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Inspired by a pair of exceedingly rare photographs and the opening of Saratoga — a place of magic, history and imagining — comes this tale of two great fillies.

MOTHER GOOSE wind-up toy by Marx from the 1920's.

MOTHER GOOSE wind-up toy by Marx from the 1920’s.

 

Most American readers know the association between the nursery rhymes of Mother Goose and the thoroughbred of the same name, after whom The Mother Goose Stakes at Belmont Park is named. Once part of the triad of races that formed the American Triple Crown for fillies, The Mother Goose Stakes were removed from the Triple in 2010, but carries on as an important Grade 1 stakes for 3 year-old fillies. That part of the Mother Goose story is easy. Trying to get a look at H.P. Whitney’s champion filly or even a true sense of her racing career is quite another matter, even though she did everything right on the track and in the breeding shed. In fact, in the latter case, she made a very direct contribution to a thoroughbred dynasty.

The daughter of French import Chicle (1913), Spearmint’s (1903) best son who was also notoriously bad-tempered, Mother Goose was born in 1922, a Whitney homebred. Her dam, Flying Witch, from the Ben Brush sire line, was also the producer of a very fine full brother to Mother Goose, Whichone (1927). He raced against Gallant Fox, whom he managed to beat as a 2 year-old in the 1929 Belmont Futurity, while annexing a number of prestigious races, notably the Champagne, the Withers and the Whitney before breaking down after a dual in the stretch with Jim Dandy and Gallant Fox in the Travers. {If Whichone’s name sounds familiar it might be because of his two best sons: the gelding Whichee (1934), who had the misfortune to race against Seabiscuit and Kayak II, but who was a good runner in his own right, and Bourbon King(1935) a tough campaigner who won the Remsen Stakes.}

CHICLE, the sire of MOTHER GOOSE.

CHICLE, the sire of MOTHER GOOSE.

 

MOTHER GOOSE the broodmare shows a very kind eye, despite her bad-tempered sire.

MOTHER GOOSE the broodmare shows a very kind eye, despite her bad-tempered sire. This is one of the very few images of her.

 

The fact that Mother Goose had a Grade 1 stakes named after her can be taken as proof that she was a filly who sparked the hopes, dreams and imagination of racegoers in the 1920’s, when the sport in North America was relatively new. Her most impressive victory came at two, when she beat the boys in the 1924 Belmont Futurity, most notably Marshall Field III’s sabino chestnut Stimulus(1922), a great grandson of Domino (1891) and winner of the 1925 Pimlico Futurity. In retirement, Stimulus proved a useful sire, producing the champions Beaugay (1943) and Stir Up (1941), as well as a small army of other good runners. {Summer Tan (1952), Nantallah (1953), Decidedly (1959), Sword Dancer (1956), Dust Commander (1967) and Slew O’ Gold (1980) are all direct descendants of Stimulus.}

STIMULUS after his win in the 1925 Belmont Futurity.

STIMULUS after his win in the 1925 Belmont Futurity.

I knew that Mother Goose’s rout of the boys in 1924 was her biggest moment on the track, enough to award her champion 2 year-old filly honours that year. But like any good researcher, I wanted to know more.

And then it happened.

A few weeks back, on a day (to quote Thornton Wilder) “when the dogs were sticking to the sidewalk” in the heat, I was cruising around on the internet and spied an old racing photo at auction that had a peculiar heading: “1924 Press Photo Harry Payne on Mother Goose at Belmont Futurity race in NY.”  Could it be…….?

And there she was:

MOTHER GOOSE (on the rail) shown winning the 1924 Belmont Futurity.

MOTHER GOOSE (on the rail) shown winning the 1924 Belmont Futurity. STIMULUS is in blinkers nearest to the camera. Photo and copyright, Wide World Photo.

 

And as if that weren’t enough, the press photo included the press release on the back, clear as a bell. Like a message in a bottle, I learned more about Mother Goose the runner than I had been able to uncover in decades of searching.

 

The press release was as clear as a bell, describing the courage of the juvenile MOTHER GOOSE in battling on right to the wire. Photo and copyright, Wide World Photo.

The press release was as clear as a bell, describing the courage of the juvenile MOTHER GOOSE in battling on right to the wire. Photo and copyright, Wide World Photo.

Of course, I bought the photo — for the unbelievable price of $14.99 USD. (I do feel badly for the merchant but, like people who run bookstores knowing little about authors, the company is one of several who have bought up the newspaper archives of papers like The Chicago Tribune, knowing little about famous thoroughbreds.)

Mother Goose didn’t stop at the Futurity. She also won the Fashion Stakes and came second and third respectively in the Astoria and Rosedale Stakes that same year. After her debut, the filly seems to disappear from the record books. But as a broodmare, she left a lasting mark as the grandam of Almamoud (1947), one of the greatest ancestresses in American thoroughbred history who was the grandam of Natalma (1957), who produced Northern Dancer (1961).

And isn’t it lovely to know that each time you look at a descendant of Northern Dancer (Natalma) or Halo (whose dam, Cosmah, is a daughter of Almamoud) or Sunday Silence (son of Halo) you are beckoning the spirit of Mother Goose?

SUNDAY SILENCE with the great Charlie Whittingham.

SUNDAY SILENCE shares a silence with the wonderful Charlie Whittingham.

 

Since the explosion of online auction centres like EBAY, these kinds of finds have become rare for me. But there was another purchase I made some time ago that is as precious to me as this photo of Mother Goose. It was of another champion filly and matriarch: Alcibiades. And the circumstances that led me to her were remarkably similar.

Alcibiades’ career on the track and in the breeding shed are perhaps better known than the exploits of Mother Goose. Like her predecessor, Alcibiades has a Grade 1 stakes for 3 year-old fillies named after her and now sponsored by Darley as part of the Breeders Cup Challenge series.

Hal Prince Headley’s great filly was a homebred, born in 1927. Named after a soldier and statesman of Ancient Greece (for which Headley took more than a little abuse because the filly’s dam was called Regal Roman), Alcibiades was a descendant of the incomparable Domino (1891) through her sire, Supremus (1922). Her dam, Regal Roman (1921), a daughter of Roi Herode (1904), arrived in the USA from Great Britain in 1923. Alcibiades was her best progeny.

Her major win at two was in the 1929 Debutante; in 1930, Alcibiades captured the Kentucky Oaks and the Arlington Oaks. One lesser known incident in her three year-old season was that she also ran against Gallant Fox in the 1930 Kentucky Derby, setting blazing fractions on the lead before fading to finish tenth. It was easy to forgive her: the Oaks and Derby were only two weeks apart and the Oaks, which Alcibiades won, was the second of the two. So after this effort in the Derby, one must conclude that the daughter of Supremus was one courageous filly, with a heart as big as her ability, to come back to take the Oaks:

 

After winning the highest award in the land at two and again at three, Alcibiades was retired with a bowed a tendon to take up breeding duties at the Headleys Beaumont Farm. Her last race pitched her against older horses in the Hawthorne Gold Cup, where she ran beautifully to finish third to Wallace Kilmer’s champion, Sun Beau (1925). As serious a competitor as Alcibiades had been on the track, it was as a broodmare that she endowed the American thoroughbred with her most enduring gift. From her brilliant son, Menow (1935), in a direct line of descent, came two jewels of American racing: Tom Fool (1949) and his son, Buckpasser (1963). From her daughter by Man O’ War, Salaminia (1937), descended the Epsom Derby winner, Sir Ivor (1965), the first American-bred to win it since 1954. And Sir Ivor, as many will know, went on to become the ancestor of some very important thoroughbreds, among them Shareef Dancer (1980), Green Desert (1983), Zabeel (1986) and his son, Octagonal (1992), as well as the recently retired Encosta de Lago (1993).

 

Alcibiades' son, MENOW, the sire of TOM FOOL and grandsire of BUCKPASSER.

Alcibiades’ son, MENOW, the sire of TOM FOOL and grandsire of BUCKPASSER. Photo and copyright Acme.

 

SIR IVOR ridden by Lester Piggott goes down to the start.

SIR IVOR, ridden by Lester Piggott and trained by Vincent O’Brien, goes down to the start.

 

ENCOSTA DE LAGO, who descends from ALCIBIADES through a daughter, SALAMINIA, is a recently retired champion Australian sire. Photograph published in the Herald Sun (Australia).

ENCOSTA DE LAGO, who descends from ALCIBIADES through her daughter, SALAMINIA, is a recently retired champion Australian sire. Photograph published in the Herald Sun (Australia).

I stumbled across her photo on a popular auction site and again, the listing was curious: “Alcibiades and her jockey ready to race, 1930.” Assuming that I would be unlikely to find an actual photo of the beloved American filly, I was shocked to find that the image was, indeed, Alcibiades. Unlike the Mother Goose photo, the press release — normally tacked onto the back — was missing and the context around the filly gives little clue as to where the photo was taken. So it’s impossible to say what race this was, except that she was a 3 year-old in 1930. It’s clearly post-race, given the froth in Alcibiades’ mouth. And her jockey sure looks happy, so this is possibly after her win in either the Kentucky Oaks or the Arlington Oaks. But that’s pure guesswork.

In any case, we see her lovely face and soft, dark eye, and note the powerful shoulder and hindquarters of a champion.

 

ALCIBIADES as a three year-old.

ALCIBIADES as a three year-old.

 

Finding these two photographs is like opening a time capsule, or slipping through a wormhole to a time over eighty years ago. It’s as though two photographers in the early part of the last century chose to record two fillies in the hope not only that their images would feature in a prominent newspaper but also that they were capturing something significant, since images always signify something to the person who captures them.  Even if they are two hard-working individuals with an assignment, it was each of them who decided the angle, the lighting, the moment to press the button. They could not have known how important Mother Goose and Alcibiades would be for the breed or even what each filly would contribute to thoroughbred history. But framing each photograph is the hope that they just might be witnessing history-in-the-making. By opening the doors of a living present to those of us who stood like shadows in their futures, two people we will never know have, with two great fillies, reached out to us and in so doing, overcome the limitations of time.

Surely it is this, as much as the subjects themselves, that makes these photographs so precious.

 

Sources

Hunter, Avalyn. American Classic Pedigrees website:http://www.americanclassicpedigrees.com

Bowen, Edward L. Matriarchs. KY: The Blood-Horse, 1999.

Mitchell, Frank. Racehorse Breeding Theories. Wisconsin: The Russel Meerdink Company Ltd., 2004

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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My grandfather, Carl Leroi Boynton Wheeler, was born at the end of the nineteenth century with what my family called “the horse gene” deep in his blood. As a little girl, I sometimes bugged him to tell me “horse stories.” There were four thoroughbred colts my grandfather cherished: Man O’ War, Gallant Fox (“The Fox”), Count Fleet (“The Count”) and Citation. They garnered his love and respect until the last days of his life. Whereas Man O’ War was incomparable, “The Fox,” “The Count” and Citation were the benchmark against which all other thoroughbreds — including Canada’s hero, Northern Dancer — were measured. 

As we move closer to the 2013 Triple Crown races, THE VAULT joins in the excitement with this weave of Grandpa Wheeler’s reckonings, together with other credible sources of the time, to tell the story of the unlikely colt who brought joy to North America in a time of fear and uncertainty. 

Gallant Fox, shown here in a rare portrait without the famous Belair stable blinkers! Photo and copyright, The Chicago Tribune.

Gallant Fox, shown here in a rare portrait without the famous Belair stable blinkers! That white around one eye (“wall eye”) was said to intimidate other horses — one of those popular beliefs of the day that has never really been proven. Photo and copyright, The Chicago Tribune.

Sir Gallahad III raced in France, where he was brilliant, and shortly after going to stud, was sold to a partnership of William Woodward, A.B. Hancock.

The Fox’s sire, Sir Gallahad III, raced in France where he was brilliant. Shortly after going to stud, Sir Gallahad III was sold to the American partnership of William Woodward Sr., A.B. Hancock, Robert A. Fairburn and Marshall Field III. The stallion stood mainly at Woodward’s famous Belair Stud and at Hancock’s Claiborne. He is best remembered as the sire of three Kentucky Derby winners (Gallant Fox, Gallahadion and Hoop Jr.), as well as one Triple Crown winner (Gallant Fox).

The broodmare Marguerite was a Blue Hen, but her partner was only Sir Gallahad III

The broodmare Marguerite (shown here with Gallant Fox as a colt) was a great granddaughter of Domino, through Celt, a son of Commando. A Blue Hen, she was bred twice to Wrack and produced the champion, Peetee-Wrack. Other than Wrack, her only other matches were to Sir Gallahad III. As Hancock put it, “If you’re trying to strike oil, you drill in the same field where it’s been struck before.” The “first strike”was Gallant Fox. Although Marguerite never produced another like him, sons Fighting Fox and Foxbrough won races on both sides of the Atlantic. Her daughter, Marguery, is the tail-ancestress of modern-day champions Generous (Caerleon), Imagine (Sadler’s Wells) and Albertus Maximus (Albert the Great).

This story is about a great thoroughbred, but not one in the tradition of Seattle Slew, Affirmed or the immortal Secretariat.

This colt was a dreamer….always more interested in the world around him than he was in racing. Like Hyperion, he hated to be in training unless there was another horse to chase and catch. And once he’d moved on by the other horse, our subject was inclined to slow to a languid canter, while his eyes hunted the landscape for something really interesting. Fortunately, he had a kind nature and so would do what was asked of him on the track….most of the time.

Exciting as horse racing may be for humans, the life of a typical race horse, then as now, is filled with structure and routine. Not terribly interesting for a colt who, in another life, was almost certainly an explorer or a poet or even a philosopher.

As those who knew him best would expect, even after winning the Preakness, our boy (blinkers and all) is scouring the spectators for something far more interesting than their smiles or applause. Photo and copyright, The Chicago Tribune.

As those who knew him best would expect, even after winning the Preakness, our boy (blinkers and all) is scouring the environment for something more interesting than the smiles of his fan club. Photo and copyright, The Baltimore Sun.

Marguerite’s boy was a big, handsome colt with a wide, white blaze that ran from his forehead to curl around each nostril, a “wall eye” and four white coronets. Of the eye, it would be said that it gave him a fierce, wild look that put paid to any horse who dared to draw up beside him.

Named Gallant Fox, the colt foal was born on March 23, 1927 and was quick to show his intelligence and the kind of curiosity that goes with it. By the time he hit the track in his 3 year-old season, Gallant Fox was walking into a world of shattered dreams. It was 1930 and North America needed something that transcended a faltering economy and lives lost to the cruelty of the unforeseen.

His bloodlines were impeccable. His sire, Sir Gallahad III was by Teddy (Ajax) out of Plucky Liege (Spearmint), one of the most important broodmares of the 20th century. Plucky Liege (1912) boasted the prepotent St Simon as her broodmare sire, as well as three crosses to another influential stallion, Stockwell. Other than Sir Gallahad III (one of America’s most influential sires), Plucky Liege also produced Bull Dog (sire of the brilliant Bull Lea), Derby winner Bois Roussel (broodmare sire of champion filly, Petite Etoile) and Admiral Drake (leading sire in France in 1955).

Bull Dog was another American foundation sire, produced by Plucky Liege.

Bull Dog was another American foundation sire produced by Plucky Liege.

Gallant Fox’s dam, Marguerite, was a direct descendant of Domino through her sire, Celt. As well, illustrious names filled her pedigree:  Bend Or (Derby and St. James Palace Stakes, Epsom Gold Cup), Doncaster (Epsom Derby, Ascot Gold Cup), St. Simon (champion sire and undefeated in 10 starts in the UK) and Lexington (leading American sire 16 times).

St. Simon was said to have perfect confirmation, a seemingly indefatigable fighting spirit and an exceedingly high-strung temperament.

St. Simon was said to have perfect confirmation, a seemingly indefatigable fighting spirit and an exceedingly high-strung temperament.

The legendary Domino line was responsible for Gallant Fox's dam, Marguerite, who was a direct descendant.

The legendary Domino line was responsible for Gallant Fox’s dam, Marguerite, who was a direct descendant.

Sculptor Gwen Reardon's figure of the stallion, Lexington, adorns Kentucky's Horse Park.

Sculptor Gwen Reardon’s figure of the stallion, Lexington, adorns Kentucky’s Horse Park.

There was no question that powerful blood ran in the veins of Marguerite’s curious son.

As a juvenile, Gallant Fox aka “The Fox of Belair,”or simply”The Fox,” was sent to one of America’s greatest trainers, James Edward (“Sunny Jim”) Fitzsimmons. “Mr. Fitz,” as he was fondly called, had come up through the ranks the hard way, beginning as a stablehand at the age of 10. He knew his thoroughbreds inside-out by the time The Fox arrived in his stable. Mr. Fitz was one of those trainers who was most himself around the barn with his horses. Gallant Fox, he was quick to discover, only trained his best in the company of another horse. Left on his own, the youngster was happier to watch the world go by and this meant, in turn, that he was never keen to be interrupted in order to head out to the track. The Fox wasn’t really a fractious colt, but like so many great thoroughbreds he didn’t like to be pushed around. You couldn’t dominate him — you had to partner up with him. So, Mr. Fitz selected a training trick that seemed to suit them both: the relay race. It involved a number of colts, each of whom took The Fox on at a different point around the track. The colt responded mightily to the challenge, refusing to be headed by another horse.

It was a good thing that Mr. Fitz was running a large stable, because not one of his other horses could keep up with The Fox all the way around the track.

Gallant Fox was more interested in everything going on around him than he was in racing. Although Sunny Jim never doubted his courage, intelligence or ability, it took some doing to train him for competition.

Gallant Fox was more interested in everything going on around him than he was in racing. Although Mr. Fitz never doubted his courage, intelligence or ability, it took some doing to train him. Shown here at trackside, just checking out the action, The Fox is so intent that he poses all alone for the camera — barely moving a muscle.

Trainer Sunny Jim Fitzsimmons (foreground) pictured with his 1939 Derby winner, Johnstown. "Mr. Fitz" dominated American horse racing's "Golden Age." He trained two Triple Crown winners (Gallant Fox and Omaha), as well as winning the Derby 3 times, the Preakness 4 times and the Belmont, 6 times. Other notables trained by Mr. Fitz include Bold Ruler, Nashua and Granville. All told, the trainer sent out 155 stakes-winning horses who captured 470 stakes races.

HOF trainer, “Sunny Jim” Fitzsimmons (foreground) pictured with his 1939 Kentucky Derby winner, Johnstown. “Mr. Fitz” dominated American horse racing’s “Golden Age.” He trained two Triple Crown winners (Gallant Fox and Omaha) and won the Derby three times, the Preakness four times and the Belmont, six times. Other notables trained by Mr. Fitz included Dark Secret, Bold Ruler, Nashua and Granville. All told, the trainer sent out 155 stakes winners to capture 470 stakes races during his career. As well as training for Woodward’s Belair Stud, Mr. Fitz also trained many champions who ran in the colours of the Phipps’ family.

In his 2 year-old campaign, Gallant Fox continued to be calm, friendly….and insatiably curious.

In the second start of his career, the colt was left at the starting gate — looking at an airplane in the sky overhead. He did, eventually, get going but it was too late to finish in the money — the only time in his career that he wouldn’t.

It was in the Flash Stakes, on his third try, that The Fox broke his maiden, although the second-placed Caruso would beat him four days later. In his fifth start, the Futurity Trial, the Woodward colt seemed to get the hang of it and he put in a good effort, almost catching the winner, Polygamous, at the wire. Next came the Futurity itself, where the 2 year-old star of the 1929 racing season, Whichone, hooked up with The Fox for the first time.

Artist Art Krentz's sketch of champion, Whichone, done in 1929.

Artist Art Krentz’s sketch of champion, Whichone, done in 1929.

As it turned out, The Fox couldn’t quite catch Whichone. But he gave it his best shot, ending up in a tie for second place which he lost by a nose, to place third. The Fox’s last start of the season was in the Junior Champion Stakes at Aqueduct, which he won going away. Whichone captured Champion 2 year-old honours that year, but Gallant Fox was on the radar as “one to watch” in 1930. His flip-flop juvenile season didn’t faze either his owner or his trainer: like many in their day, neither William Woodward Sr. nor Mr. Fitz saw a colt’s 2 year-old season as a more than a dress rehearsal for what lay ahead.

The Fox at three was stronger and more experienced. Photo and copyright, The Chicago Tribune.

The Fox at three was stronger and more experienced. Of the colt, Grandpa Wheeler said, “He could look a bit like a plough horse but he was a blue-blood through and through. He got the Triple with his ears pricked forward.” Photo and copyright, The Baltimore Sun.

As youngsters do, Gallant Fox grew into his 3 year-old year a stronger, more experienced horse. He was joined by jockey Earl Sande, who had been persuaded to come out of retirement to ride him. Sande had been a champion jockey in his day, riding horses like Zev, Flying Ebony and the great Man O’ War (once) to victory. Damon Runyon had even penned him a poem, “There Never Was A Guy So Handy As Sande.” Retiring in 1927, Sande decided to try his hand at training, but his wife died that same year and the champion jockey fell apart. Overweight and almost penniless, Sande headed back to what he knew best, only managing a single win in the 1929 season.

In the meantime, Mr. Fitz was working hard with The Fox to get him to focus on racing rather than sightseeing. He positioned him in the stable so that the 3 year-old could watch all the action and when Mr. Fitz was talking to someone, he’d often acknowledge the colt by reiterating, “Isn’t that so, Mister?” And The Fox would nod his head in agreement. The trainer also indicated to Woodward that it would be ideal if they could land a single jockey for the colt’s 3 year-old season. It was his feeling that The Fox would do his best in the hands of an experienced rider, one who would form a real relationship with him and learn to handle his strengths and quirks.

Mr. Fitz and The Fox.

“Isn’t that so, Mister?” Mr. Fitz and The Fox.

The colt didn’t have a mean bone in his body. But he was a character and although Mr. Fitz had managed to improve his attitude and work ethic, The Fox still had his moments. For one thing, the coppery bay with the wild eye had a tendency to dawdle once he got on the lead: if there was nothing in front of him, The Fox just couldn’t see the point of knocking himself out. It was equally tricky to get him to rate just off the pace. Too, he was quite capable of coming to a sudden halt if something of interest caught his attention, blinkers or no. Heeding Mr. Fitz’s advice, Woodward, acting on the recommendations of his trainer as well as that of Doc Pardee, manager of the Biltmore Stable in Arizona, approached Earl Sande.

Gallant Fox with Earl Sande in 1930. The two would form a partnership as legendary as that of Ron Turcotte and Secretariat.

Gallant Fox with Earl Sande in 1930. The two would form a partnership as legendary as that of Ron Turcotte and Secretariat.

It was, as they say, “a match made in heaven.” Not only did Sande ride Gallant Fox into thoroughbred legend, he also groomed and worked him. Sande taught the colt to play guessing games, hiding treats behind his back. And they seemed to be in a constant conversation that often ended with the colt butting Sande out of his stall. Best of all, Sande adored Marguerite’s handsome son and the colt revelled in his attentions. It was fun when Sande was around and Mr. Fitz began to notice that The Fox’s attitude was improving, largely because he wanted to please his new buddy. For the first time, in a consistent way, Mr. Fitz saw his colt show a competitive edge when training with other horses.

Earl Sande wasn’t one to use his whip unnecessarily. He had quiet hands and a patient way of working with his young horse. The combination of Mr. Fitz’s wisdom and Sande’s quiet confidence in The Fox framed what was to be an absolutely brilliant 3 year-old campaign.

The Fox’s season began with the Wood Memorial, where he met up with the dashing Crack Brigade, owned by Thomas Cassidy. Despite getting a less-than-ideal trip, Gallant Fox beat Crack Brigade by 4 lengths. Next, it was on to the Preakness, which in that year was run before the Kentucky Derby at a distance of 1 3/16 (the same distance as today).

The Fox and Earl Sande after winning the Wood Memorial.

The Fox and Earl Sande after winning the Wood Memorial. As Sande had told the press, “As long as there is a horse in front of The Fox, you can ride him backwards. He’ll use his competitive spirit to find a way to win.” Photo and copyright, The Baltimore Sun.

The Fox would again take on Crack Brigade, as well a really lovely filly named Snowflake, who came home third. Snowflake, owned by Walter J. Salmon, would end her 3 year-old campaign taking champion co-honours with the more famous Alcibiades, owned by Hal Price Headley. She was that good.

Here’s an excerpt from turf writer and CBS (radio) broadcaster Bryan Fields’ report of the race that appeared in the New York Times:

BALTIMORE, Md., May 9    

William Woodward won his first Preakness and Earl Sande rode his first Preakness winner when Gallant Fox captured Maryland’s greatest turf classic before 40,000 persons at Pimlico today.

The son of Sir Gallahad III and Marguerite came from next to last position at the half-mile mark to the heels of Thomas Cassidy’s pace-making Crack Brigade at the mile. Three-sixteenths further, the end of the race, and Gallant Fox was the winner by three-quarters of a length and had earned $51, 925. The time was 2.00.35. 

… The snapping of pictures at the finish and a talk over the radio took considerable time and quite obscured the quiet stroll in from the infield of a smiling , middle-aged figure. It was Sunny Jim Fitzsimmons, trainer of the winner. Asked if he ever was worried when Gallant Fox ‘s prospects looked so poor, he said: ” No, he’s a fine colt and when he got close to the leaders I knew it was all over. But that Crack Brigade is a nice horse too.”

Gallant Fox comes home in The Preakness, ears pricked forward. Crack Brigade is at the rail. The Fox won it in the second quickest time ever recorded.

Gallant Fox comes home in The Preakness, ears pricked forward. The Fox won it in the second quickest time ever recorded. Photo and copyright, The Baltimore Sun.

Next up was the Kentucky Derby. Other runners included second-place finisher in The Preakness, Crack Brigade, as well as the filly Alcibiades and Tannery, the “pride of the Bluegrass” and the colt thought to be the best hope of defeating The Preakness winner. Gallant Knight and Ned O. rounded out the favourites the field of fourteen.

The day was rainy and grey, but this didn’t deter the fans, who began rushing in at 7 a.m. when the gates opened. By race time, an estimated 60,000 had assembled. Among the spectators, the most distinguished was undoubtedly England’s Lord Derby, who was housed in a glass pagoda near the finish line with William Woodward and other luminaries of American racing.

In the winner's circle, wearing the famous wreath of roses. Photo and copyright, The Baltimore Sun.

In the winner’s circle, wearing the famous wreath of roses. Gallant Fox had come home to win the Derby in the pouring rain, with Earl Sande’s gentle hands encouraging him on. Photo and copyright, The Baltimore Sun.

Gallant Fox swung into the top of the stretch at Churchill Downs today, running free in the van [vanguard] of the Kentucky Derby field, while a quarter of a mile away in a glass-enclosed pagoda near the finish line a big-shouldered man dropped a pair of binoculars from his eyes with a throaty exclamation, ‘ Great stuff! I’m glad!’ 

It was Lord Derby of England turning to William Woodward , owner of the horse, which stands alone tonight as the champion 3 year-old in America.

Sixty thousand persons massed at the track were still roaring themselves hoarse for Gallant Fox or one or more of the fourteen thoroughbreds behind him when Lord Derby made his remark to Mr. Woodward. The race was far from over, but Lord Derby’s ancestors have been racing horses for centuries and he had seen the best in the Derby field challenge Gallant Fox only to be beaten off in the backstretch and on the bend…He knew the race was over and said so. Perhaps ten seconds later the big bay colt swept passed the little glass house to the finish line…

… Gallant Fox and Sande saluted the stewards, were drawn into the tiny protected oblong of greensward next to Lord Derby’s pagoda and Mr. Woodward stepped out into the rain. Without a topcoat, he strode across the lawn and grasped Sande’s hand and congratulated him on riding his third Derby winner, the first jockey to do this since Isaac Murphy in the previous century.

Then he caressed Gallant Fox, undefeated this year…Photographers by tens scaled the fence and in three minutes Mr. Woodward and Sande were surrounded…” (Bryan Field, The New York Times)

There were other “firsts” attached to the Derby win. It was the first Derby where the horses started from an electronic starting gate. And Gallant Fox became the first thoroughbred in the twentieth century to annex both The Preakness and The Kentucky Derby, in that order. (Sir Barton had won the first Triple Crown in 1919, but the order of Derby and Preakness were reversed. Too, The Preakness was 1 1/8 miles in 1919.)

All seemed as it should be for Gallant Fox’s Belmont, until — just two days before the race — Earl Sande was involved in a horrendous car crash with fellow jockey, Harry Gross. Sande got away with cuts to his hands and face, so it was a bandaged Earl Sande who rode “The Fox of Belair” — the latest monicker picked up by the Woodward colt — onto Big Sandy on Belmont Stakes day.

Rain was lashing down in thick, grey sheets. And back to contest the Belmont was The Fox’s nemesis, Whichone, still considered by many to be the best 3 year-old in the country. But the red-hooded Fox strode past the stands to the start with his typical nonchalence, Sande sitting quietly, the reins slackened over the colt’s withers.

The first fractions were slow, but The Fox was on the lead and held it throughout. Each time another horse tried to get close to him, Sande let out the reins a notch and The Fox was off again. There was no speed duel between Whichone and Gallant Fox, as had been anticipated. Instead, The Belmont became a procession, with a champion in the lead. William Woodward’s colt crossed the finish line 4 lengths ahead of Whichone, going away. The Fox had won the “triple crown” under a hand ride and his victory marked the christening of the term “Triple Crown” to describe a winner of the Kentucky Derby, Preakness and Belmont Stakes.

The running of the Belmont Stakes of 1930. Gallant Fox is just getting ready to leave Whichone behind in the stretch in this shot. Photo and copyright, The Baltimore Sun.

The running of the 1930 Belmont Stakes. Gallant Fox is just getting ready to leave the Whitney’s Whichone behind in the stretch. The Fox’s win set a Belmont Stakes track record. Photo and copyright, The Baltimore Sun.

William Woodward leads in his Triple Crown winner. The Fox got a little fractious in the winner's circle even though his owner managed to hang onto him until Mr. Fitz arrived to take charge. Photo and copyright, The Baltimore Sun.

William Woodward leads in his Triple Crown winner. Gallant Fox got a little fractious in the winner’s circle, even though his proud owner managed to hang on to him until Mr. Fitz arrived. Photo and copyright, The Baltimore Sun.

For a re-cap of Gallant Fox’s Triple Crown, enjoy this great piece of old newsreel footage. (Some highlights include The Fox and Sande breaking through the barrier at the start of the Preakness — twice! And there is also some superb footage of Alcibiades and Snowflake (white blaze) coming up to get third in the Preakness. In the Belmont footage, the blur is rain!!!!)

Following his Triple Crown, Gallant Fox went on to take the Dwyer and to win a hard-fought battle with Gallant Knight in the Arlington Classic. The latter endeared him to fans and turf writers alike, and he began to be compared to the great Man O’ War. The New York Times’ Bryan Field made the following observation: “Gallant Fox is a horse of individuality and magnetism, and thus far has behaved in the opposite manner to the tempestuous Man o’ War, who was a devil to break and a big, raw colt to handle and train as a two-year-old. He gives the impression of unusual grace and distinction and his symmetry and harmony have attracted thousands of admirers, as did Man o’ War’s effervescent temperament.”  

In the Lawrence Realization, the colt met up with the brilliant Questionnaire, who had only lost once — to Gallant Fox in the Belmont, where he finished third. It was a match-up that showed the greatness of the nation’s second Triple Crown winner. Trailing at the start of the race, Gallant Fox and Questionnaire went eyeball-to-eyeball in a driving finish, with Belair’s red-hooded super horse crossing the finish first by a head. The Fox also annexed the Saratoga Cup and the Jockey Club Gold Cup, in which only one other horse stepped up to race him. He was declared the 1930 Horse of the Year or, as many preferred to say, the “Horse of the Century.”

Questionnaire, shown here at stud, gave Gallant Fox one of the toughest challenges of his career.

Questionnaire, shown at stud, handed Gallant Fox one of the toughest challenges on the track.

The biggest upset of The Fox’s career came in the Travers (1930) when he and Whichone duelled each other from the start, enabling a rank outsider, Jim Dandy, to leave them both behind — by some 8 lengths. In the silent footage below, you get a sense of what transpired. (NOTE: Clearer at thumbnail size than on a full screen.)

Gallant Fox was retired to Claiborne Farm after his Gold Cup win when he came up with a fever and cough. His all-too-brief appearance on the stage was always recollected with a certain melancholy by my grandfather, who stressed that the champion was “just starting to show his real mettle” late in his 3 year-old season.

At stud, Gallant Fox produced a third Triple Crown winner in his very first crop, at the age of 5: Omaha. He also sired Flares, a full brother to Omaha, who won the Ascot Gold Cup, as well as the 1936 Horse of the Year, Granville. He was a moderately successful sire; his full brother, Fighting Fox, was less successful as a runner but more consistent in the breeding shed. Still, Gallant Fox remains the only Triple Crown winner to sire a Triple Crown winner and that only adds to his cachet.

Gallant Fox's full brother, Fighting Fox. Photo and copyright, The Baltimore Sun.

Gallant Fox’s full brother, Fighting Fox. Photo and copyright, The Baltimore Sun.

" He was a meteor who swept across the sky of racing in 1930."

” He swept like a meteor across the racing sky of 1930.”

When he died in 1954 Gallant Fox was laid to rest at Claiborne, where he had first come into the world.

His epitaph reads, “He swept like a meteor across the racing sky of 1930” — a fitting tribute to a thoroughbred whose dignity, determination and capacity to dream illuminated the darkness of the Great Depression.

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