won carrying top weight even though he was often condemned to race against inferior horses. His running style was electric. Bernborough was a closer — but he showed that he could shut down the field from as far back as twenty-third going into the final stretch. As his reputation grew, spectators would wait for the inevitable charge and roar their approval as the champ cruised home. Below is a link to a Southern Queensland (AUS) page; please scroll half-way down to the screen that shows a horse race, subtitled ” Australian Diary: Australia’s Richest Horse Race” to view remarkable footage of Bernborough’s typical closing style:

http://www.nfsa.gov.au/blog/2013/05/02/southern-queensland-time-capsule/

This was the sight that electrified race goers in Toowoomba: "BERNBOROUGH first and the rest nowhere" is the phrase that comes to mind.

This was the sight that electrified race goers in Toowoomba. “BERNBOROUGH first and the rest nowhere” is the phrase that comes to mind.

As his reputation grew over his 3, 4 and 5 year-old campaigns, attempts were made to start Bernborough outside Toowoomba, but all failed.

The reason had to do with his original owner, Frank Bach, who was accused by the powers-that-be of swapping two different thoroughbreds, years before Bernborough raced. In January of 1941, Bach was disqualified for life by the Queensland Turf Club (QTC), which meant that any horse he owned would, in turn, be barred from racing outside of Toowoomba. Even when it was shown that Bach no longer owned Bernborough, the vendetta of the QTC continued against the horse, possibly as a way of getting back at him for managing to overturn his disqualification in a subsequent court battle. There seems little doubt that he was guilty, but the evidence was flimsy, leaving the QTC at a decided disadvantage in making their original ruling stick. Going after Bach horses, especially a champion like Bernborough, likely struck them as a perfect way to get revenge. The QTC had the power to bar any horse they wanted from running in Brisbane and the same horse was barred from running on interstate racecourses anywhere in Australia unless sanctioned by them.

So, as Bernborough’s brilliance grew, so did the frustration of being denied the opportunity to run the him against the best horses in places like Brisbane, Melbourne and Sydney. He was even transported at least twice to Brisbane and Sydney, only to be denied the right to race in the eleventh hour by the QTC and the Australian Jockey Club, respectively.

BERNBOROUGH disembarks from a "float" as these conveyances were called. Outfitted accordingly, floats were used to transport race horses at this time.

BERNBOROUGH disembarks from a “float” as these conveyances were called. Outfitted accordingly, floats were used to transport race horses all over Australia at this time.

Whether Bernborough’s owner Hadwen was moved by financial gain or principle or both, Bernborough appeared in the stables of trainer H.T. Plant of Sydney in 1945, where he was offered for sale. News of the horse’s brilliance had filtered through to the big racing centres and shortly thereafter he was purchased by the flamboyant restauranteur, Azzalin Romano, for a reported 2600 guineas.

Romano, a native of Padua, Italy, arrived in Sydney in 1923 where, four years later, he opened Romano’s restaurant. By the 1940’s, Romano’s was the “place to be seen” in Sydney, catering to the rich and famous. Stars like Maurice Chevalier and Vivien Leigh dined there; during WWII, the future Prince Phillip, Duke of Edinburgh, as well as Edgar Rice Burroughs (then a war correspondent), Bob Hope, Gracie Fields and Frank Sinatra frequented Romano’s. Passing into the hands of an influential character like Romano resolved the dilemma of getting Bernborough entered in races beyond Toowoomba for once and for all.

As events in the Pacific theatre of WWII shook the people of Australia and New Zealand, entertainment that distracted became vital. So the arrival of Bernborough at the big racecourses fuelled a surcharge of enthusiasm that rivalled that of Phar Lap. Of course, other great thoroughbreds were racing in Sydney, Brisbane and Melbourne too.

There was the fabulous mare and Australian HOF, Flight (1940), twice winner of the Cox and Craven Plates, as well as the Mackinnon, Orr, Knox and Colin Stephens Stakes. Flight stood a diminutive 15.2 hands but her girth, a staggering 73.5 inches, was bigger than that of Bernborough’s. Racing fans were dazzled by the talented mare, who would defeat Bernborough as well as the mighty Shannon, another hero of the turf at this time. In fact, one of THE VAULT’S readers has written to say that his grandfather considered Flight the greatest Australian race mare to ever run. Flight might not have gained international attention but she was, without question, one of the greatest Australian thoroughbreds ever.

FLIGHT was one of the greatest mares ever to race in Australia. Although she would succumb to birthing complications in 1953, a daughter produced the champion SKYLINE.

FLIGHT was one of the greatest mares ever to race in Australia. She made 65 starts, with a race record of 24-19-9 and retired at the age of six. Although she would succumb to birthing complications in 1953, her only daughter, FLIGHT’S DAUGHTER (1949), produced the champions SKYLINE (1955) and SKY HIGH (1957).

SHANNON arrives in Brisbane, where he won the 1946 Doomben Cup.

SHANNON in full “travel gear,” circa 1946.

Another champion, albeit one who never met up with Bernborough, was Shannon (1941). A remarkable thoroughbred described by author Jessica Owers as “peerless,” he was also the fastest horse that Johnny Longden — who had ridden Count Fleet — had ever sat astride. Racing to brilliance in Australia, Shannon was imported to the USA  after being bought by Harry Curland. Unlike Ajax, who had also been acquired by American interests, Shannon was bought to race in America, where he became Shannon II. For a summary of this great thoroughbred’s career (who is the subject of Jessica Owers’ latest book) please click on this link: https://www.thoroughbredracing.com/articles/shannon-horse-time-forgot

Now in training at Randwick with H.T. “Harry” Plant, Bernborough’s racing debut was hotly anticipated: could the “TOOWOOMBA TORNADO” really be as good as his record showed racing against Australia’s finest?

BERNBOROUGH shown winning the Spring Handicap at Toowoomba in 1944, shortly before he began to develop foot problems and before his sale to Romano in 1945.

BERNBOROUGH shown winning the Spring Handicap at Toowoomba in 1944, shortly before he began to develop foot problems, and before his sale to Romano in 1945.

In 1945, before shipping to Harry Plant’s stables where he was purchased by Azzalin Romano, Bernborough had been upset when another horse heading to the Toowoomba track behind him had kicked a tin barrier. The champion bolted and fell, injuring a fetlock and sustaining some lameness in one shoulder. Accordingly, he was put away for a bit until his injuries had healed, but when Bernborough returned to competition, carrying crushing weights of between 132-148 lbs., he didn’t seem to have the same sparkle. After a third loss, the 5 year-old came up lame again. Bernborough’s hooves were checked; it was decided that he had soft corns and he was re-shod. However, after only one win and one place in seven starts, Hadwen (who still owned him at this time) switched the big bay to the stables of Ernie Peck. There it was discovered that Bernborough have two in-growing corns in both hooves. Once his hooves were trimmed back and he had time to heal, Bernborough was quick to return to form. On June 30, 1945, he carried 148 lbs, raced twice and won both. These wins were his last appearance in Toowoomba.

H.T. "HARRY" PLANT

H.T. “HARRY” PLANT

In the hands of Harry Plant, the consummate horseman-turned-trainer, Bernborough was readied for the campaign that would transform him into a thoroughbred legend. Like all the greatest of trainers, Plant could “read” his horses and he was intent on doing the best by them and for them. During his time with Bernborough, Plant — who had planned to buy him from Hadwen himself but was outbid by Romano — was instrumental in keeping Romano from over-extending Bernborough … most of the time. A chief concern of the trainer’s was the amount of weight that the champion was assigned; Bernborough was the kind of individual who always tried his best, and a thoroughbred burdened with crushing, “dead” weight, who would perform to his maximum regardless, courted the real possibility of a heart attack or a fatal breakdown. At a time when the sport was harsh on thoroughbreds, Plant was a rare example of a man who understood and respected them.

The “bush champ” ran fourth in his first race for owner Romano and then kicked off a succession of 15 consecutive victories on racecourses in Sydney, Melbourne and Brisbane against top thoroughbreds like the aforementioned Flight (who was beaten a head by Bernborough in the 1946 Chipping Norton Stakes and lost to him another three times), the Sydney and AJC Plate winner, Craigie (1940) and the AJC Derby and Sires Produce Stakes winner, Magnificent (1942). Accolades rained down from horsemen and journalists alike, while fans made the big, dark horse, whose finishing style left them speechless and whose courage lifted their hearts, a turf hero.

BERNBOROUGH (outside) roars passed MAGNIFICENT

BERNBOROUGH (outside) roars passed MAGNIFICENT to win the Warwick Stakes at Randwick. Photo and copyright, Sun News, Australia

 

In fact, Australian race goers in the big race centres took to the “Toowoomb Tornado” from his very first victory for the Plant-Romano connections, where he unleashed a withering drive in the 1 mile 19 yds. Villiers at Randwick to finish just slightly off the track record. Jockey Mulley had trouble pulling him up and decided to let Bernborough run on before putting on the brakes. As though he knew the roar from the grandstand was for him, on his way back to the winner’s circle Bernborough stopped in front of the grandstand and acknowledged the cheers with a bow.

Of course, even a great horse doesn’t win all on his own. Together with the ministrations of his trainer, Bernborough also had the services of the 101 lb. jockey, Athol George Mulley. Mulley was noted for being a great horseman, as well as for his vivid personality. Although accused by various and anon for his occasional poor judgement when riding Bernborough, he won his first of two Sydney Jockey Premierships in 1945-1946 for his important contribution to the horse’s consecutive winning streak. His behaviour prior to the Chipping Norton Stakes captured some of what made Mulley tick: for days prior to the running, he received substantial bribes, as well as a number of threatening phone calls, but refused to bend to those who wanted Bernborough to lose. (As it turned out, the horse could have lost without all this underworld action, since the brilliant Flight refused to be headed and the two horses hit the wire in a dead heat with Bernborough prevailing by a short head.)

BERNBOROUGH (in the lead) takes a turn with other thoroughbreds on the track at Randwick.

BERNBOROUGH (in the lead) takes a turn with other thoroughbreds on the track at Randwick.

Mulley and his big horse quickly became an indomitable pair. Mulley believed that Bernborough had his own game plan before a race and he may have, although the formula, with rare exceptions, followed pretty much the same formula: break slowly and relax near the back of the pack, hit second gear and move up to the leaders and then roar home. And it worked — 15 times in a row. Bernborough was clocked in one race covering the final 4 furlongs in 46 records — not since 1921 had an Australian thoroughbred run faster.

Photo and copyright,

Photo and copyright, Sun News, Australia

If you’d asked Harry Plant to name Bernborough’s best race, he would have picked the Doomben Cup, run at just under 11 furlongs on June 8, 1946, when the horse was seven years-old. The handicappers had assigned “Bernie” (as he was called by his owner, trainer and stable lads) the crushing weight of 151 lbs. but Romano, swollen with delight at his horse’s repeated victories, couldn’t think of pulling out of such a prestigious race. Romano wasn’t a cruel man, but he was a wheeler-dealer and knew little about thoroughbreds, relying on Plant to guide him. But despite advice to the contrary, Plant lost this round. The trainer was heard to say to his big, courageous horse as Bernborough was saddled, ” You wouldn’t run if I owned you, old fella.”

BERNBOROUGH with trainer Harry Plant.

BERNBOROUGH with trainer Harry Plant.

 

Trailing the field by 14 lengths, Bernborough began to pick up speed with urging from Mulley at about the 5 furlong mark. It was a large field and there was a lot of crowding, causing Bernborough to clip heels with the filly Tea Cake and almost go down in the process. Mulley righted his mount, only to have Bernie run into by another horse, who was beginning to falter, 4 furlongs from the wire. Mulley shot for the rail, mindful of the weight Bernborough was carrying and hoping to save him ground at the finish, but quickly found himself locked in by Scobie Breasley on Tea Cake. Jim Duncan swung Craigie to the outside of Tea Cake, hoping to close any gaps that Bernborough might get through. The only way out was to pull Bernie up and to get around the other horses to the extreme outside. Going five-wide, the mighty horse overtook the leaders, to win by a length going away. The time of 2:14 3/4 was a new track record — and the horse was going easy. It was, as Trevor Denman famously called when the great  Zenyatta crossed the wire to win the 2009 BC Classic, a “simply un-bee-lievable” performance.

BERNBOROUGH DOOMBEN_article22241938-3-001

 

BERNBOROUGH (white headband) shown winning the 1946 Doomben Cup.

BERNBOROUGH (in characteristic white browband) shown winning the 1946 Doomben Cup.

 

The inevitable, given the weights, Bernborough’s popularity and Romano’s largely ignorant enthusiasm, happened on November 2, 1946 in the LKS MacKinnon Stakes as Bernborough challenged for the lead. It was the only time that the superb mare, Flight, would beat him home. Under jockey Bill Briscoe (Mulley having been taken off Bernie when the horse failed to place in the 1946 Caulfield Cup) Bernborough was drawing close to Flight when his foreleg seemed to crumple under him: he had fractured the sesamoid in his right foreleg. Briscoe reported that he heard what sounded like a gun shot and quickly dismounted, fearing that the horse had actually been shot.

The injury proved non-lifethreatening, but it would be weeks before Bernborough was out of danger. In fact, many thought that their turf hero had been euthanized, until the news came that he was safe in trainer Plant’s care. During the whole time his leg was being bandaged up, Bernie laid his head on Harry Plant’s shoulder and whickered his distress. The trainer was so moved that he spent that first night with Bernie in the barn.

In the footage below, Bernborough’s breakdown is caught, as well as the reaction of his fans and some rare footage of Flight crossing the finish line. It speaks loud of the esteem in which Bernborough was held and the uncertainty as to whether or not he would survive his injuries. (Note: Unlike some coverage of breakdowns, this footage is respectful. There are no close-ups of the actual breakdown itself. No need to worry about being confronted with something distasteful, even though it seems a very sad ending for a “wonder horse,” as the reporter’s tone reflects.)

Full recovery would depend on Bernborough not doing any further damage to himself. Being a sensible and calm individual, the champion helped those caring for him by doing everything in his power to expedite a full recovery. It was reported that he would walk on three legs, as though he knew that he needed to keep his foreleg safe, stand on all-fours a bit and then carefully lie down. Plant and Bernie’s lads hovered close and owner Romano brought his champ assorted treats. A month after the accident, the veterinarians attending him declared that Bernborough had made incredible progress. He was finally out of danger, but the mighty Bernborough would never race again.

BERNBOROUGH being led into the van after his breakdown. In the photo, you can see the swelling in his foreleg.

BERNBOROUGH being led into the van after his breakdown. In the photo, you can see the swelling in the injured foreleg.

The news of Bernborough’s breakdown went viral (by standards of the day!) and in the USA, the reaction was mixed. There had been rumours that Romano was going to ship the horse to the USA to take on Citation and other American champions. After only recently sustaining the blow of having Phar Lap die on its shores, some turf writers expressed relief that Bernborough had broken down at home and not in America. However, not long after Bernborough’s recovery was assured, Azzalin Romano arrived in California, armed with film reels of Bernie’s victories, seeking to sell him to American breeders. A deal was secured with movie mogul Louis B. Mayer who then contacted Leslie Coombs II to stand Bernborough at Spendthrift in Kentucky. Mayer bought the stallion for the equivalent of $310,000 USD — an astronomical price in those days that eclipsed the record amount that had been paid for the stallion Tracery by $51,000 USD.

The news hit Australians very, very hard. When Bernborough left Melbourne in early February of 1947, two hundred well-wishers gathered. In Sydney, a police guard was needed to keep ardent fans from crowding the stallion and nicking hair from his tail as a keepsake. Bernborough travelled to America with his usual relaxed attitude, arriving at Spendthrift in the company of the stud farm manager, Louis Doherty, who had met the ship in San Francisco. There Bernborough and Harry Plant, who had accompanied him on the voyage across the Pacific, said their final goodbyes. They would never see one another again.

There was, however, another Aussie to arrive at Spendthrift — the great Shannon.

BERNBOROUGH "meets" SHANNON II at Spendthrift.

BERNBOROUGH (in barn) “greets” SHANNON II at Spendthrift.

In America, Bernborough did very well as a stallion, with progeny being sold and sent all over the world. Among his best were Hook Money (1951), winner of the 1955 Ayr Gold Cup, Berseem, who set a 6-furlong track record at Santa Anita, Brush Burn (1949), winner of 15 races, Parading Lady (1949), winner of the Acorn and the Vosburgh (against the colts), Bernburgoo (1953) who defeated Round Table (1954) in the Warren Wright Memorial Stakes and Bernwood (1948), who set a one-mile track record at Washington Park. All in all, the stallion had 21 stakes winners that are known (records from countries like Peru, the West Indies, Mexico and Panama being scarce). As well, Bernborough was the BM sire of the great Jay Trump (1957), who won the Grand National in 1965; and Getting Closer (1978), a great-great grandson, won the Doomben Ten Thousand/Rothman’s Hundred Thousand in 1984.

JAY TRUMP is led in after winning the Grand National at Aintree.

JAY TRUMP is led in after winning the 1965 Grand National at Aintree.

HOOK MONEY, champion son of BERNBOROUGH

The gorgeous HOOK MONEY, a champion son of BERNBOROUGH

 

Below is rare footage of another son of Bernborough, the champion First Aid (1950), winning the 1955 Whitney at The Spa (please note there is no sound):

Bernborough lived until 1960, when he died of a heart attack in his paddock as Clem Brooks cradled the great horse’s head in his arms.

Bernborough was inducted into the Australian Racing Hall of Fame in 2001.

Sometime after the publication of Jessica Owers’ book about Shannon, Spendthrift Farm erected two brass plaques to honour both Bernborough and Shannon II.

BERNBOROUGH at stud at Spendthrift in Lexington, Kentucky.

BERNBOROUGH at stud at Spendthrift in Lexington, Kentucky.

Bonus Footage:

 

Recommended books:

Duncan Stearn’s fabulous book, Bernborough: Australia’s Greatest Racehorse. (ISBN: 9780987090218)

Zeb Armstrong’s e-book, The Bernborough Phenomenon

Jessica Owers’ equally fabulous tale of Bernborough’s contemporary, Shannon: Before Black Caviar, So You Think Or Takeover Target, There Was Shannon (ISBN: 9781742750248)

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Since THE VAULT first published, it has been my goal to research and write about the development of the thoroughbred and the sport in Australia and New Zealand. While the story of Phar Lap is universal and the exploits of the incomparable Black Caviar and So You Think turned world attention to thoroughbreds from “down under,” these contemporary champions are only the most recent in a star-studded history. In fact, Australia and New Zealand have produced absolutely brilliant individuals that could hold their own in the company of great thoroughbreds anywhere and the history of how these stars came to be is rich and fascinating. As well, uncovering some of this history has only reinforced my sense of how intermingled the families of thoroughbreds are worldwide and how these connections have brought us the individuals who light up the turf from Great Britain to the USA to India to Japan today.

This, then, is the first of a series on thoroughbreds from Australia and New Zealand and begins, quite properly, with a thumbnail history of the origins of the sport. 

(NOTE: Being Canadian and having few contacts in either Australia or New Zealand, it has been very difficult trying to discern what books to buy that would give me a good history of the Australian and New Zealand thoroughbred, including significant people as well as thoroughbred champions. Any suggestions from VAULT readers would be deeply appreciated!) 

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BACKGROUND

The horse wasn’t indigenous to Australia, but with the arrival of British colonists it quickly became an essential component of settling the “new” land (i.e. “new” to the settlers, that is).

As is the case worldwide, the Australian and New Zealand (AUS + NZ) thoroughbred owes its origins to Great Britain, where the breed originated. However, AUS + NZ have a history of close collaboration in the development of their thoroughbred horse, much like that of England and Ireland. Although often lumped together for this reason, AUS + NZ are, of course, different cultures with different histories, even though Australians have embraced New Zealand-bred champions as their own. To this day, prestigious trainers like Bart Cummings (So You Think, Kingston Rule, Saintly and countless other great individuals) visit the New Zealand bloodstock sales looking for future stars — and they are seldom disappointed.

There are, of course, differences in the breed and the sport itself in AUS+ NZ that make comparison with other countries difficult, if not impossible. In the Southern Hemisphere (SH), a thoroughbred’s birthdate is August 1, not January 1 as it is in the Northern Hemisphere (NH). In other words, in any given year, a NH thoroughbred is more than half a year older than a SH thoroughbred. The best way to compare individuals has always been to race them against each other, but SH horses have historically done poorly when shifted to NH climes, and vice versa. There have been a few exceptions, of course, but they are too few and far between to aid in any serious comparison. Even Black Caviar seemed at a distinct disadvantage at Royal Ascot; the same might be said of So You Think, a great champion in his native Australia who adjusted rather poorly to his new digs at Ballydoyle.

Another unique feature of AUS + NZ racing is that geldings are invited to run in classic races. And a good thing, too, since a number of AUS+ NZ’s greatest thoroughbreds have been geldings, among them the mighty Phar Lap, who was bred and born in New Zealand and became one of Australia’s best-loved thoroughbreds during the Depression era.

SO YOU THINK, a two-time winner of the Cox Plate,  was equine royalty in Australia before he was shifted from trainer Bart Cummings to Ballydoyle in Ireland. Despite his victories in Great Britain, can we say that we really saw the true So You Think?

SO YOU THINK, a two-time winner of the Cox Plate, was equine royalty in Australia before he was shifted from trainer Bart Cummings to Ballydoyle in Ireland. Despite his victories in Great Britain, can we say that we really saw the true So You Think?

From the beginning, the primary goal in breeding thoroughbreds in AUS + NZ was to get individuals who combined strength and endurance. If they also had speed, that was a bonus. None of this was made easy in the 1800’s by a steady influx of British governors who either countenanced or reviled horse racing, banning it when the latter was true. Despite the interruptions caused by racing bans, classic races were set up in AUS over distances of 1.5 -3+ M as a means of culling out horses who didn’t meet the breeding criteria. In 2014, with the advent of a market demanding speed and precocity, many races have been pruned down to shorter distances, although the greatest of the classic races, notably the Melbourne, Sydney, Brisbane and Caulfield Cups, the AJC and VJC Derbies and AJC Oaks, are still contested at distances from 1.5-2+ M. (And just as there are those who despair at the change in thoroughbred tastes in North America, Great Britain and elsewhere, so the trend has been decried in AUS + NZ.)

SKYLINE typifies the "look" of the AUS + NZ thoroughbred which focuses on solid and sensible.

Champion SKYLINE (1955) typified the “look” of the AUS + NZ thoroughbred which focuses on “solid and sensible.” However, with the recent appetite for speed, we are inclined to wonder if that “look” with its emphasis on stamina is undergoing a qualitative shift.

 

BEGINNINGS: AUSTRALIA

The first recorded instance of a thoroughbred to land in Australia (AUS), Rockingham (1790), arrived on a ship from the Cape of Good Hope in 1799.  His sire is not known for certain, but he is believed to be a son of another Rockingham (1781), a talented thoroughbred who raced in England. Precise details about the earliest thoroughbred imports are skewed by the fact that the earliest individuals in AUS linked to the development of the thoroughbred were either Arabians or mixed with Arabian blood, and this may well have been the case with Rockingham (1790). However, in 1802 the thoroughbred stallion Northumberland (nd) was imported directly from England, arriving in the company of Hector, an Arabian stallion. This would appear to indicate that the mix of different breeds — particularly that of the Arabian or “Persian” horse — was still popular amongst AUS breeders at this time and did, in fact, play a pivotal role in establishing the AUS + NZ thoroughbred breed. The first Thoroughbred mare of proven origin, Manto (1822), arrived in Sydney, AUS in 1825. The Godolphin Arabian appears in Manto’s fifth generation and her pedigree is spotted with the names of prominent early thoroughbreds, such as Woodpecker (1773), Diomed (1777), Herod (1758), Matchem (1748) and Marske (1760).

This painting of HECTOR is an indication of the accuracy of the record of his arrival to AUS in 1830. The travel companions were also known as OLD HECTOR and OLD NORTHUMBERLAND.

This painting of HECTOR is an indication of the significance  of his arrival to AUS in 1830. The travel companions were also known as OLD HECTOR and OLD NORTHUMBERLAND respectively, making the tracing of their influence even more complex.

 

By 1840 the Australian Racing Committee was formed, re-named the Australian Jockey Club (AJC) in 1842. In keeping with their mission to nurture the development of a unique AUS thoroughbred, one known for strength and stamina, the AJC inaugurated and organized a program of Classic races, the chief among them the VJC Derby (AUS oldest derby), the AJC Derby and the Melbourne, Sydney, Brisbane and Caulfield Cups. All of the races accepted into the Classic program were at distances of 1.5 miles or better.  Other states and jurisdictions in Australia developed their own racing clubs in the 19th century, including Victoria, which inaugurated its own Victoria Jockey Club in 1864, as well as Queensland, Southern and Western Australia and the island of Tasmania. By 1883, 192 racing clubs were registered with the AJC.

Under the influence of horseman like Captain Henry John Rous, Australian breeders became increasingly convinced that it was through importing British bloodstock that they would achieve a fine thoroughbred of their own and interest in Arabian bloodstock fell sharply. Rous was a British Naval Officer who came from a horse racing family that had great influence in British racing circles and was destined to become, according to Peter Willett, “the third great dictator of the British turf.” In fact, it was Rous who came up with the “weight for age” handicapping. During his visits to Western Australia in 1827-1828, Rous made connections with thoroughbred breeders and was responsible for importing the stallion, Rous’ Emigrant (1822). Another leader in the field, Charles Smith, established Bungarribee Stud at Doonside, New South Wales in 1830. The stud boasted only English-bred horses and it was Smith who gave Australia its first important homebred, Sir Hercules, who was foaled in 1843. Sir Hercules’ sons Cossack (1847), Yattendon (1861) and The Barb (1863) won the St. Leger and AJC Derby, respectively, as well as other classic races. Today many Australian thoroughbreds can still be traced back to Sir Hercules.

Another important early influence was Fisherman (1853), a British stallion imported by Hurtle Fisher in 1860 to stand at his stud in Victoria, Maribyrnong .

FISHERMAN (1853) was one of the Foundation Sires of the AUS+ NZ thoroughbred. He is depicted here by the great equine artist, Herring.

FISHERMAN (1853) was one of the Foundation Sires of the AUS+ NZ thoroughbred. He is depicted here by the great equine artist, John Frederick Herring, Sr.

If ever a horse was the incarnation of stamina and strength, it had to be Fisherman who, during his racing career, won 70 races, including 21 wins from 35 starts in a single racing season. Winner of 26 Queen’s Plate trophies and two Ascot Gold Cups, Fisherman on the occasion of his win of the first Gold Cup, was rewarded by being saddled up the very next day to run in the 3+ M Queen’s Plate — which he won stylishly, ears pricked. Fisherman was one of the best British stayers of the nineteenth century and it was little wonder he exercised such a potent influence on the AUS + NZ thoroughbred: in a short 5 seasons before his death, the champion sired 10 stakes winners and his progeny boasted a total of 25 stakes wins.

BEGINNINGS: NEW ZEALAND

New Zealand began to import its earliest thoroughbreds from New South Wales (AUS) in the 1840’s- 1850’s, having been infected by the “racing bug” through the commerce and exchange with its larger Australasian neighbour. What New Zealand brought to the table was a lush, fertile environment for raising horses, in contrast to the markedly small territory that Australia could offer, given its vast reaches of dry, arable land. By 1890, NZ racing had been organized under a central authority when all of its racing clubs were affiliated with the NZ Racing Conference. What began as the influence of one neighbour upon another continues between AUS + NZ to this day, a recent example being M.J. Moran and Piper Farm’s (NZ) superstar, So You Think, who quickly earned the love and respect of Australian racegoers. So You Think is just one of many champions to travel from NZ to AUS, where they earned the love and loyalty of a racing public who would never forget them.

The mare Lucy Banks (1839) is the first British-bred thoroughbred to be imported to New Zealand, although another mare, Moonshine(1853), together with three sons of the excellent British stallion Melbourne (1834) — Incledon(nd), The Peer(1855) and Towtown(1850) — arrived at nearly the same time, between 1857 – 1865 (approx.). What NZ breeders were after was a tough individual with middle distance ability and stamina. Like their AUS neighbours, NZ horsemen subscribed to the theory that thoroughbreds should be run “hard and often” since this seemed the best way to select out those horses that should be bred. In turn, this explained their great interest in the progeny of a British stallion like Melbourne, who sired the British Triple Crown winner West Australian (1850), the St. Leger winner Sir Tatton Sykes (1843) and the peerless winner of both the Epsom Derby and Oaks, the filly Blink Bonny (1854). So, although Melbourne never set foot in NZ, he is one of the important early sires of the AUS + NZ thoroughbred.

Still another sire of great importance to the flourishing of the breed in New Zealand was Traducer (1857), a son of The Libel (1842) who was imported in 1862. Despite his reputedly savage temperament, Traducer got 9 winners of the NZ Derby and another 8 winners of the Canterbury Cup, a weight-for-age race run over a 2.5 M course.

BLINK BONNY: the peerless daughter of MELBOURNE, won both the Epsom Derby and Oaks in 1857.

BLINK BONNY: the peerless daughter of MELBOURNE, won both the Epsom Derby and Oaks in 1857.

The greatest influence among the early imported mares was that of Flora McIvor (1828), an AUS-born daughter of Rous’ Emigrant out of Cornelia (AUS, b. 1825), a daughter of Manto. Brought to New Zealand by Henry Redwood, the “father of the NZ Turf”, the 25 year-old Flora McIvor produced two daughters by Sir Hercules: Io (1855), the ancestress of the important stallion Trenton (1881) and Waimea (1857), the ancestress of Phar Lap’s contemporary, Nightmarch (1925), and the superb filly, Silver Scorn (1929), acknowledged to be one of the best of her sex to ever race in NZ. The following short video celebrates the contribution of Redwood to the NZ thoroughbred industry, while giving viewers a glimpse into the early history of the sport:

The next major event in the development of the breed is the arrival of Musket (1867) in 1878, for it fell to this sire to produce the kind of brilliance that would put New Zealand “on the map” as a place where fine thoroughbreds could be found. Bred by Lord Glascow, Musket was a sturdy bay with a winning heart and he put both to good use, winning at distances up to 3 miles in Great Britain, including the Flying Dutchman H. (10F at York), the Ascot Stakes (2 1/2M at Ascot), Her Majestys Plate at Lincoln (2M), Her Majestys Plate at Shrewsbury (3M), the Seven Cup (2M) and the Alexandra Plate (3M) in which he carried 132lbs.

The amazing MUSKET, who had won at distances up to 3M, would give the NZ thoroughbred a world-class status.

The amazing MUSKET, who had won at distances up to 3M, would give the NZ thoroughbred a world-class status.

As great as were Musket’s gifts on the turf, in the breeding shed he lent his superb genes to sons Trenton (1881) and Martini-Henry (1880). From the latter would descend the 1946 Epsom Derby winner, Nimbus (1943), and the superb Grey Sovereign (1948), twice leading sire in France. The brilliant Trenton excelled at stud, producing 404 winners over 9 seasons; a daughter, Rosaline (1901), became the grandam of the great British sire, Gainsborough (1915).

But Musket’s most superb gift of all came in 1885, when Carbine was foaled.

CARBINE, captured in oil by artist Percy Brinkworth.

CARBINE, captured in oil by artist Percy Brinkworth.

Carbine, aka “Old Jack,” was as loved as Phar Lap (who is a direct descendant) by all who saw him race. He is considered one of the best thoroughbreds ever produced in AUS + NZ to this day. Carbine proved himself a consummate runner, embodying the strength and endurance that AUS + NZ breeders were aiming for in the horses they bred. In 1890 at the Randwick Carnival, the colt proved his mettle, taking five top-class races in eight days over distances ranging from 1 mile to 3 miles. That same year Carbine won the Melbourne Cup, where he faced a field of 39 other horses (today the field is limited to 24). Not only did Carbine win: he set a new race record, even though he was carrying 66 kg (146 lbs.), the most weight ever carried by a Cup winner. It seems unbelievable, does it not, that a 16h horse could carry that much weight over 2 miles and set a track record? That alone speaks loud about who Carbine was. Racing in Australia until he was retired at five, the best son of Musket won 33 times in 43 starts and was unplaced once throughout his career on the turf. He was the first AUS+ NZ champion to win 15 successive races, which he did in his remarkable season as a four/five year-old.

CARBINE depicted on a postcard of the day.

CARBINE depicted on a postcard of the day.

Sent off to the breeding shed, Carbine stood four seasons in Australia before being sold in 1895 to the Duke of Portland, the owner of St. Simon (1881). Shipped to England to the Duke’s stud,Welbeck Abbey, Carbine was installed as the “second” to St. Simon. The champion might not have gotten the choicest mares, but his genes were so potent that he made an indelible mark on the thoroughbred anyway. Even before leaving Australia, Carbine had sired three very good individuals: Wallace (1892), winner of the VATC Caulfield Guineas, the Sydney Cup and Victoria Derby, among others, who would top the Australian sire list in 1915/16; the superb filly, La Carabine (1894), winner of the VRC Australian Cup, the Sydney Cup and two-time winner of the AJC Plate, who went on to be a black-type producer; and Amberite (1894) winner of the Victoria Derby, VATC Caulfield Cup, the AJC Derby, the AJC St. Leger and the AJC Plate. All in all, in his short stud career in Australia, Carbine sired winners of 203 races with combined earnings of 48,624 APS.

CARBINE at stud, probably in the UK, circa 1900.

CARBINE at stud, probably in the UK, circa 1900.

 

WALLACE was the best of Carbine's sons. Painting by Martin Stainforth

WALLACE was the best of Carbine’s sons born in Australia and an important sire there. Painting by Martin Stainforth

 

LA CARABINE, brilliant daughter of CARBINE born and bred in Australia.

LA CARABINE, brilliant daughter of CARBINE born and bred in Australia.

 

At Welbeck Abbey, Carbine continued his career as a sire of champions, the arguably most famous among these being the English Derby and Grand Prix de Paris winner, Spearmint (1902). Although of delicate constitution himself, Spearmint became a sire of classic winners. He also turned out to be a brilliant BM sire. Among other Spearmint progeny: the great sire Chicle (1913) who sired America’s Mother Goose (1922) and was the BM sire of Shut Out(1939); the 1920 Epsom Derby winner Spion Kop (1917); Johren (1915), winner of the Belmont Stakes in 1918 and an American HOTY; the 1922 St Leger Stakes winner Royal Lancer(1919); as well as Spike Island (1919), winner of the 1922 Irish Derby; the exceptional filly Fausta (1911), winner of the 1914 Italian Derby and Oaks; and Spelthorne (1922), winner of the 1925 Irish St Leger Stakes.

CARBINE'S best British son was SPEARMINT. Although a fragile runner with poor legs, SPEARMINT'S progeny were noted for their classic lines.

CARBINE’S best British son was SPEARMINT. Although a fragile runner with poor legs, SPEARMINT’S progeny were noted for their classic lines and it was he more than any other Carbine progeny who assured his sire’s place in the development of the thoroughbred.

SPEARMINT'S daughter, PLUCKY LIEGE, exerted an enormous influence on the breed through her sons BULL DOG,

SPEARMINT’S daughter, PLUCKY LIEGE, exerted an enormous influence on the breed through her sons BULL DOG and SIR GALLAHAD III.

NOGARA, granddaughter of SPEARMINT and dam of NEARCO.

NOGARA, granddaughter of SPEARMINT and dam of NEARCO.

 

However, Spearmint’s greatest success as a stallion was through his daughters, of whom the most influential was arguably Plucky Liege (1912), dam of Bull Dog (1927), Sir Gallahad III (1920), Bois Roussel (1935) and Admiral Drake (1931). Seaweed (1916), another daughter, was the dam of multiple stakes winners Hotweed(1926) and Broulette (1928). Yet another daughter, Catnip (1910), was the dam of the great blacktype producer, Nogara (1928), whose son, Nearco (1935), exerted an enormous influence on thoroughbred pedigrees worldwide through his sons, Nearctic (1940) the sire of Northern Dancer (1961), Nasrullah (1940) the founder of a dynasty and sire of Bold Ruler (1954) and Royal Charger(1942), sire of the important stallion Turn-To (1951) and of American champion, Mongo (1959). From Turn-To comes First Landing (1956), sire of Riva Ridge and Sir Gaylord (1959), sire of the British champion miler and good sire, Habitat (1966), as well as the great British champion, Sir Ivor (1965). Another son of Turn-To, Hail To Reason (1958), made the greatest impact of all, through his sons Halo (1969), the sire of Sunday Silence (1986) and Bold Reason (1968), the BM sire of Sadler’s Wells (1981).

NEXT TIME: The series continues with a look at some of the greatest AUS+NZ champion thoroughbreds in the first part of the twentieth century.

 

NOTE: THE VAULT is a non-profit website. We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

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