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Posts Tagged ‘Frankel’

As the incomparable WINX marches on, in a campaign that has us all witnessing history-in-the-making, what is it that keeps us coming back to watch her race again?

The psychology of sport is arguably as fascinating as the sport itself. And while those of us who follow horse racing think we do it out of a passion for thoroughbreds or standardbreds, what gets our cranial pleasure centre pumped is the risk that our champion of the day might lose. It could be convincingly argued that without the potential for loss, sport might not exist at all. Because winning — especially winning all the time, despite the odds — is boring.

As much as metaphors of horse racing extol its capacity to inspire hope, the possibility that our four-legged hero or heroine might be conquered is as intoxicating. In a sense, we repeatedly tune in for a Winx or a Rachel Alexandra or a Frankel race because the possibility that they’ll be defeated is irresistable. Which is not to say that we think about this consciously: we don’t think “Will Zenyatta lose?” rather, what we tend to write, speak and ask ourselves is more like “Can Zenyatta do it again?”

Case in point was Zenyatta’s bid for a second consecutive win in the 2010 BC Classic. Even though the loss was painful for fans and her team, broadcaster Trevor Denman spoke a text rich in the nuanced possibility that defeat might, indeed, happen.

Since 2010, it has been the thinking of most racing experts that the great mare ran the best race of her career in defeat. But what most of us remember about that day is the anticipation — and the foreboding — as Blame and Zenyatta near the wire. And Denman’s words, “…Zenyatta ran her heart out…”

The part of the brain that controls pleasure is the amygdala and when we are in contexts that excite us or move us to a level of “brain happy”, as in intense physical workouts or deep meditation, the amygdala releases dopamine into our system. Dopamine is a natural “high” that gives us feelings of intense, emotional well-being, relieving stress and anxiety in a matter of nano-seconds. Arguably, our excitement watching a big race like the 2010 BC Classic is as much about the thrill of the loss as it is about the thrill of the win — and the amygdala cooperates by responding to our heightened senses as we watch to see what will happen.

And the “what” in “will happen” is written in the tension between win and loss, victory and defeat. In the great Frankel’s last race, the ground was less than ideal, and the colt was caught “sleeping” at the start:

Granted, the “nail-biter” of Frankel’s last appearance on the track resolved itself fairly quickly when the colt made his big move in the stretch against a valiant Cirrus des Aigles.

But many of the greatest, most beloved thoroughbreds have come perilously close to sufferring defeat at least once in otherwise brilliant careers.

One instance of this would be Personal Ensign’s victory in what would be her final race, the 1988 BC Distaff, where with heart-thumping courage she struggled in the slop against the winner of the 1988 Kentucky Derby. This race stands as arguably the best performance ever seen in a Breeders Cup Distaff/Ladies Classic. The stakes were high: Could the undefeated Personal Ensign finish off her career with a win against the Kentucky Derby heroine?

The 1978 Jockey Club Gold Cup was still another battle to the wire. It featured two Triple Crown winners, Seattle Slew and Affirmed, as well as Nelson Bunker Hunt’s Exceller. Although, sadly, many know Exceller because of his end in a slaughterhouse in Sweden, the colt was a champion who had won races in Europe as well as America.

As you will see in this (rather poor quality) footage of the 1978 Jockey Gold Cup, Seattle Slew ominously rushes out of the gate before the start, although this didn’t appear to dampen his ability in the slightest as the race gets underway. But as viewers in the moment we, of course, don’t know this. And the “Can Slew do it?” is in the forefront as the race gets underway. The track conditions are sloppy but racing fans were firmly entrenched in either the Seattle Slew or Affirmed court:

 

Champion EXCELLER portrayed by Richard Stone Reeves.

The rare defeats of champion thoroughbreds only seem to make racing enthusiasts respect them more. This might be because a champion has proved his/her vulnerability, making them appear a little more like the rest of their human following. The poet Sylvia Plath wrote, “Perfection is terrible … Cold as snow breath..” and, in a sense, our passion for a particular thoroughbred champion is also based on their overcoming the stasis of perfection, which they do by bravely facing the music again and again and risking everything.

The corollary of hope is despair, and loss is one of the experiences that triggers feelings of despondency. Perhaps no other event in the last century of racing in England was as keenly felt as Nijinsky’s narrow loss to Sassafras in the 1970 Arc.

The British people had easily fallen for the brilliance of their Triple Crown winner and so much hope was placed on a triumph in the Arc. But what most had no way of knowing was that Nijinsky had fallen ill to an extreme case of ringworm during the season and that his run in the St. Leger, the last leg of the British Triple Crown, was against the advice of his trainer, Vincent O’Brien. But as owner Charles Engelhardt wanted Nijinsky to run in the Arc — another request frowned upon by O’Brien — the St. Leger was the only decent prep moving forward.

Had O’Brien’s sage advice been heeded, there would have been no Triple Crown winner of 1970. And, as it turned out, the trainer’s judgment about the champion’s fitness for the Arc was also correct.

Still another lacune was Lester Piggott’s ride on Nijinsky in the Arc: he held the colt back too long and whipped him near the finish, causing Nijinsky to shy and lose any chance he may have had to beat Sassafras:

 

The 1970 Arc. It was this close — NIJINSKY on the outside in a photo finish.

Still, it was a photo finish. But when Sassafras was declared the winner, the despair of Nijinsky’s handlers was visceral. They were not alone. Just across the English Channel, England and Ireland felt the loss every bit as keenly.

Had he won under circumstances that would stop most horses cold — from a poor post position to the distance he was asked to travel to reach Sassafras – Nijinsky would have gone down in history as THE thoroughbred of the century. But such was not to be. However, Nijinsky’s courage and raw ability could not be denied: in defeat, he was glorious.

The Hero’s Journey is played out in myth,religions, literature, film and popular tv series around the world.

Since the beginning of time, myths of the hero’s journey have been written. It’s a formula that we all know very well, however we might have learned it: the hero/heroine is born but orphaned early in life — to realize his/her true heroism, s/he must accept and overcome a series of challenges — triumphing over all, the apprentice becomes a true hero/heroine.

In modern times, we recognize the pattern of the ancient hero myths in Shakespeare, in George Lukas’ original Star Wars trilogy, in book series such as Harry Potter and author Philip Pullman’s “His Dark Materials,” in Marvel characters (Superman, Spiderman, Wonder Woman et al.) and in television series like Game of Thrones.

But it was theatre and sport that first popularized the hero myth for enthusiastic spectators in the ancient world, pitting individuals against challenges both psychological (as in the Greek tragedy, Oedipus Rex) and physical (marathon runs, chariot races, etc.) That tradition has continued to the present.

GOSHAWK walks onto the track. The image evokes the hero entering the fray, and few capture it better than the incomparable C.C.Cook. Date: 1923. (Source: The Vault, private collection)

The pageantry of a horse race echoes, in microcosm, the journey of the hero. Out the horses come, one by one, in the pre-race parade. Each is a warrior going into a battle where the outcome is far from assured. And as we watch them, we can’t help but imbue each one with the courage they so rightly deserve. Once the race is on, we are presented with a micro-battle scene, as horse and jockey overcome all that is thrown in their way to cross the finish line first. If they come home leagues ahead of the field, or fight it out to get their nose down first, they triumph as only a hero or heroine can.

BATEAU (Man O’ War) seems dwarfed by the enormity of the track, reminding us of the challenge she faces — and will be asked to overcome. Another of C.C. Cook’s “racing portraits.” (Source: The Vault private collection.)

 

The Dwyer, July 1920. MAN O’ WAR, with Clarence Kummer up, on his way to the post. Cook frames the colt’s readiness for battle in an image that depicts his taut body and pricked ears, underlying the determination that was so much a part of Man O’ War’s character. Keeneland Library: Cook Collection. Used here with permission.

The drama of a race in which we have invested our hopes and fears is cathartic because we, too, have run races in our own lives. We have funded courage against the odds and struggled to overcome them, and we have succeeded or failed in the process.

Win or lose, the thoroughbreds we have grown up with and come to love, go on. And as we participate in their campaigns, we are also subconsciously reliving places in our own lives. How else to explain our unerring understanding of the grammar of loss and our enthusiastic reception of the crucible through which thoroughbred champions come to be?

 

 

 

BONUS FEATURES

Out of the past: A few of the many other breathtaking performances that are personal favourites (below), listed at random.

We’re certain that our readers have their own favourites. Many of these are available on YouTube if you’d like to relive them.

 

Secretariat — The Belmont

 

Ruffian — The Mother Goose

 

Rachel Alexandra — The Kentucky Oaks

 

Barbaro — 2006 Kentucky Derby

 

 

Tiznow & Giant’s Causeway — 2000 BC Classic

 

Dance Smartly — 1991 BC Distaff (following her winning the Canadian Triple Crown)

Invasor & Bernadini — 2006 BC Classic (also features Lava Man, Flower Alley, George Washington, Giacomo, Lawyer Ron & Brother Derek):

 

Zenyatta — 2009 BC Classic

 

American Pharoah — 2015 Belmont Stakes, winning the Triple Crown

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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If — which is the longest word in any language — Mendelssohn pulls off a win in the 2018 Kentucky Derby, be sure that his maternal ancestor, Sea-Bird II, will have blessed his effort with the gift of wings.

SEA-BIRD II. Conformation shot, identified with stamp of trainer Etienne Pollet. Credit: Photo & Cine RECOUPE, Paris, France. (Photograph from the collection of THE VAULT, purchased on Ebay.)

Far back in the fifth generation of Mendelssohn’s maternal family sits the name of Sea-Bird II. Of course, he is just one of many that account genetically for the Ballydoyle superstar. But Sea-Bird II was arguably the best thoroughbred of the twentieth century, at least as far as the British and the Europeans are concerned, rating #1 in John Randall and Tony Morris’ important book, “A Century of Champions.” ( The mighty Secretariat came in at #2, followed by Ribot in #3, Brigadier Gerard in #4 and Citation in #5. Man O’ War finished in the #21 spot.)

Tony Morris is one of the most respected figures in thoroughbred geneology and pedigree, as well as being a consummate historian of the sport, in the world. The Randall-Morris tome begins by asserting that it is foolhardy to compare horses over the generations, while adding that, thanks to the system devised by Timeform in 1947, reliable handicapping figures can be drawn across the decades of the twentieth century using their formula. In 2016, Sea-Bird II’s rating of 145 ranks him second on the list of Timeform’s all-time world’s best since 1947; Frankel sits at #1 with a rating of 147.

Sea-Bird (as he was registered in France) only raced for a period of roughly eighteen months, in a career that saw him lose just once and winning both the Epsom Derby and the 1965 Arc in his three year-old season. By the time he left for the USA to join the stallion roster at John Galbreath’s Darby Dan Farm in Kentucky, Sea-Bird had become a legend in his own time.

However, the colt foal who came into the world in March 1962 set his tiny hoofs to the ground unaware that his owner-breeder, Jean Ternynck, a textile manufacturer in Lille, France, considered his pedigree rather medoicre. His sire, Dan Cupid, a son of the incomparable Native Dancer, had been a runner-up in the 1959 Prix du Jockey Club to the brilliant Herbager, arguably his best race although he did take the Prix Mornay as a two year-old. His dam was a daughter of Sickle by Phalaris and a grandaughter of the superb Gallant Fox — a pedigree that appeared to promise some potential. However, as of 1962 Dan Cupid had yet to produce anything of merit as a sire. Sea-Bird’s dam, Sicalade, from the sire line of Prince Rose, was in a similar predicament and while Dan Cupid was maintained by Ternynck, Sicalade was gone by 1963.

 

The handsome DAN CUPID (by Native Dancer ex. Vixenette) raced in France for Jean Ternynck and stood at stud there. But he never produced anything that even came close to SEA-BIRD II.

 

SICKLE, the BM sire odf SEA-BIRD II. Hailing from the PHALARIS sire line, with SELENE as his dam, SICKLE’S influence as a sire was outstanding. Imported to the USA by Joseph Widener, SICKLE produced individuals like STAGEHAND and is the grandsire of POLYNESIAN, who sired NATIVE DANCER. SICKLE was one of two leading sires produced by SELENE.

Ah, the mystery of breeding! The numbers of great sires and mares who produce nothing much are astronomical in number, but by the time Sea-Bird made his third appearance as a juvenile, his owner was likely considering the corollary. Namely, that two mediocre thoroughbreds had got themselves one very promising colt.

 

In France, DAN CUPID, the sire of SEA-BIRD, has an audience with HM The Queen.

Sea-Bird was sent to the Chantilly stables of trainer Etienne Pollet, a cousin of his owner, Ternynck. The colt raced three times as a two year-old, winning the Prix de Blaison (7f.) despite being green and getting off to a poor start. A short two weeks later, he won again, but this time it was the prestigious Criterium de Maisons Lafitte. Like his first win, Sea-Bird crossed the wire a short neck ahead of the excellent filly, BlaBla, who would go on to win the Prix Diane/French Oaks as a three year-old. For the final start of his juvenile season, the colt was entered in the prestigious Grand Criterium against some of the best of his generation.

GREY DAWN as portrayed by Richard Stone Reeves. The son of HERBAGER was the undisputed star of the 1964 juvenile season in France.

The colt Grey Dawn was also entered and he had already won the two most important juvenile contests in France that year, namely the Prix Morny and the Prix de la Salamandre. Run at Longchamps over a mile, the Grand Criterium was thought to be Grey Dawn’s to lose. The son of Herbager — who had, ironically, been the nemesis of Dan Cupid in the Prix de Jockey Club — was a superstar.

During the race, Grey Dawn was always in striking position. Sea-Bird, on the other hand, had been left a lot to do by his jockey, Maurice Larraun, as the field turned for home. Finally given his head, the colt rushed forward in a mighty charge to take second place to Grey Dawn. But it was too little too late. Despite that, many felt the Sea-Bird was the true star of the race, even though Grey Dawn had won without ever truly being extended. Trainer Etienne Pollet was delighted, knowing full well that Sea-Bird’s late charge had been something quite spectacular. (Note: Footage of this race appears in the SEA-BIRD feature video, below.)

SEA-BIRD at work, probably as a three year-old in 1965. Credit: Paris Match, Marie Claire. (Photograph in the collection of THE VAULT, purchased on Ebay.)

The three year-old Sea-Bird was a force to be reckoned with. His first two starts, the Prix Greffulhe at Longchamps (10.5f) and the Prix Lupin, had him pegged for Epsom given his winnings margins of 3 and 6 lengths, respectively. And in the Prix Lupin, he had left Diatome, the winner of the important Prix Noailles, and Cambremont, who had defeated Grey Dawn in the Poule d’Essai des Poulins, in his slipstream.

On Derby day, Sea-Bird started as favourite. In the field were Meadow Court, who would go on to win the Irish Derby and the King George VI and Queen Elizabeth in authoritative fashion, as well as the filly, Blabla, the winner of the French Oaks.

Sea-Bird is wearing number 22, with Australian jockey Pat Glennon wearing dark green silks and a black cap:

 

“…The Derby performance had to be seen to be believed. In a field of 22 he came to the front, still cantering, 1 1/2 furlongs from home, then was just pushed out for 100 yards before being eased again so that runner-up Meadow Court was flattered by the 2 lengths deficit. ”  (In Randall and Morris, “A Century of Champions,” pp 65)

Apparently, Glennon had been told by trainer Pollet to watch Sea-Bird after the finish line, since there was a road that crossed the track and Pollet was worried the colt would run right into it. Glennon told the press that it was all he could think about near the finish, which was the reason he pulled up the colt. Otherwise, the winning margin could have been well over 5 lengths.

SEA-BIRD moves away from the pack, on his way to victory at Epsom. MEADOW COURT and I SAY are just behind him. Photo credit: Keystone, UK. (From the collection of THE VAULT)

 

Epsom 1965: At the finish, ears pricked. Photo credit: Sport & General, London, UK (From the collection of THE VAULT.)

 

Sea-Bird only raced twice after his victory at the Epsom Derby, winning the Grand Prix Sant-Cloud at a canter.

Then came the Prix de l’Arc de Triomphe and the three year-old’s greatest challenge.

The field was stellar, including the American champion, Tom Rolfe, who had won the Kentucky Derby and Preakness, the undefeated Russian superstar, Anilin, the British champion, Meadow Court, and the French champions Reliance and Diatome. But despite the undisputed quality of the field, Sea-Bird produced one of the most devastating performances in the history of the Arc:

Just prior to the running of the Arc, the American John W. Galbreath had reputedly paid owner Ternynck $1,350,000 to lease Sea-Bird for five years to stand him at stud at his legendary Darby Dan Farm. Galbreath was no stranger to European racing, having already acquired the stellar Ribot in 1959 under another 5-year lease. One of America’s greatest breeders, in 1965 Galbreath stood the stallions Swaps, Errard, Helioscope and Decathlon at Darby Dan, while holding breeding rights to other champion thoroughbreds, notably Tudor Minstrel, Royal Charger, Gallant Man, Arctic Prince and Polynesian.

Retired in 1965, Sea-Bird was crowned the Champion 3 year-old in both England and France, as well as Champion Handicap colt in France.

 

SEA-BIRD pictured at Orly all kitted out to fly off to the USA and John W. Galbreath’s Darby Dan Farm. Credit: Keystone. (From the collection of THE VAULT.)

 

SEA-BIRD appears reluctant to board. Credit: Keystone (From the collection of THE VAULT)

The young stallion stood his 5 years at Darby Dan, during which time he bred two excellent progeny. He returned to France amid expectations of still more outstanding progeny.

Sadly, Sea-Bird’s life was cut short upon his return to France, where he died of colitis at the age of eleven. But he is remembered for siring an Arc winner of his own, in the incomparable Allez France; as well as the brilliant Arctic Tern, Gyr, who had the misfortune to run in the same years as the brilliant Nijinsky, the millionaire hurdler, Sea Pigeon, Mr. Long, who was a 5-time Champion sire in Chile from 1982-1986, and America’s beloved Little Current, the winner of the 1974 Preakness and Belmont Stakes, who like his sire, stood at Darby Dan Farm.

It is a great and tragic irony that his short life never allowed Sea-Bird a chance to produce European and British grass champions of the quality of his American crops.

 

In the Belmont Stakes, Little Current was every inch Sea-Bird’s son:

 

 

Even though Sea-Bird can’t be credited for the brilliance that is Mendelssohn, he played his part in the genetic landscape of the colt’s pedigree.

I, for one, will be watching on May 7 to see if there’s a mighty bird sitting just between Mendelssohn’s ears.

 

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Below, a lovely SEA-BIRD feature, including very rare racing footage together with the insights of his trainer, Etienne Pollet.

 

 

Selected Bibliography

Hunter, Avalyn online @ American Classic Pedigrees: Sea-Bird (France)

Randall, John and Tony Morris. A Century of Champions. London: Portway Press Limited, 1999

Timeform online @ https://www.timeform.com/horse-racing/features/top-horses/Timeforms

Tower, Whitney. The Man, The Horse and The Deal That Made History in Sports Illustrated, June 1, 1959

 

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Imagine, if you will, the world of thoroughbred racing without sires like Northern Dancer, Sunday Silence, Halo, Mr. Prospector, Seattle Slew or their descendants: Sadler’s Wells, A.P. Indy, Galileo, Tapit, Sebring, Deep Impact, Medaglia d’Oro, Snitzel, Dubawi, King Kamehameha,  or the late Street Cry…………. 

Named the top two year-old of the last century (John Randall and Tony Morris in ” A Century of Champions”) The Tetrarch ran only as a juvenile and proved a shy, disinterested stud, siring only 130 foals before retiring to become a pleasure horse.

Remarkably, his influence is such that The Tetrarch appears in the pedigrees of most modern thoroughbreds worldwide, making him a huge influence on the breed. Each entry in the 2017 Kentucky Derby carried The Tetrarch in his pedigree. And you can bet that the winners at Royal Ascot 2017 have a 95% or better chance of carrying The Tetrarch in their pedigrees too.

The Tetrarch might well have been the very best there ever was. 

 

THE TETRARCH_BblDvz0CAAILoEn.jpg-large

THE TETRARCH displays his famous chubari, or Tetrarch, spots. In the early decades of the last century, these markings were so strange that they sometimes inspired fear among the superstitious. Shown here as a two year-old.

 

Of course, The Tetrarch did not rise to legendary status on his own. He was an unruly individual and it took three other equally tough, Irish characters — the renowned trainer Henry “Atty” Persse, stable lad Dick McCormick and the legendary jockey, Steve Donaghue — to get him right.

But before Atty, Dick or Steve laid eyes on him, The Tetrarch began life as the offspring of a stallion described as a “plodder,” who had been purchased by one Edward Kennedy of Straffon Stud in County Kildare, Ireland. Kennedy was a rich cattle owner who developed a taste for thoroughbreds and was determined to revive the Herod male line in Great Britain. This determination may well have stemmed from the fact that Herod was a direct descendant of the Byerly Turk, who, with his owner, Captain Robert Byerly of the Sixth Dragoon Guards, had spent time in Ireland in the late seventeenth century. In 1690, records show that the “Byerly charger” won a flat race, the Silver Bell,  on Down Royal in Northern Ireland.

The BYERLY TURK, one of three sire lines to which all thoroughbreds can be traced.

 

Herod_(horse)

HEROD, together with MATCHEM and ECLIPSE, is a foundation sire of the thoroughbred breed. HEROD was a direct descendant of the BYERLY TURK.

Herod (originally King Herod, 1758-1780) is one of three foundation stallions from which the thoroughbred descends. Like the better-known Eclipse, Herod was also bred by Prince William, The Duke of Cumberland, the youngest son of King George II.

Herod is the foundation sire who represents the Byerly Turk sire line and he was a fine racehorse who began his career as a five year-old, the usual age that thoroughbreds started their racing careers in the eighteenth century. He raced until he was eight, winning at a preferred distance of four miles in several races at Newmarket. But it was really as a sire that Herod would make his lasting contribution to the sport. Although he sits very far back in The Tetrarch’s pedigree, Rouge Rose, a direct descendant of Herod appears in the colt’s pedigree on both top and bottom.

ROI HEROD_550b3b2b552ff5d634dae6e3122bc21f

ROI HERODE, sire of THE TETRARCH.

Always on the lookout for a Herod descendant, Edward Kennedy finally found a horse that caught his eye at Doncaster in 1909, where the French-bred Roi Herode finished in second place in the Doncaster Cup. This race was arguably Roi Herode’s absolutely best lifetime performance and Kennedy bought him, intending to race the five year-old for at least another year before sending him to the breeding shed. But, as luck would have it, Roi Herode broke down shortly thereafter.

The breeding season was almost over, so Kennedy bred him to one of his own mares, Vahren, a granddaughter of the great Bend Or, another Herod descendant. But Kennedy’s expectations regarding the union were likely moderate. Vahren had produced two decent fillies before The Tetrarch, but neither could have been considered brilliant.

VAHREN_8919d93345857b9c4ad4a924cbdef954

VAHREN, by the 2000 Guineas winner BONA VISTA (BEND OR) was lightly raced, winning only three minor races before retirement.

The Tetrarch came into the world on April 22, 1911 as a chestnut with dark spots. It is an irony in the narrative of so many great thoroughbreds that they are often dismissed at birth by their breeders for any number of reasons, including their lack of beauty. And The Tetrarch was no different: not particularly appealing as a youngster, his “coarse looks” were only exacerbated by the changes in his coat. Already huge for his age at six months, the emergence of a peculiar grey coat made him look distinctly odd, so much so that this was all anyone really seemed to notice about him. The youngster’s coat featured huge Chubari (later renamed “Tetrarch”) spots that gave an overall appearance described best by Steve Donaghue:  “…he was a sort of elephant grey with big splotches of lime colour, looking as though someone had splashed him all over with handfuls of wet lime…” (in Just My Story by Steve Donoghue, pp. 138)

Little surprise, then, when a fellow horseman advised Kennedy to geld the yearling and train him for the chase, rather than send him to the sales at Doncaster.

THE TETRARCH_hqdefault

THE TETRARCH as he may have looked during his racing career.

But Edward Kennedy had his mind made up and off the colt went to auction, where he was promptly purchased by Henry Seymour aka “Atty” Persse. Of course, Kennedy had a pretty good idea that the hammer would fall to the trainer. Atty had conditioned both Roi Herode for Kennedy, as well as the colt’s half-sister, Nicola, and the trainer liked the family. The colt was, as Atty saw, well-made with a broad, intelligent head and looked like a 3 year-old. However, Atty wasn’t the only bidder impressed by the Roi Herode-Vahren colt and he had to go to 1300 guineas to secure him. But, as was usual for the trainer, Atty planned to sell The Tetrarch on at a higher price, thus making a profit, albeit a small one, given the handsome sum he had originally paid. Before the year was out, Atty had sold The Tetrarch to his cousin, Major Dermot McAlmont. He made no profit on the transaction.

Atty was forty-three years old when he first laid eyes on The Tetrarch. The Persse family of County Galway were large in number and wealthy. They had interests in everything from real estate to local governance to high culture. The fifth of ten children, Atty was brought up like an aristocrat, graduating from Oxford with an M.A. before turning his heel on England and heading off to America to ride steeplechasers with the Meadowbrook Hounds. Returning to his homeland, Atty continued to build a reputation over courses in Great Britain and Europe until debilitating injuries put an end to his riding career.

ATTY_JH-Persse-1940

Young ATTY PERSSE.

In 1902, he began training horses in a yard near Dublin and by 1906 he had set himself up on the downs at Chattis Hill near Stockbridge in Hampshire, England. Atty already had a reputation for excellence well before The Tetrarch came along, but his relationship with his employees has been variously described as cruel, bloody-minded, mean and dictatorial.

Some speculate that the chronic pain of his jumping injuries may have been largely responsible for this; others, that he was an aristocrat dealing with a dime-a-dozen work force of boys — and treated them accordingly.

His stable lads, most of whom were under fifteen years of age, signed contracts to work for Atty that stipulated what they could and could not do. Working hours were of indeterminate length; sleeping quarters were above the stable, where the boys were locked in overnight; and they entitled to one day off a year. However, there were meals and wages provided, and for boys with neither prospects nor training, this seemed to be enough, even though few lasted for more than a year.

Secrecy was as paramount in Atty’s yard as hard work, mainly because the trainer made a small fortune at betting. A favourite strategy was to place a very good horse that no-one knew anything about in a race where his odds were say, 60-1, and then bet on him/her to win. The resulting income may not have been essential, but Atty really got a kick out of taking the bookmakers to the cleaners.

However, when it came to training thoroughbreds, Atty Persse was arguably a genius. Trainers like Cecil Boyd-Rochfort, the stepfather of the late Sir Henry Cecil, apprenticed under him and considered him comparable to none. (Boyd-Rochfort was Champion British flat racing trainer five times and perhaps most famously, was trainer to George VI, the father of HM Queen Elizabeth II.)

Dick McCormack, one of the lads in Atty’s yard who would rise to the position of head lad and apprentice trainer, attempted to welcome the colt with the funny spots on his arrival, but that proved almost impossible. Given his imposing size, The Tetrarch was so unruly as to be dangerous.

But Dick was one of Atty’s most trusted apprentices and the trainer let him get on with gentling the colt and giving him his early training, begin with lungeing. As The Tetrarch and the boy got to know one another, trust grew. Throughout his brief racing career, Dick was the only other person who could ride The Tetrarch other than jockey and fellow Irishman, Steve Donoghue. According to McCormick’s son, Richard, “My father was one of only two people to ever to ride The Tetrarch…The other one was his racecourse jockey Steve Donoghue who later wrote Dick was the only man able sit on him long enough to stay there. If he hadn’t been around, the horse may well have been cut (gelded) and that would have changed things a lot.” (Excerpt from Colin Greaves’ article in the Irish Examiner, March 2017)

dick_mccormick_on_the_tetrarchs

Dick McCormick riding THE TETRARCH. Dick was the only other person to ever ride the colt and knew him best of all.

 

Even in Dick’s able hands, The Tetrarch had shown something of himself that was rather unique: he essentially trained himself. Jockey Steve Donoghue, who likely heard a recount from Dick McCormick, tells it like this:

“…Even when first in the side-reins, he seemed to know all about it beforehand and to require no teaching, and as for going through the starting-gate, he only saw the tapes once before he ran and won at Newmarket…I always said from the first day I rode him that this was ‘his second time on earth’! He had in my opinion experienced it all before, in everything connected with racing…” (in Just My Story by Steve Donoghue, pp. 139)

Atty brought each individual along at their own pace. The Tetrarch was still growing and even when Dick had the colt well in hand, he wasn’t really put into a training regimen, with the result that he was far behind the other two year-olds in the Chattis Hill stable.

As the story is famously told, a day came when Atty asked Dick to saddle up The Tetrarch for a run across the downs with some of the trainer’s other two year-olds.

It was not easy to surprise Atty, but the day of The Tetrarch’s first run sure did.

The colt jumped out with the others and in less than two furlongs, he left them behind in the dust. Atty couldn’t decide if this was a fluke.

tetrarch with ATTY PERSSE and DONOGHUE_

THE TETRARCH, Steve Donoghue up.

So he sent him out again with a very good, seven year-old called Captain Symons whom Atty relied upon to help him cull out really promising youngsters. To make it a fair contest, Atty applied weight-for-age, meaning that The Tetrarch was weighted down with an additional twenty-one lbs. in lead weights. Added to the mix were two other very good horses. In addition, Atty asked jockey Steve Donoghue to ride The Tetrarch for the first time. Off they went and the same thing happened, Steve reporting that the colt almost pulled his arms out of their sockets as he galloped along.

Below, a taste of “the gallops” today. The Tetrarch did his gallops over the grass on the downs near Atty’s stable where there was likely little fencing, as you see here:

The third time out, racing against a very good and speedy four year-old mare, Noramac, Steve thought he heard Atty shouting at him half-way through the trial. As The Tetrarch sailed along, Noramac was nowhere in sight. When jockey and colt returned to the trainer, Donoghue inquired whether or not something was wrong.

To which Atty responded, “Oh, no. I was only shouting to the lad on the mare to tie her onto the grey’s tail!” (in Just My Story by Steve Donoghue, pp. 141)

The Tetarch

At two, THE TETRARCH was as big as a four year-old. For this reason, trainer Atty Persse was slow to start his training regime. But it didn’t seem to matter. The colt seemed to know how to do everything without anybody teaching him how to do it.

A rare and lovely silent video of the 1923 Derby at Epsom, won by the great Steve Donoghue and Papyrus. The two would later travel to the USA to race against Zev:

The Tetrarch’s first start came at Newmarket, on April 17, 1913. As might have been expected, Donoghue and the big grey were teased before the race, some asking if The Tetrarch wasn’t actually a much older horse, others referring to him as a “Rocking Horse” because of his unique markings. The pair took it all in good fun.

But when the tape went up, The Tetrarch jumped out, blazing along to take his maiden race by a good four lengths. But it could have been by twenty  — and everyone knew it. Even the other jockeys, riding out after the finish, pronounced The Tetrarch a “wonder-horse.” (Below: The Tetrarch shares a page in The Illustrated London News [1913] with the higly-rated Prince Palatine.)

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And so it went all through The Tetrarch’s two year-old season, and the public fell in love with him. One distinguished stakes race after another fell to the “dynamic duo” of British racing: the Coventry, the Champagne, the Woodcote, the Rous Memorial and the National Breeders Produce Stakes.

The last of these saw The Tetrarch’s closest finish — he won it by a neck.

But the reason for that was simple enough to explain and Donoghue did so publicly, in an effort to dispel some of the opinions in the press: The Tetrarch had misjudged the start. The colt was always speedy at the jump out, quick to anticipate when the tape was about to drop. But in the National Breeders Produce Stakes, he moved forward too quickly, forcing Donoghue to pull him back and as he did, the tape went up and the race was on. Leaping forward, The Tetrarch was caught on the shoulder by another horse and nearly toppled forward.

It was a cloudy day and no-one in the stands really saw the start. It was also a holiday, so Sandown Park was packed with people, many of whom had come there to see The Phenom of 1913. Too, it was a valuable race and as the field rushed away from them, Donoghue knew he had to get his colt balanced and then coax him to run.

“Coax” was the operative word: The Tetrarch needed to always be on the lead. He had won every race before this one on the lead because he tended to “sulk” if asked to rate off the pace. By the time that Donoghue had the colt ready to go, the rest of the field was 20 lengths away. By mid-field, the colt had managed to pass two stragglers. With only 100 yards to the finish, The Tetrarch had two lengths to make up. He began a furious charge, with Donoghue urging him on with his hands, to win by a neck.

Many felt it was the best performance of The Tetrarch’s brief career.

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Steve Donoghue and “The Spotted Wonder.”

Having ridden many champion thoroughbreds, among them Papyrus, Brown Jack and Captain Cuttle, Steve would always say that The Tetrarch was one of the greatest he ever rode. No small bow from the man who had won six Epsom Derbies, two Epsom Oaks and St. Legers, as well as three 2000 Guineas:

“…He was a magnificent creature — a super-horse. I have never during the whole of my career ridden another horse that gave me the feeling of immense power behind the saddle that The Tetrarch did. The leverage of his hind quarters was so great that as he galloped one was fairly lifted from the saddle. The terrific speed he displayed seem to be all impelled from behind. To be on him was like riding a creature that combined the power of an elephant with the speed of a greyhound. He was, indeed, a ‘wonder-horse.'” (in Just My Story by Steve Donoghue, pp 139)

THE TETRARCH_woodcote-stakes-at-epsom-G8XXWX

THE TETRARCH winning the Woodcote Stakes, Steve Donoghue up.

The “Spotted Wonder” as he was fondly dubbed enjoyed the popularity of a Zenyatta or a Treve or a Caravaggio. The colt was already in the betting to win most of the three year-old classics, including the Epsom Derby. None expected that the final race of his two year-old season would be his last.

Then, suddenly, it all went terribly wrong.

THE TETRARCH_fromDONAGHUE book

THE TETRARCH’S two year-old season, captured in photo and drawing.

The Tetrarch had a bad habit of crossing his forelegs — or “plaiting” — when he walked or slowed up after a work or a race. Unable to correct this, Atty Persse had special shoes put on the colt’s forelegs that were shaved back, so that, should he catch himself, The Tetrarch would escape injury. The trainer was quoted as saying that you could “actually hear it” when the colt plaited and that it had been a serious concern since he had first arrived in Persse’s yard.

And it was, indeed, the plaiting that would end The Tetrarch’s career. It first happened shortly after the end of his two year-old campaign. Even pin-firing the foreleg didn’t help, as the colt struck himself again and this time, the injury was career-ending.

In Atty’s view, it was best to retire him and so, with his public jolted from worry to despair about first the silence surrounding their hero’s preparation for his three year-old season and then the announcement of his retirement, the colt was sent back to Ireland, to Thomastown Stud in Kilkenny where he stood his first season in 1915. The following year, The Tetrarch moved to Ballylinch Stud, where he lived until his death in 1935.

The Tetrarch proved an indifferent stud, or a “shy” breeder, siring only 130 foals during his breeding career. Although he never reproduced himself, he got some very good colts and was the leading sire in 1919. One son, Stefan the Great, is a great grandsire in the female family of Triple Crown winner Count Fleet, himself a superb sire and the BM sire of Kelso.

But his most brilliant offspring was “The Flying Filly,” Mumtaz Mahal, who was purchased by the Aga Khan, to whom is owed the founding of a thoroughbred dynasty through the Mumtaz Mahal’s daughters: Mumtaz Begum (Blenheim) dam of Nasrullah (Nearco); Mah Mahal (Gainsborough) dam of Mahmoud (Blenheim); Mah Iran (Bois Roussel) dam of Migoli who sired Gallant Man and also the dam of Star of Iran and grandam of champion Petite Etoile; and Rustom Mahal (Rustom Pasha) dam of Abernant (Owen Tudor), from whom a number of champions of the British turf descend. In the USA, two other daughters of The Tetrarch, La Dauphine who got champion Anita Peabody(Luke McLuke) and Herodias from whom Prince John and Lamb Chop descend, also made their mark.

MUMTAZ MAHAL_Flying Filly

The brilliant MUMTAZ MAHAL was dubbed “The Flying Filly” by British racegoers. Painting by Lionel Edwards.

But when we say that thoroughbreds worldwide carry The Tetrarch in their pedigrees, including those running in 2017, we refer principally to the overwhelming influence of Nasrullah and Mahmoud on the breed.

From the Nasrullah sire line comes Grey Sovereign, Bold Ruler (sire of Secretariat, grandsire of Spectacular Bid, great grandsire of Seattle Slew, great great grandsire of A.P. Indy), Nashua (BM sire of Mr. Prospector and Roberto), Nantallah (dam of Moccasin, Thong and Ridan, grandam of Nureyev and great grandam of Sadler’s Wells), Red God (sire of Blushing Groom) and Never Bend (sire of Mill Reef, grandsire of Shirley Heights). From this Tetrarch descendant alone comes any thoroughbred who descends from any of Nasrullah’s sons and their individual sire lines.

From the Mahmoud sire line comes most importantly Northern Dancer, through his dam Natalma, a granddaughter of Mahmoud. Any thoroughbred who descends from Northern Dancer — including names like Nijinsky, Sadler’s Wells, Istabraq, Danehill, Galileo, Yeats, and, of course, the mighty Frankel — would never have come to be without some help from The Tetrarch.

In addition, Cosmah (whose sire Cosmic Bomb was also a Tetrarch descendant) out of Almahmoud, Mahmoud’s daughter, was the dam of Queen Sucree (Ribot), herself the dam of Cannonade. The brilliant HOF Tosmah (Tim Tam) was also a daughter of Cosmah. But Cosmah’s most influential progeny was undoubtedly Halo (Hail To Reason) who is, most importantly for this discussion, the sire of Sunday Silence. In other words, the Japanese thoroughbred champions that descend from Sunday Silence, including the prepotent Deep Impact, owe their existence — at least in part — to The Tetrarch as well.

Simply put, the world of contemporary thoroughbred racing would be impossible to imagine without these champions, all descendants of The Tetrarch.

And, for those who only focus on the first five generations of a champion’s pedigree, consider this: without The Tetrarch’s influence, all of the individuals featured here would never have come into being.

And the list goes on and on and on…………

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

References

The Tetrarch. The Spotted Wonder. AuthorHouseuK, 2014

(Note: Yes, The Tetrarch is the narrator of his own biography and that fact led me to debate on reading the book. But when I decided to buy it, I was pleasantly surprised. Beautifully researched and the “horse’s voice” is never soppy or humanized — it’s simply the vehicle for telling The Tetrarch’s astounding story. Available also on Kindle.)

Mortimer, Roger. Twenty Great Horses of the British Turf. New York: A.S. Barnes & Company, Inc., 1967.

Donoghue, Steve. Just My Story. London: Hutchison & Co. No publication date.

Karen, Frances J. The Tetrarch: The Story Behind The Spotted Wonder. In Trainer Magazine, Issue 50, July-September 2015.

Greaves, Colin. Charles Haughey’s Balidaress. In the Irish Examiner, March 30, 2017 edition. (Note: Provided some insight into the story of Dick McCormick, The Tetrarch’s best friend and the person who knew him best.)

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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In conformation, she is unmistakably her mother’s daughter. But at this stage of the game, Soul Stirring is also the best of Frankel’s first crop, as well as his first and only G1 winner of 2016.

Champion STACELITA with her FRANKEL filly, born in 2014 and to be named SOUL STIRRING.

2014: Champion STACELITA with her newborn FRANKEL filly, SOUL STIRRING. Photo source: Twitter.

This is one alliance of bloods that did exactly what might be expected, much to the delight of Katsumi, Haruya and Teruya Yoshida, the owners of Shadai, Northern and Oiwake farms on the island of Hokkaido, in Japan. Take an outstanding stallion in Frankel– arguably the greatest thoroughbred that England has ever known — and put him to a champion thoroughbred mare and daughter of Monsun, Stacelita. Then hope and pray.

 

Prayers aside, it sure helps if the possibility inherent in a particular mating is a gleam in the Yoshidas’ eye, as this much-anticipated foal was. After all, these are the breeders who imported Sunday Silence from the USA and turned the son of Halo into the Northern Dancer of Japan and a leading sire from 1995-2008. In 2017 Shadai remains the home of Sunday Silence’s most powerful sons and daughters, notably the pre-potent Deep Impact. But there’s a down side to any giant bloodline: so prevalent is Sunday Silence’s blood in Japanese bloodstock in their own country that the Yoshidas, together with most Japanese breeders, are keen to acquire mares who provide an outcross to his bloodline.

Enter champions like Stacelita, Danedream, Azeri, Ginger Punch, Proud Spell, Champagne d’Oro, In Lingerie, Mi Sueno, Zazu, Sarafina, Evening Jewel, Princess of Sylmar and, more recently, Curalina and Don’t Tell Sophia, among other global acquisitions purchased by the Yoshidas.

 

Nor are the brothers only interested in broodmares. Daughters of Deep Impact, like the great Gentildonna, also need suitable suitors. Shopping in North America, Britain and Europe for great bloodstock for well over three decades, Shadai has acquired champions like War Emblem (now retired and living at Old Friends in Kentucky), Harbinger, Workforce (now standing at Knockhouse Stud in Ireland), Novellist, Carroll House, Tony Bin, Falbrav, Empire Maker (now back in the USA), I’ll Have Another and Pentire.

The Frankel-Stacelita union represents a desire to enrich and diversify the Shadai bloodstock through the introduction of powerful bloodlines like that of Monsun, Galileo and Danehill (through Frankel’s dam, Kind). But the pairing was a crapshoot: Frankel, standing his first season, was unproven and Stacelita was also a wild card, since her first foal, a filly by Smart Strike, was only a yearling.

SOUL STIRRING just before she was weaned is already an impressive individual.

SOUL STIRRING just before she was weaned was already an impressive individual. Photo source: Twitter.

When snow drifts lay high and gleaming against the bare trees, Stacelita brought her filly foal into the world. As winter melted away and greenery festooned paddock and tree at Shadai Farm, it became clear that Stacelita’s daughter had inherited her dam’s conformation, coat colour and large, expressive eyes. According to trainer Chad Brown, who took over training duties from Jean-Claude Rouget in France, Stacelita was noted for her “presence” — something that other thoroughbreds noticed and respected. At three and four, Stacelita won the Prix St. Alary, Prix Vermeille, Prix Jean Romanet, La Coupe and the Prix de Diane. In France, she was an absolute superstar. Shipped to Chad Brown, she annexed the Beverly D. and the Flower Bowl Invitational, but a terrible trip in the Breeders Cup that same year resulted in her giving a lacklustre performance. It didn’t matter: Stacelita was the Eclipse Award winner for Best Turf Female in 2011. She retired with well over two million in earnings and visited Frankel in 2013.

 

Right from the start, STACELITA'S little daughter had presence. Used with the permission of Michele McDonald. Photo and copyright, Michele McDonald.

Right from the start, SOUL STIRRING had presence. Shown here with her dam, STACELITA. Used with the permission of Michele McDonald. Photo and copyright, Michele McDonald.

Frankel followers were beginning to note that many in his first crop shared a distinctive feature: on the outside, they took after their dams. And Soul Stirring, as she was named, had Stacelita’s size, scope and bone. As a baby, what she had inherited from Frankel certainly couldn’t be discerned just by looking at her.

The devotion Frankel had gained as a racehorse showed no sign of ebbing when he retired, and  “The First Frankels” were eagerly awaited, despite the risk that this great thoroughbred wouldn’t necessarily prove to be as great a sire. Frankel nevertheless got the immediate support of Juddmonte, who offered him a modest book of exceptional mares in 2013. And this trend is likely to continue throughout his stallion career. The idea is to keep him “exclusive” — as his privileged status demands.

So it was that Soul Stirring’s first start in July 2016 in the land of her birth was greeted with great excitement. She was, after all, Japan’s own “baby Frankel.”

And her win came with a sense of what Frankel had almost certainly contributed to her pedigree (Soul Stirring is #3, yellow-striped silks and red cap):

True, she won it by a fraction of a nose, but the explanation for that probably came in the walking ring before the race (video below), where the 2 year-old was fractious. Unlike other Frankels, who showed his enthusiastic forward locomotion, Soul Stirring’s running style was reminiscent of Stacelita. But although her willingness and speed couldn’t be attributed to Frankel alone, it seemed likely that on the “X” her sire had contributed was more than a little of Danehill, one of the most stunningly successful sires of the last forty years.

Soul Stirring had indeed stirred hearts around the world. But one start does not a champion make. With Christophe Lemaire back in the irons for trainer Kazuo Fujisawa, the filly made her second start, this time against the colts, in the October 2016 Ivy Stakes (please click on video):

This win was something different: Soul Stirring showed a lightning turn of foot when asked, powering into the lead to finish with ears pricked. It was a thrilling, decisive victory. And even the champion and two-time Horse of the Year in Japan, Gentildonna, had only won once in two starts as a two year-old. So Japanese racing fans, together with Teruya, aka “Terry” Yoshida, were ecstatic.

SOUL STIRRING in the walking ring before the Ivy Stakes looked composed.

SOUL STIRRING in the walking ring before the Ivy Stakes looked composed. Photo source: Twitter.

 

Crossing the finish line, ears pricked.

Crossing the finish line, ears pricked. Photo source: Twitter,

Soul Stirring was acquiring a following after beating the colts, and social media was regularly peppered with shots of her preparation for the final start of her two year-old campaign, the Hanshin Juvenile Fillies, a G1 race for the best juveniles in the land. Should she win it, Soul Stirring would become Frankel’s first G1 winner. The filly seemed to have it all — looks, turn of foot, ability to rate off the pace and blazing speed. It was impossible not to wish the best for her in her final race, scheduled to take place in December.

SOUL STIRRING works prior to the G1 Hanshin Juvenile Fillies.

SOUL STIRRING works prior to the G1 Hanshin Juvenile Fillies. Photo source: Twitter.

Elsewhere, it was late in the flat season: The Frankels racing in England and France, despite signs of brilliance, had not managed a G1 and had been put away until their three year-old season. Too, a majority of the best-bred Frankels hadn’t even shown up on the turf: Frankel himself raced at two, but he was by all accounts a “late bloomer,” a quality that seemed in evidence in his 2014 crop.

December 11th arrived and Soul Stirring’s cheering section held its breath, while those in other parts of the world consumed gallons of coffee the evening before and got set to stay up all night. (Soul Stirring is #2, yellow-striped silks, white cap):

With that, it was settled. Stacelita’s daughter was indeed a champion juvenile, having beaten the best of her age and sex with relative ease. The win would be enough to award her Champion Two Year Old Filly honours in Japan, before getting some time off.

A delighted Christophe Lemaire congratulates his filly.

A delighted Christophe Lemaire congratulates his filly. Photo source: Twitter.

 

Victory salute.

Victory salute. Photo source: Twitter.

 

SOUL STIRRING, Champion two year-old of 2016.

SOUL STIRRING, JRA Champion Two Year-Old Filly of 2016. Photo source: Twitter.

 

What a difference two months can make.

By February 2017, Soul Stirring was back in training for the first start of her three year-old campaign, the Tulip Sho, in March. The choice of the Tulip Sho spoke volumes: the race is the habitual qualifier for the Japanese Filly Triple Crown, comprised of the Oka Sho (Japanese 1000 Guineas), the Yushun Himba (Japanese Oaks) and the Shuka Sho (formerly the Queen Elizabeth II Commemorative Cup, run from 1976–1995). The most recent winner of the Filly Triple is the brilliant Gentildonna, who won it in 2012.

Caught in the lens of eager photographers, Soul Stirring was already bigger and stronger than the juvenile version of herself, just eight weeks after her mini-break. In fact, she had added 20 kgs. Put another way, the filly was beginning to “grow into herself.”

SOUL STIRRING, December 2016.

SOUL STIRRING, December 2016. Photo source: Twitter.

 

SOUL STIRRING, February 2017

SOUL STIRRING, February 2017. Photo source: Twitter.

 

February 2017: SOUL STIRRING works, prior to the Tulip Sho. The hood is used to keep her mind on business — and likely signals to the filly that something important is on the horizon. Photo source: Twitter.

By now Frankel lovers around the world knew about Soul Stirring and, as even breeders are inclined to feel, the sense that she could be “The One” (of 2014) to carry the beloved Frankel into the future was visceral. When you love a thoroughbred you pray for that, pray that time won’t swallow them up and render them ghostly. And Soul Stirring gave people the same stirring in the heart, in the soul, as Frankel had once done. She drew you in. She had presence alright — and that ineffable something that sets hearts and minds on fire.

But would she train on into her third year? So many brilliant two year-olds don’t…..

March 3, the day of the Tulip Sho, Frankel enthusiast Jess Samy noted: “Don’t mess with me. She’s a girl on a mission” And Soul Stirring sure did. Tight as a coiled spring, she strode the walking ring between her handlers exuding power, making it impossible to take your eyes off her — even at 1 a.m. in the morning (central North American time).

 

“A girl on a mission,” said Jess Samy. She’s got her game face on. Photo source: Twitter.

Walking ring footage. Soul Stirring is #10:

The competition befitted a Triple Crown qualifier, the strongest of them being Entry Ticket (#4), Lys Gracieux (#3) and Miss Panthere (#7), all granddaughters of Sunday Silence. Two others were by the winningest of Japanese sires, Deep Impact. And Soul Stirring was starting from deep outside the rest of the field.

With Christophe Lemaire once again her pilot, Soul Stirring stepped into the starting gate:

Hugely evident in her victory is that Soul Stirring had come into 2017 very much the same, willing competitor as she had been at two. That, and how readily she quickened to win, ears pricked. As an American jockey might say, “I still haven’t gotten to the bottom of her yet.”

SOUL STIRRING in her winning colours. Photo source: Twitter.

April and the Oko Sho (1,000 Guineas) await, where Soul Stirring may very well face another very good Frankel daughter in Mi Suerte (out of Mi Sueno), as well as Miss Pathere and Lys Gracieux who finished second and third, respectively, in the Tulip Sho.

But on that day, all around the planet, you’d better believe that hearts will swell and hope will power her wings.

SOUL STIRRING, taken in February 2017. Photo source: Twitter.

SOUL STIRRING seems to be saying, “That’s right. I did it again.” (In winner’s circle, Tulip Sho.) Photo source: Twitter.

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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It is the oldest classic race in England and, arguably, the most prestigious.

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doncasterracesplate3a

 

The English St Leger Stakes is the classic that marks the end of the British flat racing season and its prestige is such that a “St. Leger copy” has been woven into racing calendars in Ireland, Jamaica, Australia and the United States. This classic takes place in Doncaster, Yorkshire, a large town that was initially settled on the site of a Roman fort, Danum, in the first century B.C., maturing into a busy town by the 13th century. Near enough to larger cities to make travel there feasible by horse, Doncaster was (and remains) a market, or “mercat” town, with a thriving commerce designated, like all such towns in England, by its market cross. From about the 15th century, Doncaster was known as a prosperous area, populated by the wealthy who lived in estates like Cantley Hall and Brodsworth Hall.

The market cross, designating Doncaster as a market town where goods of all kinds and livestock were sold for centuries, stands to this day on the site of the original market.

The market cross, designating Doncaster as a market town where goods of all kinds and livestock were sold for centuries, stands to this day on the site of the original market.

 

Doncaster market in 1906.

Doncaster market in 1906.

 

Doncaster market today.

Doncaster market today.

Doncaster is one of the oldest centres for horse racing in Britain, with records of regular race meetings going back to the 16th century. In 1600 there was an attempt to put an end to the races because of the number of ruffians they attracted, but by 1614 failure to do so was acknowledged and a proper racecourse was duly marked out. The Doncaster Cup, the city’s oldest classic race, was first run on Cantley Common in 1766; by 1776, the Doncaster racecourse as we know it today was set up in its permanent home, the Town Moor.

Doncaster racecourse as it looked in the 18th century.

Doncaster racecourse as it looked in the 18th century.

 

Doncaster racecourse circa 1900...

Doncaster racecourse circa 1900…

 

...and today.

…and today.

The original St. Leger kicked off in 1776 and, with only one exception, has run annually in September ever since.

This year, the field for the 2016 St. Leger is dominated by Coolmore-Ballydoyle’s colt, Idaho, although it won’t be any cake-walk for the promising son of Galileo. Open to 3 year-old fillies and colts (and barred to geldings) the St. Leger remains a gruelling test of stamina in a sport that more and more bows to the “speed gene.” It is the third and last leg of the British Triple Crown, the first two being the 2000 Guineas and the Epsom Derby. Unlike the practice in North America, the British Triple Crown races are spaced further apart, taking place over a period of roughly 3 months. Interestingly, to sweep the British Triple for fillies, contenders must also win the St. Leger.

But there is at least one powerful reason that the incomparable Nijinsky stands as the UK’s last Triple Crown winner: the crucible of the St. Leger. Run originally at 2 miles, it is slightly shorter today at 1 mile, 6f, 132 yds, making it about 2f longer than the Belmont Stakes. It is a race for “stayers” not speedballs and, as you might well expect, has long been an indicator of prime bloodstock in the form of great sires and mares whose influence on the breed would be a lasting one.

Some rare footage of Nijinsky’s St. Leger win, showing owner Charles Englehardt and the colt’s trainer, the legendary Vincent O’Brien. O’Brien would later say that illness prior to the race, coupled with the toll on Nijinsky of the St. Leger, would cost the champion a win in the Arc a month later. (Apologies for the buzz on the tape.)

 

The brilliance of Northern Dancer’s most celebrated son, “…cruising up on the outside as smooth as silk…” provided by BCS TV and Steve Mellish, together with a look at why it took another 42 years for a thoroughbred to come along who would try to clinch the Triple again. That colt was Camelot:

But Camelot would go down to defeat, leaving Nijinsky’s 1970 triumph to stand as the outstanding achievement it quite rightly was then, and now. The rarity of any colt or filly today who is up to the Triple Crown challenge is not only a matter of breeding for speed. Many British trainers prefer to bypass the St. Leger, in favour of running in the “sexier,” because more glamorous, Prix de l’Arc de Triomphe or the Breeders’ Cup Turf Classic.

Although the first St. Leger was run as a nameless race — won by a nameless filly who was later christened Allabaculia, owned by the 2nd Marquis of Rockingham  — it would become the crowning achievement for many great blood horses whose names we still recognize today and whose bloodlines shaped the modern thoroughbred: Touchstone, The Flying Dutchman, Voltigeur, Newminster, Stockwell, West Australian (first winner of the British Triple Crown), Ormonde, Rock Sand (10th Triple Crown winner and BM sire of Man O’ War)), La Flèche, Isinglass, Persimmon, Swinford, Tracery, Hyperion, Bahram, Tulyar and the smashing fillies Sceptre, Pretty Polly and Oh So Sharp, trained by the late Sir Henry Cecil for Sheikh Mohammed and ridden by legendary Steve Cauthen. With her win in the St. Leger, Oh So Sharp swept the British Triple Crown for fillies, having already annexed the 1000 Guineas and the Epsom Oaks.

 

The mighty OH SO SHARP was a daughter of KRIS. As Steve Cauthen would say on retirement, she was the best filly he ever rode.

The mighty OH SO SHARP was a daughter of KRIS. As Steve Cauthen would say on retirement, she was the best filly he ever rode. Pictured with Cauthen aboard going down to the start of the St. Leger, which she won.

 

In 1778 the St. Leger was given its name and a change of venue. According to British historian Michael Church, “…At a dinner party held at the Red Lion Inn, Doncaster that year, the Marquis of Rockingham proposed the race be called the St Leger’s Stakes as a compliment to the popular local sportsman Lt-Gen. Anthony St Leger of Park Hill. The venue was then changed to Town Moor, Doncaster and the race run on Tuesday, 22 September 1778.”

The term St. Leger Stakes was originally understood to refer to a multiple of races, including the prestigious Doncaster Gold Cup that brought champions like Kincsem to England. Preceding the St. Leger by a decade, it was still to see the (Doncaster) Gold Cup that brought racegoers out when St. Leger Stakes day came into being.  Run over a distance of 2 miles, 2f, the (Doncaster) Gold Cup is another massive test of endurance. In 2014 when HM The Queen’s mare, Estimate, won it as a 5 year-old, there could be little doubt of her stamina. In this, we hearken back to a time when stamina was the true test of a great thoroughbred and both colts and fillies were really pushed to show it, and to show it consistently. Keep in mind that up until the late 19th century, most flat races in the British Isles were run in heats and a thoroughbred with no serious staying power wouldn’t have managed well at all. Those that did were retired to the breeding shed, thus assuring results that we see today in individuals like Galileo, Frankel, Goldikova, St. Nicholas Abbey, Ouija Board, Midday and their exceptional peers.

Since 1778, the first year it was run under this name, the St. Leger has frequently taken place in different locales. From 1915 to 1918, it was held at Newmarket, where it was known as the September Stakes. The St. Leger was cancelled only once in 230 years, in 1939, with the outbreak of World War II, and this cost the brilliant Blue Peter his chance to snare the Triple Crown. It resumed the following year, but changed courses annually throughout the war years. In 1940, the race was held at Thirsk, moving to Manchester in 1941. It was then held at Newmarket for three years (1942 to 1944) before moving to York in 1945. Most recently, in 2006, the race was again held at York, since the Doncaster racecourse was undergoing renovations.

But regardless of where it was held, papers like The Tatler, The Illustrated Sporting and Dramatic News, Bailey’s News and The Illustrated London News considered the winners of the St. Leger and the (Doncaster) Gold Cup a lead story. In the pre-photography days, this meant deploying at least one “on the scene” artist who could render the atmosphere at Doncaster, as well as the winners. And notable artists like John Frederick Herring Jr., as well as prominent photographers like W.A. Roach lined up to record images of the day’s winners.

PRETTY POLLY shown winning the St. Leger.

PRETTY POLLY shown winning the St. Leger.

PETRARCH, another St. Leger winner.

PETRARCH, another St. Leger winner.

The dramatic clash between LADAS and the filly makes the cover of The London Illustrated News.

The dramatic clash between LADAS and the filly THROSTLE in the 1894 St. Leger makes the cover of The London Illustrated News.The filly, a daughter of PETRARCH (shown above) won.

 

Just imagine what it must have been like on the day: ladies in their finery, horses and carriages lined up row-on-row, gentlemen gathering in the walking ring and huddling in the stands, baskets laden with food and drink, punters before their chalkboards and boys swooping through the bettors to gather money and give out chits, hundreds of pairs of binoculars raised in one deft stroke at the start, the roaring of thousands gathered on the ground as the field turned for home. St. Leger Stakes Day had to be quite the spectacle.

Today, the dowager races of the British flat season may have lost some of their glitter, but to top trainers and thoroughbred people they remain steeped in an undeniable history and tradition of greatness.

HARZAND digs deep to repel IDAHO (outside) in the Irish Derby.

HARZAND digs deep to repel IDAHO (outside) in the Irish Derby.

Saturday, September 10, Aidan O’Brien’s Idaho (Galileo) will enter the fray to vie for his chance to join the exclusive ranks of St. Leger winners. The colt won The Great Voltigeur (at York) last time out, considered the favoured prep race for the St. Leger and will likely have a rabbit in the form of the very good Housesofparliament (Galileo), whom he just beat out in the Voltigeur. (Below, article with short video of Idaho winning the Great Voltigeur from Housesofparliament.)

http://www.racinguk.com/news/article/45123/idaho-leads-home-aidan-obrien-one-two-in-great-voltigeur-stakes-at-york

The other Ballydoyle entry is Sword Fighter, completing a treble of Galileo’s for trainer Aidan O’Brien. Good as Idaho’s credentials are, it is worth noting that O’Brien’s previous 4 St. Leger winners have come from the deceased Montjeu and Sadler’s Wells. However, Camelot came very close in 2012, and Bondi Beach, another Galileo, was held to second place after an inquiry resulting from the bumping of winner Simple Verse last year. So it would appear that there’s nothing to stop a good Galileo from getting the distance — whether it be Idaho, Sword Fighter or Housesofparliament — especially in what looks like a rather ho-hum field.

Should IDAHO, HOUSESOFPARLIAMENT or SWORD FIGHTER bring home the St. Leger, it will be a first for mega-sire GALILEO

Should either IDAHO, HOUSESOFPARLIAMENT or SWORD FIGHTER bring it home, they will be the first St. Leger winner for their mega-sire GALILEO.

Handicapping a race for stayers can be tough in today’s racing world. Such an individual may well handle the distance by laying off the pace most of the way and an entry whose done poorly over a shorter distance might come up roses in a contest like the St. Leger. So Paul Hanagan’s Muntahaa (Dansili out of a Linamix mare), a big colt who will love the distance if he’s going to get into gear, should be taken seriously. Another aspect in Muntahaa’s favour is that he’s handy on good-to-soft turf: rain is currently in the forecast for Saturday. Flying under the radar at the moment is Richard Hannon’s Ventura Storm (Zoffany out of a Haafhd mare/Northern Dancer through Unfuwain), another who will cope with rain and has a very good record of 5 wins in 10 starts. Harrison is still another colt no-one is paying much attention to, but it must be said that his sire, Sixties Icon, won the St. Leger and his dam is by Invincible Spirit. In addition, Harrison ran 4th to Idaho last time out and although he hasn’t seen the winners’ circle yet this season, the St. Leger might be a much better distance for him.

The others: The Tartan Unit is lightly raced, loves soft ground and comes from the Storm Cat line through Catienus; Ormito, trained by Andrew Balding, has the benefit of a great pedigree in his BM sire Acatenango (the BM sire of Animal Kingdom); and Harbour Law doesn’t look to have the pedigree to be a strong contender.

There will be some serious competition on St. Leger Saturday from the Irish Champions’ series which is also on that day, so much so that Ballydoyle’s Ryan Moore will stay in Ireland with Seamie Heffernan getting the call to pilot Idaho at Doncaster. It’s not the first time that the St. Leger has been pinched for viewers’ attention.

But it’s impossible to imagine that this venerable race, taking place over the ground where Romans marched and where thoroughbred legends like The Tetrarch raced to victory in the 1913 Champagne Stakes, has any serious equal on September 10.

THE TETRARCH.

THE TETRARCH, a racing immortal, danced across the Doncaster turf in 1913. Through his daughters, he lives on and has brought us the likes of MAHMOUD, NEARCO, NASRULLAH, BOLD RULER, NORTHERN DANCER, FRANKEL and AMERICAN PHAROAH.

 

 

Sources

Church, Michael. The Origins of the St. Leger and the one running missed! Published on his blog, Michael Church Racing Books.

The National Racing Museum, Newmarket, UK

Racing Post: Race card for the St. Leger (Sept 10, 2016)

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It’s early days yet. But the mighty Frankel has already bested the record of first non-stakes winners in their first crop of both his sire, Galileo, and of one of Europe’s most consistent sires, Sea The Stars.

 

 

Of the 130 mares booked to Frankel in 2013, the first eight have hit the turf running, with seven winning on debut. The eighth, Last Kingdom, finished second in his first start. Two of the eight, Cunco and Queen Kindly, earned black type based on their performances at Royal Ascot, where they both finished third in two different stakes races. And all of this has sent the British press into the same tizzy of delight as they evinced during Frankel’s racing career.

It is easy to forget that Frankel represented over 40 years of breeding by his owner, HRH Prince Khalid Abdullah, making him a “jewel in the crown” like no other. Too, as we have indicated in previous articles about Frankel, the colt demanded the skill of the incomparable Sir Henry Cecil, of work-rider Shane Fetherstonhaugh and jockey, Tom Queally, to get his exuberance under control in a manner that didn’t quench his spirit and allowed him to dominate on the turf. In the early stages it was hard work, and the colt didn’t make his two year-old debut until mid-August of 2010 where he was shadowed home by the brilliant Nathaniel who, of all the Frankel challengers in his 14 starts, remains the colt who got closest to him.

 

Like everything else in his life, Frankel’s stud career has been meticulously planned. It was anticipated that 100 mares would be accepted from outside breeders, including Japan and America, and in all cases, preference was given to Group 1 winners and/or producers of Group 1 winners. (The remaining 30 would come from Juddmonte bloodstock.)

Said general manager of Banstead Manor Stud, Philip Mitchell, shortly after the champion’s retirement:

“We’d always try and keep a restriction on the number of mares he covers … This is an exclusive horse and we want to keep him exclusive.

“If someone is spending that level of nomination fee [£125,000] to use Frankel, you don’t want to get to a situation where you find a large number of his progeny being sold. By keeping him to 130, we won’t be flooding the market. Juddmonte are owner-breeders and we’ll aim to get the right balance between owner-breeders and commercial breeders.”

“… We have certain mares that whatever we send them to, they produce the business … For instance, Clepysydra is one of those mares. The stallion could be the best in the world but I feel it’s hugely important to get the right calibre of mare.

“It’s still early days for us [Juddmonte] with the matings for next year but Frankel will be getting first pick. We want to give Frankel every opportunity at stud and we’ll be supporting him as much as possible. But it is very difficult – we’re spoiled at the moment because we’ve also got Dansili and Oasis Dream and we can’t ignore them. It’ll be a balance.” (Racing Post, November 23, 2013)

FRANKEL and OASIS DREAM at Banstead Manor.

FRANKEL and OASIS DREAM at Banstead Manor.

As trainer John Gosden said of a recent Frankel winner, Seven Heavens, “He has a positive attitude on life and he likes to get on with things. He is a strong-willed horse and is like his father in that way. I think he (Frankel) will probably pass that on to his offspring.” (Sky Sports, July 8, 2016)

Bred by Cheveley Stud, Seven Heavens was a rare Juddmonte purchase at Tattersalls October Yearling Sale last year.  “Rare” because Juddmonte is a huge breeding enterprise all on its own, making the purchase worth noting. Seven Heavens is beautifully bred: his dam, Heaven Sent (2003), a daughter of Pivotal (1993), was a dual winner of the Dahlia Stakes. And Pivotal is a world-class leading sire, with 100 stakes winners to date, including Farhh (2008) and Excellent Art (2004).

 

SEVEN HEAVENS as a yearling in 2015. Photo and copyright, Tattersalls.

SEVEN HEAVENS as a yearling in 2015. Photo and copyright, Tattersalls.

Watching Seven Heavens’ debut was the kind of thing that makes you believe time and space really is curved: the youngster looks so much like Frankel and, unlike his other winning progeny to date, Seven Heavens shows that “pumping” action in his fore that we so associate with Frankel’s distinctive running style. Add to that the parallels in performance between Seven Heavens’ maiden race and that of Frankel’s own debut (above), and the picture is complete.

Video of Seven Heavens’ win, with the beautifully-bred Lockheed (Exceed and Excel/BM sire Motivator) chasing him home. (Please advance the video to 2:46 to see the whole race without the preamble, or click on the link under the video that just offers the race itself.)

 

 

http://www.tdn.premiumtv.co.uk/streaming/watch/RacingUKFlashVOD/partnerId_166/videoFileId_15587411/clipId_2612660/index.html

Said his jockey, Robert Havlin, after the win:

“He’s a nice horse … They didn’t go very quick early on, and following Tom (Marquand on Monoshka) he was struggling after three and a half furlongs and couldn’t take me any further, so literally from the two-pole to the line he had to do it all on his own.

“He’s never been off the bridle in his life before, so it was a big ask, and he just got a little bit lonely and just started to drift to the left a little. I was impressed with him.

“I’ve ridden two Frankels now and they’ve both wanted to get on with things at home, but come raceday they are as good as gold.”

SEVEN HEAVENS strides clear of the fast-closing to win on debut.

SEVEN HEAVENS strides clear of the fast-closing LOCKHEED to win on debut.

 

1337000717if-Frankel-Nmkt-10

An unmistakeable likeness: FRANKEL takes a rehearsal run at Newmarket before his final start.

Seven Heavens isn’t the only first crop Frankel that makes you blink: Cunco and Majoris, to a lesser extent, both have the “Frankel look” about them. Another son, Frankuus, is a grey and his two daughters to race, Queen Kindly and Fair Eva, are both chestnuts. But the whole of this select group seem to have Frankel’s precocity, indicating that at least some of this first crop may have been similarly stamped by their famous sire. Too, as was the case with Team Frankel, will it take patience, together with skill, to harness the inclination of these first few (as well as those to come) to “get on with things” without dampening their love of the race?

Cunco (named after a city in Chile and owned by Don Alberto Corp. Ltd.), Frankel’s firstborn son was also the very first Frankel to hit the turf, winning nicely at Newbury on May 13, ridden by Richard Havlin. Needless to say, there was keen interest among Frankel followers and much praise for his debut effort. Cunco also treated spectators to some of his sire’s spunk, rearing up in the saddling enclosure on his second start at Ascot. Since his May win, Cunco has started twice, coming in third (at Ascot) and fourth, respectively.

Baby CUNCO with his dam, Chrysanthemum.

Baby CUNCO with his dam, Chrysanthemum.

Blink: CUNCO as a yearling looks the picture of his sire.

Blink: CUNCO as a yearling looks the picture of his sire.

As of this writing, Queen Kindly is the first Frankel to chalk up 2 wins (in 3 starts), bringing the stallion’s overall strike rate to 8 winners from 14 starters. The filly is also Frankel’s first-born daughter and her dam, Lady of the Desert, by the great Rahy, gives the filly’s story a distinctly American connection.

The lovely QUEEN KINDLY after her debut win.

The lovely QUEEN KINDLY after her debut win at Caterick.

Please click on the link below for a video of Queen Kindly’s second win:

http://www.tdn.premiumtv.co.uk/streaming/watch/RacingUKFlashVOD/partnerId_166/videoFileId_15595124/clipId_2613781/index.html

Nor is Frankel’s talented daughter the only offspring in his first crop with American connections. Waiting in the wings are: Brooklyn Bobby (colt by Balance), In Luxury (filly by In Lingerie/Japan), Aspirer (filly by Nebraska Tornado by Storm Cat/Juddmonte), an unnamed filly by Oatsee, the dam of Shackleford, Elphin (filly by Aspiring Diva by Distant View, dam of Emulous/Juddmonte), Finche (colt by Binche by Woodman, dam of Proviso/Juddmonte), Solo Saxophone (colt by Society Hostess by Seeking The Gold), Mirage Dancer (colt by Heat Haze by Green Desert/Juddmonte), Mi Suerte (colt by Mi Sueno by Pulpit/Japan) and Aljezeera (colt by Dynaforce by Dynaformer).

IN LINGERIE with her FRANKEL baby, IN LUXURY.

IN LINGERIE (Empire Maker) with her FRANKEL baby, IN LUXURY, in Japan where the filly was born.

However, as has been pointed out by the Racing Post’s Tony Morris, with about 100 or more runners to come, Frankel’s record won’t stay anywhere near his initial wins-starters ratio. It will, in fact, substantially decline — unless every Frankel proves a winner and that is, even for this great, great horse, an impossibility. As for the precocity of these first few, one can’t really talk about Frankel’s tendency to breed precocity into his offspring when so few of them have raced to date. Nor does he occupy the top spot for freshman sires, currently occupied by Mayson (a son of Invincible Spirit with 8 winners of 24 runners), since none of Frankel’s eight progeny to run have scored in stakes company. Frankel currently ranks ninth, but look for that to change.

MAJORIS who was very green in his first start nevertheless showed some depth in coming home first.

MAJORIS showed some depth in coming home first in his first start.

 

The grey FRANKUUS shown winning on debut.

The grey FRANKUUS shown winning on debut. He was very green but still had the turn of foot to get the job done.

 

The lovely FAIR EVA won impressively in her first and only race to date.

The lovely FAIR EVA won impressively in her first and only race to date.

Here’s the thing: these early Frankels don’t even represent the best of what he’s got coming, in terms of sons and daughters of champion and/or Blue Hen mares. Together with those listed above in “American connections,” we can add: Nothing But Dreams, the daughter of Arc winner champion, Danedream, who is training in France with Roger Varian; Erdogan, the son of triple G1 winner Dar Re Mi (dam of the impressive So Dar Mi) who is training with the brilliant John Gosden; Mori, the son of the great Midday, training with Sir Michael Stoute; La Figlia, the priciest Frankel to pass through auction, by the dual Guineas champion Finsceal Beo is with William Haggas; and in Japan, there is the daughter of the brilliant Stacelita, Soul Stirring. Consider too: Aurora Gold, the daughter of Juddmonte’s Midsummer, the dam of Midday, who is with John Gosden; Australian champion More Joyous’ unnamed daughter, in training with Gai Waterhouse; the aforementioned Clepsydra’s filly, Amser, who is training with Andre Fabre; champion Alexander Goldrun’s daughter, Gold Rush, training with Jim Bolger; and Dancing Rain’s filly, Rainswept, a Darley purchase, is in the stable of Andre Fabre.

MIDSUMMER, the dam of MIDDAY and her FRANKEL filly join other mares with their baby FRANKELS at Banstead in 2014.

A FRANKEL troupe: MIDSUMMER, the dam of MIDDAY and her FRANKEL filly join other mares with their baby FRANKELS at Banstead in 2014.

 

DANEDREAM and her 2014 FRANKEL filly. She also has a 2015 FRANKEL colt.

DANEDREAM and her 2014 FRANKEL filly. She also has a 2015 FRANKEL colt.

DAR RE MI'S colt by FRANKEL looks a good deal like his sire.

DAR RE MI’S colt by FRANKEL looks a good deal like his sire.

STACELITA'S filly by FRANKEL as a yearling.

STACELITA’S filly by FRANKEL as a yearling.

MORE JOYOUS with her as yet unnamed FRANKEL filly.

MORE JOYOUS with her as yet unnamed FRANKEL filly.

So, yes, it’s early days.

But this is surely what it’s all about: the courage to dream, the courage to hope ……. that one great thoroughbred will slip the bonds of time to go on and on and on.

 

 

 

Sources

The Racing Post, “Frankel’s Flying Start” by Tony Morris

Juddmonte website: http://www.juddmonte.com/stallions/frankel/default.aspx

 

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My idea to collect photographs of the progeny of Northern Dancer, our King of Thoroughbred Racing here in Canada, led to the discovery of just how influential this tiny thoroughbred stallion really was — and continues to be today, particularly in Great Britain, Ireland, Europe and Australia.

NORTHERN DANCER QUOTE by SANGSTER_$_57

It was the last Kentucky Derby my ailing grandfather and I watched together. He sat, wrapped in blankets, in his favourite armchair and I sat cross-legged near him on the carpet, the rest of the family ranged in chairs around the black and white television console. When the little colt hit the wire, the room erupted with gasps, followed by delight. Here he was, the very first Canadian bred and owned 3 year-old to win the Kentucky Derby and he had done it in record-breaking time.

As we watched EP Taylor leading his fractious champion into the winner’s circle at Churchill Downs, my grandfather exclaimed, “Well I never……just look at him ….he’s only a pony!”

I had been born with Grandpa’s “horse gene,” as my mother liked to say. Shortly after the Derby win, I bought a copy of Sports Illustrated magazine, carefully removed a photo of “The Dancer” winning the Florida Derby and glued it onto a sturdy sheet of blue cardboard, under which I wrote: ” ‘He’s all blood and guts and he tries hard.’ Northern Dancer: first Canadian owned-bred horse to win the Kentucky Derby. Time: 2:00:00 flat.”

The photo and the memory stuck. Today, as I write this, the faded blue cardboard with The Dancer’s photo and my round printing sits in a frame just above the computer.

This SI shot of Northern Dancer winning the Florida Derby has come down through the decades with me. Once the prized possession of a 14 year-old girl, it now sits in a frame above my computer.

This SI shot of Northern Dancer winning the Florida Derby has come down through the decades with me. Once the prized possession of a 14 year-old girl, it now sits in a frame above my computer.

Punctuated as he was by the love of a grandfather who was gone only a year later, as well as that festering horse gene of mine, it was predictable that by 1990 I had decided to collect original press photos of Northern Dancer and some of his progeny. What I had in mind was a project: to collect some photos and then mount them in an album, together with a little research on The Dancer’s most prominent progeny.

Lester Piggott and NIJINSKY, the last British Triple Crown winner.

Lester Piggott and NIJINSKY, the last British Triple Crown winner.

I started out in earnest, shopping on places like the newly-opened EBAY. But little did I know what I was going to uncover. The search for original photos of Nijinsky and The Minstrel connected me to a number of UK sellers — and it was here that the proverbial “floodgates” flew open. My career and family had necessitated a lengthy sabbatical from all things thoroughbred, leaving me somewhat amazed to discover that through the aegis of the great trainer and horseman, Vincent O’Brien, Canada’s tiny Dancer had, in fact, gone viral. 

NORTHERN DANCER by Brewer, Jr.

NORTHERN DANCER by Allen F. Brewer, Jr. The artist’s exquisite portrait belies the temperament of Canada’s King of Thoroughbreds which was, to quote E.P. Taylor’s daughter, “Not very nice at all.”

 

I had bought a few albums to house the photos and had started mounting them together with text. But as the sheer number of photos mounted, I could see that I was making myself a project that would take a lifetime to complete. It wasn’t that I had no criteria for acquiring a photo…..it was that truly great thoroughbreds kept coming and coming, like an enormous tidal wave, prompting the question: Where do I draw the line?

Think about it. Out of the “Danzig connection” alone, another galaxy of superstars in England, Ireland, Europe and Australia have emerged. And this is only one of many Northern Dancer sire lines.

DANZIG pictured here at Claiborne Farm in Kentucky where he stood for the whole of his career at stud.

DANZIG pictured here at Claiborne Farm in Kentucky where he stood for the whole of his career at stud.

 

DANZIG'S best son, DANEHILL.

DANZIG’S best son, DANEHILL.

 

DANEHILL'S son, DANEHILL DANCER, a sire of sires.

DANEHILL’S son, DANEHILL DANCER, a sire of sires.

 

DANSILI, another son of DANEHILL who is making a huge impact on the breed worldwide.

Juddmonte’s DANSILI, another son of DANEHILL who is making a huge impact on the breed worldwide.

 

Among the remarkable thoroughbreds who descend from a bewildering galaxy of Northern Dancer sire lines and families, and who have recently retired are the champions: Rachel Alexandra (USA), America’s sweetheart and 2009 Horse of the Year, is a daughter of Medaglia d’Oro and granddaughter of Sadler’s Wells; Black Caviar (AUS) whose sire, Bel Esprit, is the grandson of Nijinsky and whose dam, Helsinge, is the granddaughter of the late Green Desert (by Danzig); the incomparable Frankel (GB) a son of Galileo (by Sadler’s Wells) whose dam, the Blue Hen, Kind, is a daughter of Danehill (by Danzig); America’s two-time Horse of the Year and turf star, Wise Dan (USA), who carries Storm Bird (by Northern Dancer) and Lyphard (by Northern Dancer) on both sides of his 4th generation pedigree; the 2014 and 2013 Investec Derby winners Australia (IRE) by Galileo and Camelot (IRE) by Montjeu; Arc winner Danedream (GER), whose sire Lomitas is a grandson of Nijinsky and whose dam, Danedrop, is a daughter of Danehill (by Danzig); the brilliant Nathaniel (IRE), a son of Galileo and only one of two horses to seriously challenge Frankel, the other being Zoffany (IRE) by Dansili, a son of Danehill and grandson of Danzig; the mighty Igugu (IRE), winner of the SA Triple Tiara and a daughter of Galileo; the immortal Hurricane Fly (IRE) whose sire Montjeu is a son of Sadler’s Wells; the undefeated Arc winner Zarkava (IRE) whose sire, Zamindar, is a grandson of The Minstrel and whose dam, Zarkasha, is by the superb Kahyasi, a grandson of Nijinsky; the ill-fated and brilliant St. Nicholas Abbey (IRE) a son of Montjeu; the Australian champion All Too Hard (AUS), the half-brother of Black Caviar, and a grandson of Danehill (by Danzig); the wonderful mare, The Fugue (IRE), a daughter of Dansili (by Danehill) whose dam, Twyla Tharp, is by Sadler’s Wells; Canada’s Inglorious, winner of the 2011 Queen’s Plate, who is a granddaughter of Storm Bird (by Northern Dancer); and last but hardly least, Goldikova (IRE) whose sire, Anabaa is a son of Danzig and whose dam, Born Gold, is a granddaughter of Lyphard (by Northern Dancer).

It’s impossible to think of thoroughbred racing or the National Hunt without these individuals — but even they are the tip of the proverbial iceberg in the ongoing genetic dance of The Dancer.

Below, a video of the American turf superstar, Wise Dan, winning the 2013 Breeders Cup Mile for the second straight year:

“The bird has flown” — the fabulous Nathaniel winning the King Edward VII Stakes at Royal Ascot:

The “sensational” Canadian filly,Inglorious, winning the 2011 Queen’s Plate at Woodbine, Toronto, Canada:

Stallions — so many names that one gets dizzy just trying to keep them in a kind of chronological order. Among the best-known: Giant’s Causeway, Medaglia d’Oro, Elusive Quality, Animal Kingdon, Big Brown and War Front in the USA; Galileo, Sea The Stars, Yeats, Invincible Spirit, Cape Cross (sire of Sea The Stars, Ouija Board and Golden Horn), New Approach, Oasis Dream, Kingman, Mastercraftsman, Dansili and Dubawi in Great Britain, Ireland and Europe; So You Think, Exceed and Excel, Sepoy, Redoute’s Choice, Fastnet Rock, More Than Ready, Bel Esprit and Snitzel in Australia; and in Japan, the great Empire Maker and leading sires by earnings, Deep Impact and King Kamehameha ( a son of Kingmambo who is inbred 2 X 4 to Northern Dancer through his sons, Nureyev and Lyphard, and carries Nijinsky’s son, Green Dancer, in his 4th generation).

A look back at the late Bart Cummings’ great champion, So You Think:

And in 2015?

Well, let’s see.

There’s America’s first Triple Crown winner in 37 years, American Pharoah (whose brilliance, I will continue to insist, owes at least as much to Empire Maker and his Blue Hen dam, Toussaud, a daughter of Northern Dancer’s El Gran Señor as to any other in his pedigree), the Investec Derby winner Golden Horn, Shadwell’s brilliant Muhaarar, Coolmore’s Gleneagles, the up-and-coming sire, Mastercraftman’s The Grey Gatsby and Amazing Maria in Great Britain. And it’s impossible to overlook the incomparable Treve, who now has her own theme song!

This year, they all look like him, carrying his bay coat and dark mane and tail into a future he never saw. But the familiar colours of my “tiny Dancer” always take me back to that last Kentucky Derby my grandfather and I watched together. And as for my collection of photographs, it’s tailed off considerably since it arrived at 500 + images. I’m well behind in recording them all, so the considerable overflow are now housed in an archival file.

But then along came 2015.

And I can see that my collecting is not yet done…….

 

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UPDATE

Since I began THE VAULT’S rescue fund, $1,542.00 CAD has been raised, allowing THE VAULT readers and yours truly to rescue Hale, as well as a Standardbred gelding and a beautiful blue roan QH mare, in foal, from slaughter. Too, donations have been made to Our Mims and RR Refuge. I continue to work to save horses, one horse at a time: this week, it was a granddaughter of Secretariat.

This blue roan mare, in foal, was rescued from slaughter by VAULT readers the week of August 31, 2015

This blue roan mare, in foal, was rescued from slaughter by VAULT readers the week of August 31, 2015

Here’s some footage of Hale, a mere month after VAULT readers, his new owner and yours truly rescued him:

If you love THE VAULT, please accept my heartfelt thanks. I write it for you.

And please consider making a donation:

http://www.gofundme.com/8d2cher4

Together we can make a difference.

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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