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If — which is the longest word in any language — Mendelssohn pulls off a win in the 2018 Kentucky Derby, be sure that his maternal ancestor, Sea-Bird II, will have blessed his effort with the gift of wings.

SEA-BIRD II. Conformation shot, identified with stamp of trainer Etienne Pollet. Credit: Photo & Cine RECOUPE, Paris, France. (Photograph from the collection of THE VAULT, purchased on Ebay.)

Far back in the fifth generation of Mendelssohn’s maternal family sits the name of Sea-Bird II. Of course, he is just one of many that account genetically for the Ballydoyle superstar. But Sea-Bird II was arguably the best thoroughbred of the twentieth century, at least as far as the British and the Europeans are concerned, rating #1 in John Randall and Tony Morris’ important book, “A Century of Champions.” ( The mighty Secretariat came in at #2, followed by Ribot in #3, Brigadier Gerard in #4 and Citation in #5. Man O’ War finished in the #21 spot.)

Tony Morris is one of the most respected figures in thoroughbred geneology and pedigree, as well as being a consummate historian of the sport, in the world. The Randall-Morris tome begins by asserting that it is foolhardy to compare horses over the generations, while adding that, thanks to the system devised by Timeform in 1947, reliable handicapping figures can be drawn across the decades of the twentieth century using their formula. In 2016, Sea-Bird II’s rating of 145 ranks him second on the list of Timeform’s all-time world’s best since 1947; Frankel sits at #1 with a rating of 147.

Sea-Bird (as he was registered in France) only raced for a period of roughly eighteen months, in a career that saw him lose just once and winning both the Epsom Derby and the 1965 Arc in his three year-old season. By the time he left for the USA to join the stallion roster at John Galbreath’s Darby Dan Farm in Kentucky, Sea-Bird had become a legend in his own time.

However, the colt foal who came into the world in March 1962 set his tiny hoofs to the ground unaware that his owner-breeder, Jean Ternynck, a textile manufacturer in Lille, France, considered his pedigree rather medoicre. His sire, Dan Cupid, a son of the incomparable Native Dancer, had been a runner-up in the 1959 Prix du Jockey Club to the brilliant Herbager, arguably his best race although he did take the Prix Mornay as a two year-old. His dam was a daughter of Sickle by Phalaris and a grandaughter of the superb Gallant Fox — a pedigree that appeared to promise some potential. However, as of 1962 Dan Cupid had yet to produce anything of merit as a sire. Sea-Bird’s dam, Sicalade, from the sire line of Prince Rose, was in a similar predicament and while Dan Cupid was maintained by Ternynck, Sicalade was gone by 1963.

 

The handsome DAN CUPID (by Native Dancer ex. Vixenette) raced in France for Jean Ternynck and stood at stud there. But he never produced anything that even came close to SEA-BIRD II.

 

SICKLE, the BM sire odf SEA-BIRD II. Hailing from the PHALARIS sire line, with SELENE as his dam, SICKLE’S influence as a sire was outstanding. Imported to the USA by Joseph Widener, SICKLE produced individuals like STAGEHAND and is the grandsire of POLYNESIAN, who sired NATIVE DANCER. SICKLE was one of two leading sires produced by SELENE.

Ah, the mystery of breeding! The numbers of great sires and mares who produce nothing much are astronomical in number, but by the time Sea-Bird made his third appearance as a juvenile, his owner was likely considering the corollary. Namely, that two mediocre thoroughbreds had got themselves one very promising colt.

 

In France, DAN CUPID, the sire of SEA-BIRD, has an audience with HM The Queen.

Sea-Bird was sent to the Chantilly stables of trainer Etienne Pollet, a cousin of his owner, Ternynck. The colt raced three times as a two year-old, winning the Prix de Blaison (7f.) despite being green and getting off to a poor start. A short two weeks later, he won again, but this time it was the prestigious Criterium de Maisons Lafitte. Like his first win, Sea-Bird crossed the wire a short neck ahead of the excellent filly, BlaBla, who would go on to win the Prix Diane/French Oaks as a three year-old. For the final start of his juvenile season, the colt was entered in the prestigious Grand Criterium against some of the best of his generation.

GREY DAWN as portrayed by Richard Stone Reeves. The son of HERBAGER was the undisputed star of the 1964 juvenile season in France.

The colt Grey Dawn was also entered and he had already won the two most important juvenile contests in France that year, namely the Prix Morny and the Prix de la Salamandre. Run at Longchamps over a mile, the Grand Criterium was thought to be Grey Dawn’s to lose. The son of Herbager — who had, ironically, been the nemesis of Dan Cupid in the Prix de Jockey Club — was a superstar.

During the race, Grey Dawn was always in striking position. Sea-Bird, on the other hand, had been left a lot to do by his jockey, Maurice Larraun, as the field turned for home. Finally given his head, the colt rushed forward in a mighty charge to take second place to Grey Dawn. But it was too little too late. Despite that, many felt the Sea-Bird was the true star of the race, even though Grey Dawn had won without ever truly being extended. Trainer Etienne Pollet was delighted, knowing full well that Sea-Bird’s late charge had been something quite spectacular. (Note: Footage of this race appears in the SEA-BIRD feature video, below.)

SEA-BIRD at work, probably as a three year-old in 1965. Credit: Paris Match, Marie Claire. (Photograph in the collection of THE VAULT, purchased on Ebay.)

The three year-old Sea-Bird was a force to be reckoned with. His first two starts, the Prix Greffulhe at Longchamps (10.5f) and the Prix Lupin, had him pegged for Epsom given his winnings margins of 3 and 6 lengths, respectively. And in the Prix Lupin, he had left Diatome, the winner of the important Prix Noailles, and Cambremont, who had defeated Grey Dawn in the Poule d’Essai des Poulins, in his slipstream.

On Derby day, Sea-Bird started as favourite. In the field were Meadow Court, who would go on to win the Irish Derby and the King George VI and Queen Elizabeth in authoritative fashion, as well as the filly, Blabla, the winner of the French Oaks.

Sea-Bird is wearing number 22, with Australian jockey Pat Glennon wearing dark green silks and a black cap:

 

“…The Derby performance had to be seen to be believed. In a field of 22 he came to the front, still cantering, 1 1/2 furlongs from home, then was just pushed out for 100 yards before being eased again so that runner-up Meadow Court was flattered by the 2 lengths deficit. ”  (In Randall and Morris, “A Century of Champions,” pp 65)

Apparently, Glennon had been told by trainer Pollet to watch Sea-Bird after the finish line, since there was a road that crossed the track and Pollet was worried the colt would run right into it. Glennon told the press that it was all he could think about near the finish, which was the reason he pulled up the colt. Otherwise, the winning margin could have been well over 5 lengths.

SEA-BIRD moves away from the pack, on his way to victory at Epsom. MEADOW COURT and I SAY are just behind him. Photo credit: Keystone, UK. (From the collection of THE VAULT)

 

Epsom 1965: At the finish, ears pricked. Photo credit: Sport & General, London, UK (From the collection of THE VAULT.)

 

Sea-Bird only raced twice after his victory at the Epsom Derby, winning the Grand Prix Sant-Cloud at a canter.

Then came the Prix de l’Arc de Triomphe and the three year-old’s greatest challenge.

The field was stellar, including the American champion, Tom Rolfe, who had won the Kentucky Derby and Preakness, the undefeated Russian superstar, Anilin, the British champion, Meadow Court, and the French champions Reliance and Diatome. But despite the undisputed quality of the field, Sea-Bird produced one of the most devastating performances in the history of the Arc:

Just prior to the running of the Arc, the American John W. Galbreath had reputedly paid owner Ternynck $1,350,000 to lease Sea-Bird for five years to stand him at stud at his legendary Darby Dan Farm. Galbreath was no stranger to European racing, having already acquired the stellar Ribot in 1959 under another 5-year lease. One of America’s greatest breeders, in 1965 Galbreath stood the stallions Swaps, Errard, Helioscope and Decathlon at Darby Dan, while holding breeding rights to other champion thoroughbreds, notably Tudor Minstrel, Royal Charger, Gallant Man, Arctic Prince and Polynesian.

Retired in 1965, Sea-Bird was crowned the Champion 3 year-old in both England and France, as well as Champion Handicap colt in France.

 

SEA-BIRD pictured at Orly all kitted out to fly off to the USA and John W. Galbreath’s Darby Dan Farm. Credit: Keystone. (From the collection of THE VAULT.)

 

SEA-BIRD appears reluctant to board. Credit: Keystone (From the collection of THE VAULT)

The young stallion stood his 5 years at Darby Dan, during which time he bred two excellent progeny. He returned to France amid expectations of still more outstanding progeny.

Sadly, Sea-Bird’s life was cut short upon his return to France, where he died of colitis at the age of eleven. But he is remembered for siring an Arc winner of his own, in the incomparable Allez France; as well as the brilliant Arctic Tern, Gyr, who had the misfortune to run in the same years as the brilliant Nijinsky, the millionaire hurdler, Sea Pigeon, Mr. Long, who was a 5-time Champion sire in Chile from 1982-1986, and America’s beloved Little Current, the winner of the 1974 Preakness and Belmont Stakes, who like his sire, stood at Darby Dan Farm.

It is a great and tragic irony that his short life never allowed Sea-Bird a chance to produce European and British grass champions of the quality of his American crops.

 

In the Belmont Stakes, Little Current was every inch Sea-Bird’s son:

 

 

Even though Sea-Bird can’t be credited for the brilliance that is Mendelssohn, he played his part in the genetic landscape of the colt’s pedigree.

I, for one, will be watching on May 7 to see if there’s a mighty bird sitting just between Mendelssohn’s ears.

 

________________________________________________________________

Below, a lovely SEA-BIRD feature, including very rare racing footage together with the insights of his trainer, Etienne Pollet.

 

 

Selected Bibliography

Hunter, Avalyn online @ American Classic Pedigrees: Sea-Bird (France)

Randall, John and Tony Morris. A Century of Champions. London: Portway Press Limited, 1999

Timeform online @ https://www.timeform.com/horse-racing/features/top-horses/Timeforms

Tower, Whitney. The Man, The Horse and The Deal That Made History in Sports Illustrated, June 1, 1959

 

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Named after an infamous spy for the Germans in WW1, this mighty filly leaves her imprint on the 2018 Kentucky Derby, as well as on international thoroughbred racing.

 

MATA HARI was a brilliant grandaughter of MAN O’ WAR. Photo: DRF, May 23, 1934.

 

A solid bay filly with a feminine head, Mata Hari came into the world in 1931, sired by Peter Hastings out of War Woman, by Man O’ War. It is difficult to wager what her owner-breeder, automotive pioneer Charles T. Fisher, who had purchased the fabled Dixiana Farm in 1928, might have expected from a filly born to a pair of unraced thoroughbreds. What was certain, however, was that her sire descended from the Domino sire line. James R. Keene’s Domino had come into the world at Dixiana Farm, bred by the farm’s founder, Major Barack G. Thomas, from his brilliant thoroughbred sire Himyar.

Perhaps there was a little fairy dust falling from Dixiana’s rafters onto the newborn filly’s head. Too, her BM sire was a national treasure, quite capable — at least potentially — of getting good colts and fillies through his daughters.

 

George Conway, pictured with Man O’ War at Saratoga.

Named Mata Hari after an infamous Dutch spy who worked for Germany in WW1, the filly was sent to the training stables of Clyde Van Dusen. Van Dusen had been a jockey before getting his trainer’s licence. His claim to fame was to train the first Kentucky Derby winner for Man O’ War, a gelding named after himself: Clyde Van Dusen. When the 1929 Derby winner was retired, Clyde continued their relationship by taking him on as his personal pony.

 

Greta Garbo portrayed MATA HARI in the 1931 film of the same name.

 

CLYDE and Clyde: Trainer Clyde Van Dusen rode his Derby winner as a stable pony when the gelding was retired.

 

Van Dusen’s connection to Mata Hari’s owner came through work: shortly after winning the 1929 Derby with his namesake, he went to work for Charles T. Fisher at his automotive plant in Detroit. In 1930/-31, he took over training duties for Fisher and his first success came with Sweep All, who ran second in the 1933 Kentucky Derby to the great Twenty Grand.

Sweep All and Mata Hari would have been stablemates in 1933, and both were escorted to the track by “the Clydes” for their works.

 

MATA HARI at work, circa 1933-1934.

The daughter of War Woman’s two year-old campaign was sensational, earning her Co-Champion Two Year-Old Filly honours in 1933 with Edward R. Bradley’s filly, Bazaar. The title handed Man O’ War second place among BM sires in 1933. It was his first appearance in the top ten of BM sires nationwide. Mata Hari began her juvenile season by winning three in a row, culminating in the Arlington Lassie Stakes. In the Matron and Arlington Futurity, the filly was hampered by weight and this caused her to swerve badly, resulting in third place finishes in both cases.

 

Two year-old MATA HARI in the winner’s enclosure at Arlington after winning The Arlington Lassie Stakes.

In October, Mata Hari won the Breeders’ Futurity Stakes at Latonia, beating HOF Discovery, setting a new 6f. track record in the process. One week later, she became only the second filly to win the Kentucky Jockey Club Stakes, where she once again dismissed Discovery who came in second, one better than his third place the week before in the Jockey Club.

That Mata Hari beat a colt of this calibre not once but twice within a period of seven days speaks volumes about her stamina and speed. And she seemed to scorch her rivals so easily. Her two year-old campaign had made her a sensation in the West.  Nicknames like “A Juvenile Princess” (Toledo News Bee, 1933) were used to celebrate her winning ways in the local press. Further afield, The Vancouver Sun in Canada added to the accolades.

DISCOVERY at work. As a BM sire, his daughters produced the champions NATIVE DANCER, BOLD RULER and BED O’ ROSES. Copyright The Baltimore Sun.

 

MATA HARI was the darling of the West. Article + cartoon from the archives of the Toledo News Bee.

 

Expectations were high for Mata Hari in her three-year old season and she did not disappoint. Arguably the most publicized of her performances came in the 1934 Kentucky Derby:

 

She didn’t win it — finishing just off the board in fourth place — but she sure made a race of it.

Following the Derby, Mata Hari ran in the May 23 Illinois Derby against males at Aurora Downs, where she once again broke an existing track record by more than three seconds with a time of 1:49 3/5 for a mile and an eighth on dirt. Then, on June 23, the filly took the Illinois Oaks at Washington Park. Her victory in the Oaks was superb, gaining the praises of The New York Times, who hailed her as the “…queen of the 3 year-old fillies.”

So impressive was she that Mata Hari was named Champion Filly for the second straight year, once again sharing three year-old honours with Colonel Bradley’s Bazaar.

 

MATA HARI again was awarded Champion Filly, this time in the 3 year-old division, in 1934. Once again, she shared the honours with Colonel Bradley’s BAZAAR. Photo and copyright, The Baltimore Sun.

Retired to the breeding shade, Mata Hari was courted by the likes of Eight Thirty, Sickle and Bull Lea. But her best two progeny came through matings with Balladier and Roman. The former mating produced the champion colt, Spy Song (1943), and the latter another very good colt in Roman Spy (1951).

SPY SONG was MATA HARI’s best son. Sired by BALLADIER, the colt would run up an impressive race record, running against the likes of Triple Crown winner, ASSAULT.

The handsome Spy Song had the misfortune of being born in the same year as Triply Crown champion Assault. But despite that, he carved out his own place in the sun, winning the Arlington Futurity in his two year-old season, followed by a campaign at three that saw him running second to Assault in the Kentucky derby and winning the Hawthorne Sprint Handicap. At four, he again won at Hawthorne in the Speed Handicap, as well as annexing the Chicago and Clang Handicaps and the Myrtlewood Stakes. He raced into his five year-old season and retired after thirty-six starts, of which he won fifteen, and earnings of $206,325 USD.

Here is Spy Song’s run in the 1946 Kentucky Derby:

 

At stud, Spy Song proved a solid sire. His most successful progeny was Crimson Satan, a speedster who undoubtedly benefitted from the influence of Commando through Peter Pan in his fourth generation sire line.

Crimson Satan, like his sire, met up with two mighty peers in his three year-old season: Ridan and Jaipur. These two dominated the Triple Crown races in 1962. But Crimson Satan was a hardy colt who had been named Champion Two-Year Old in 1961 and by the time he retired, he’d chalked up victories in the Laurance Armour, Clark, Washington Park and Massachussetts Handicaps, as well as the San Fernando Stakes and the Michigan Mile And One Sixteenth Handicap.

 

CRIMSON SATAN (hood) eyes fellow Preakness contender ROMAN LINE in the Pimlico shedrow. Photo and copyright, The Baltimore Sun.

It is as a sire that Crimson Satan arguably made his most notable mark, through his graded stakes-winning daughter, Crimson Saint. Retired to the breeding shed, Crimson Saint’s meetings with two Triple Crown winners, Secretariat and Nijinsky, produced Terlingua and Royal Academy, respectively. Another colt by Secretariat, Pancho Villa, was also a stakes winner.

Terlingua, an accomplished miler, is arguably most famous for being the dam of Storm Cat. Royal Academy’s son, Bel Esprit, is equally renowned for siring the brilliant Black Caviar.

 

CRIMSON SAINT, the dam of TERLINGUA, PANCHO VILLA and ROYAL ACADEMY, was a brilliant sprinter as well as a Blue Hen producer.

 

Crowds stood 3-deep to see Secretariat’s daughter, TERLINGUA. Photo reprinted with the permission of Lydia A. Williams (LAW).

 

Mata Hari’s grandson, Crimson Satan, established the bridge from this mighty mare to Storm Cat. “Stormy,” as he was affectionately known, pretty much made the now defunct Overbrook Farm and although he died in 2013, his influence as a sire through sons like the late Giant’s Causeway and Hennessey, together with the late Harlan and 2 year-old champion, Johannesburg, the sire of the prepotent Scat Daddy, remains noteworthy.

GIANT’S CAUSEWAY gets a bath as his young trainer, Aidan O’Brien (back to camera) helps out. The gorgeous colt stands out as one of the greatest that O’Brien ever trained.

 

The great Mick Kinane gives JOHANNESBURG a well-deserved pat after the 2 year-old’s win the the 2001 BC Juvenile.

Storm Cat daughters also continue to make a splash of their own, represented by Caress and November Snow, as well as the dams of Japan’s King Kanaloa and Shonan Mighty, while in America, Bodemeister and In Lingerie number among his best as BM sire. The stallion is also the grandsire of Triple Crown winner, American Pharoah through his dam, Littleprincessemma.

With trainer Bob Baffert at Saratoga, AMERICAN PHAROAH won the Triple Crown in 2015.

In addition, Storm Cat mares have proved a very good match with super sire Galileo. The Galileo-Storm Cat nick has been particularly lucrative for Coolmore, attesting to the fact that Storm Cat can get excellent turf runners too.

 

This tapestry of STORM CAT and owner-breeder William T. Young, The Master of Overbrook Farm, hangs in the library, named after Mr. Young, of the University of Kentucky.

 

At Royal Ascot in 2015, Storm Cat lineage accounted for the winners Acapulco, Amazing Maria, War Envoy, Balios, Ballydoyle and Gleneagles. More recently, Mozu Ascot, a son of Frankel ex. India, whose grandsire is Storm Cat, is proving to be a serious contender on the turf in Japan.

2018 Kentucky Derby contender, FLAMEAWAY. The son of SCAT DADDY was bred in Ontario by owner, John Oxley. He is trained by Mark E. Casse.

So it comes as no surprise that Storm Cat also brings the imprint of Mata Hari straight into the field of the 2018 Kentucky Derby, principally through his son, Scat Daddy. However, “Stormy” also appears in the third generation of the female family of Noble Indy, another contender in the Derby field.

The three Scat Daddy’s that have made the Derby roster are Justify, Mendelssohn and Flameaway and all three have a chance at winning.

Arguably the most impressive is Aidan O’ Brien’s Mendelssohn, who is a half-brother to the American champion Beholder, and the excellent sire, Into Mischief. That alone would have peaked interest in this rising 3 year-old star, who the North American public got to know in his 2 year-old performance on turf in the 2017 Breeder’s Cup, where he beat 2018 Derby hopefuls Flameaway and My Boy Jack:

 

 

“On a dizzying ascent to greatness…” is the lightly-raced and undefeated Justify, shown here in his last pre-Derby race, the million dollar Santa Anita Derby:

 

 

Flameaway may not carry the enigma of either Mendelssohn or Justify, but he’s got the experience and determination to be a serious threat if he can cope with the deep track at Churchill Downs. But, then again, the same could be said of the superstar Mendelssohn.

Here’s a punter’s look at Flameaway:

 

 

We’ve ventured a fair distance in time and place from the heroine of this piece, Mata Hari. And it’s easy to forget the ancestors of today’s future champions, who have left their imprint, if not a direct influence, on exceptional colts and fillies.

But a pedigree is like a living puzzle, where every piece needs to fit into place to produce a champion.

And as the first Saturday in May draws nigh, will Mata Hari have a say on who wears the roses?

 

MATA HARI: this superb mare rides once again in the 2018 Kentucky Derby.

 

Selected Bibiliography

Hunter, Avalyn. American Classic Pedigrees. http://www.americanclassicpedigrees.com

The Blood Horse.

— Article on the death of Crimson Saint. https://www.bloodhorse.com/horse-racing/articles/193186/prominent-broodmare-crimson-saint-dead-at-32

— A Quarter Century of American Racing and Breeding: 1916 Through 1940. Silver Anniversary Edition.

 

 

**********************************************************************************************************************************************************************************************************************************************NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

*********************************************************************************************************************************************************************************************************************************************

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What more can we say about this wonderful mare? Well, let’s have a look in “7 clicks” — just for fun.

 

CLICK #1: “…I think I remember saying to Chris (Waller), ‘Do you really like her?’ ” (one of the triad of Winx owners, Peter Tighe)

So it was that the daughter of Street Cry-Vegas Showgirl came to the stables of one of Australia’s outstanding trainers, Chris Waller. Owners Peter and Patty Tighe, Debbie Kepitis and Richard Treweeke were overjoyed at their purchase.

But had they asked Coolmore Australia’s stud manager, Peter O’Brien, who had attended the filly’s birth, he would have told them that from the outset Winx showed signs that she was going to be a late developer, even though she looked a really good individual in other ways.

During her days at Coolmore, Winx was easy to notice: she stood within 10 minutes of her birth, showed a great deal of independance very early on, and was blessed with a kind nature.

WINX at two days old. Photo and copyright: Coolmore.

 

Peter O’Brien’s understanding that it would take Winx some time to mature and show what she really was all about proved timely: Winx’s cavalry charge to the top of the world’s standings only started in earnest in 2015, when she was a four year-old.

It is likely that, had she gone to anyone other than Chris Waller, Winx would never have been given the time she needed to become the mighty mare we know today. And Winx’s owners were also prepared to wait, trusting in their trainer’s knowledge and experience.

 

CLICK #2: A surprise in Winx’s tail female

 

Winx’s dam, Vegas Showgirl, started thirty-five times, winning seven and retiring with earnings of $59,700 AUD. It is fair to say that she was not a household name, but she did win twice as a three year-old making her a solid, if not assured, broodmare prospect. Examining Vegas Showgirl’s tail female, what leaps out is Obeah in the third generation.

OBEAH, shown here with her trainer, Henry Clarke. Source: Mid-Atlantic Thoroughbred.

A grandaughter of 1943 Triple Crown winner, Count Fleet, Obeah raced for Harry and Jane Lunger out of Henry Clarke’s Delaware Park stable. Notable wins came in the Blue Hen Stakes and the Delaware and Firenze Handicaps.

But North American racing fans know Obeah best for one reason and one reason alone: she was the dam of the brilliant, ill-fated Go For Wand:

Pedigree influences up to the fifth generation carry some influence — although how much, exactly, is almost impossible to determine. But it’s a safe bet that North American fans of Winx will be delighted to learn that a small part of her DNA comes through Count Fleet and that she is a cousin, albeit a very distant one, of the beloved Go For Wand.

 

CLICK #3: How did Winx get her name?

According to owner Richard Treweeke, Winx’s name owes much to Vegas Showgirl. In an interview done by 60 Minutes Australia (below in Bonus Features), Treweeke recounted how, when one sees a stage show in Las Vegas, the showgirls give you a “…wink, wink, wink.”

So, with a slight adjustment, Vegas Showgirl’s filly became Winx.

“…wink,wink,wink.”

 

CLICK #4: What individual attributes help Winx to win — and keep on winning?

It has been speculated that Winx’s heart and lungs hold greater capacity than most thoroughbreds.

But one thing — other than her steely determination to win — that gives Winx a decided advantage has to do with her racing form, or style.

Granted, Winx’s running style isn’t the most fluid. Rather, she can look at times as though she has egg-beaters for legs.

But this is where what we think we see can be deceiving.

For one thing, the length of Winx’s stride has been measured at almost 6.8m. The stride of most thoroughbreds is about 6.1m. Exceptions are Phar Lap and Secretariat at 8.2m and the mighty Bernborough was said to have a massive stride of 8.6m.

But it’s not only Winx’s stride that helps her get the job done: whereas most thoroughbreds have a stride frequency of 130-140 strides per minute, Winx checks in at nearly 170 strides per minute. And she can maintain this frequency for much longer periods, notably as she kicks for home, a point in any race where most runners are tiring.

This short video of her win in the Sunshine Coast Guineas in 2015 highlights the impact of Winx’s stride and its frequency. The 2015 Guineas win also marks the beginning of Winx’s winning streak that now stands at 23 straight wins, 17 of which have been Group 1’s:

 

CLICK #5 : Winx and Hugh Bowman

Hugh Bowman is a jockey at the pinnacle of his career. But his promise showed even during his apprentice days, receiving the crown for champion apprentice NSW jockey in his very first year of riding, and champion Sydney apprentice followed in 1999/2000. The 37 year-old was awarded Longines’ 2017 Best World’s Jockey at the end of last season, having won 10 of the world’s Top 100 Group/Grade 1 races, six of which were on Winx. It was Bowman’s masterful win in the 2017 Japan Cup aboard Cheval Grand at Tokyo Racecourse that sealed the Longines’ title. Among the champions they beat in the Japan Cup were HOTY Kitasan Black and champions Makahiki, Soul Stirring and Satono Crown.

So strong is trainer Waller’s faith in Bowman, that Winx was withdrawn from what would have been her first start of the season (in the 2018 Apollo Stakesin Sydney) when a suspension made it impossible for Bowman to ride her. Unlikely that few were surprised by Waller’s decision, since Bowman and Winx are an established partnership at this point in time and no-one other than her inner circle knows the mare as well as Bowman. Famous racing pairs dot the history of thoroughbred racing worldwide and these powerful relationships underscore the importance of finding just the right fit between a jockey and a thoroughbred.

Here, in footage collected in February 2018 at a trail at Randwick,we catch a glimpse of some of the relationship between Winx and Bowman, as well as that between Bowman and Waller. The video also illustrates the complexities of conditioning a thoroughbred and, in this aspect, sheds a light on the profession that is universal.

(Note: Footage from the cam recorder picked up during Bowman’s ride comes at the end of the video.)

 

CLICK #6: Umet Odemisioglu  wanted to be an actor…

After her most recent win, in the 2018 Chipping Norton, an emotional Chris Waller noted that professional as she is, Winx loves to go home where “…she can just be a horse.”

And there’s no question that Umet Odemisioglu and Candice are the two of the humans that make Winx feel that she’s home.

 

WINX with Umet Odem.

Born in Turkey, Umet is Chris Waller’s foreman and one of Winx’s strappers. The champion mare is one of some twenty thoroughbreds in his care.

But his path to Winx’s side was an unlikely one: Umet’s first love was film. He studied acting for two years in Turkey before attending what he describes as a “horse university” in Istanbul. Once he’d graduated, Umet left for Ireland, where he worked on a stud farm until his arrival in Australia in 2006. He has worked for trainer Chris Waller since 2011.

Umet has looked after Winx since she first arrived in Waller’s barn as a youngster. If she were an actress, he figures Winx would be Angelina Jolie because, “…they’re both sweethearts, especially Angelina with the charities. They’re both box office superstars who bring in the crowds.” (quoted in “Strapper Recalls Winx Journey” by Matt Kelly in G1X)

Back at home after a trial or a race, Winx doesn’t like to be bothered — she likes lots of time to herself. And it is Umet who assures that the mare’s down time is just that. On big days, it’s Umet who brings her into the spotlight, equipped with hood that blocks out some of the sounds of the track.

Winx is no lover of the starting gate and Umet, together with Candice, as well as her trainer and jockey, each play their part in keeping her off her toes as much as they can before the gates fly open. He walks close to her, letting her know that he’s there and focusing on keeping the mare as calm and relaxed as possible. And this is no easy job when you’re assailed by cameras, together with the noise and movement of a huge, jostling crowd.

Winx may be used to the attention, but Umet needs to be able to anticipate what she’s not used to seeing. It’s a big part of keeping her safe.

(Note: To learn more about Winx’s second strapper, Candice, please see BONUS FEATURES, below.)

 

CLICK #7: The “Paradox of Champions”

The excitement that characterizes each time a champion like Winx races is fuelled by the risk of her losing. This is what we have coined as the “paradox of champions.”

All those feelings — “Can she do it again?” “Will X defeat her?” “Can she win no matter the odds?” “Is she ready for today’s race?” — are underpinned by the anxiety that Winx may, indeed, be beaten. Even the speculation that her owners might consider Ascot or Hong Kong or Japan or the 2018 Breeders’ Cup is underpinned, to some extent, by the lure of the risk.

It is this paradox that accounts for analogy between the careers of great thoroughbreds and the archetypal hero/heroine’s mythical journey. Like the heroine of myth, Winx needs to keep overcoming obstacles, be they foreign courses or other talented thoroughbreds to guard her title of one of the very best worldwide.

At this point, no-one knows what the 2018 plans are for Winx, in what may well be the last season of a brilliant career.

But, thankfully, it seems clear that Winx herself will be foremost in making that decision.

 

 

 

 

BONUS FEATURES

1) TEAM WINX

 

 

 

2) 60 MINUTES AUSTRALIA

 

 

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As CHELTENHAM 2018 approaches, we re-visit one of the most popular posts THE VAULT has ever done. This is the story of the incomparable ISTABRAQ, the medoicre flat runner with royal blood who would rise to the status of a Superhero in the history of the British National Hunt.

 

 

Charlie Swan and ISTABRAQ retire from the 2002 Championship at Cheltenham amid the applause and tears of thousands.

…..When the young jockey pulled up the 10 year-old bay gelding after the third hurdle of the 2002 Cheltenham Championship, the thousands who had come to see him race rose to their feet. But Charlie Swan knew that he was doing the right thing. The year before, the game old warrior had actually fallen and in the minds of his jockey, trainer and owner, it was unthinkable to put him at risk. As they walked by the stands that day, the spectators — who were still on their feet — began to applaud. Swan saw grown men crying. Women clutched tissues to wet cheeks. Young people stretched out their hands to touch a horse who was the bravest they had ever seen.

But no amount of emotion could change the realization that a thoroughbred who had dominated horse racing for the last 5 years was leaving the turf for the last time. 

The career of a legend had ended.

His name was Istabraq (1992), a Sindhi word for “brocade.” In his early years, Istabraq seemed an unlikely candidate to wear the mantle of racing legend, despite his impeccable breeding. His sire was the sire of sires, Sadler’s Wells (1981) and his dam was Betty’s Secret, by Secretariat. Betty’s Secret had already distinguished herself as the dam of Secreto (1981), the winner of the Epsom Derby in 1984. Owned by E.P. Taylor, the Canadian thoroughbred breeder and owner of Northern Dancer, Betty’s Secret was sent to Ireland in 1987 to be bred to some of Northern Dancer’s British sons. Taylor died two years later and the mare, in foal to Sadler’s Wells was purchased by Hamdan Al Maktoum. The foal she was carrying was Istabraq.

Whereas his dam was a loner, known for her aggressive behavior toward other mares, Istabraq had a sweet disposition. His only quirk as a youngster was that he enjoyed showing himself off to other foals — and anyone at the paddock fence who might be watching.  “…It was almost as if he knew he was worth a fortune,” reflected Tom Deane, who cared lovingly for Istabraq as a young colt at Derrinstown in County Kildare, Ireland. But Deane adored all of his young charges. Istabraq grew into a nice, correct yearling, but in every other way he seemed pretty average.

“Worth a fortune…” Baby ISTABRAQ (by SADLER’S WELLS) with his dam, BETTY’S SECRET (by SECRETARIAT). The little colt foal was the son of a champion and the grandson of two champions, NORTHERN DANCER being the sire of SADLER’S WELLS.

As a two year-old racing on the flat, Istabraq was backward and lacked a good “turn of foot,” meaning that he needed too much time to pick up speed. Sheikh Hamdan’s advisor, Angus Gold, believed that any thoroughbred with real ability shows promise in its two year-old season. Even though Istabraq seemed to try when he ran and even though trainer John Gosden was prepared to give him the time he needed to develop, in the end it was Gold’s judgement that won out. By 1994 the verdict on Istabraq was that he was unlikely to live up to his wonderful pedigree. His jockey, the great Willie Carson agreed. He described the youngster as a “slow learner” who “…also lacked speed and was not at home on fast ground…I came to the conclusion that the reason he was struggling was because he had no speed. In fact, he was one-paced…”

By his third year, Istabraq had developed foot problems. He had always been rather flat-footed, especially in front and it was difficult to shoe him such that his heels were off the ground. Consequently, he developed a quarter crack and was out of commission for several weeks that year. In his final race on the flat, he refused to quicken despite Carson’s aggressive ride and was beaten by a length. Sheikh Hamdan decided that he had persevered with Istabraq long enough and gave instructions that he was to be sold.

When John Durkan, Gosden’s assistant trainer, heard that Istabraq would be listed in the 1995 Tattersall’s sale he resolved to acquire him. He saw possibilities for Istabraq, but not on the flat — as a hurdler. Having informed Gosden that he would be leaving to go out on his own, Durkan began searching for a possible buyer for Istabraq and found one in J. P. McManus, a wealthy Irishman who had made a fortune as a gambler. Following the sale at Tattersall’s, McManus shipped Istabraq back to Ireland with the understanding that the colt would be trained by Durkan. In his young trainer, Istabraq had found someone who believed in him. “He is no soft flat horse. He is the sort who does not get going until he’s in a battle. He has more guts than class and that’s what you need, ” Durkan told McManus, “He will win next year’s Sun Alliance Hurdle.” Prophetic words.
John Durkan believed in him and that belief changed a mediocre flat horse into an Irish national legend.

John Durkan believed in him and that belief changed a mediocre flat horse into an Irish national legend.


In Great Britain it is not unusual for thoroughbreds to be moved from racing on the flat to the world of National Hunt racing when they meet with little success at the former. National Hunt racing originated in Ireland in the 18th century and to this day the Irish remain devoted to a style of racing that they continue to dominate. Each type of National Hunt race has its own features. An average hurdle race, for example, involves a minimum of 8 hurdles over 3.5 feet high and is run over a distance of at least 2 miles. The chase involves horses jumping fences of 4.5 feet minimum and courses that range from 2 – 4.5 miles. The steeplechase is restricted to thoroughbreds that have a hunter certificate; the most famous steeplechase in Britain is the Grand National. Thoroughbreds that hurdle, chase or steeplechase need to have an aptitude for jumping. But since National Hunt racing demands that horses both jump and run over longer distances than is usual on a flat course, a National Hunt thoroughbred needs to be particularly courageous and tough, as well as blessed with endurance. Arguably, National Hunt colts and fillies need to be deeper through the heart than their “softer” flat racing cousins.

The first item on the agenda for Istabraq upon his return from Tattersall’s was an appointment with the vet. It is traditional to geld National Hunt thoroughbreds to ensure their safety and comfort, as well as make them easier to handle. The operation itself is straightforward but can be taxing for an older horse and Istabraq fell into this category. Turned out, he was given time to heal and come back to himself. In the mean time, John Durkan was busily making plans to buy yearlings for new owners and finalize the purchase of his own stable when he fell ill. A short time later, he was diagnosed with leukaemia. Before he left for Sloan Kettering in New York, arrangements were made to send Istabraq to a brilliant young trainer, Aidan O’Brien, with the understanding that when John recovered the colt would be returned to him.

The first to school Istabraq over hurdles was the young stable jockey, Charlie Swan. As they moved from the baby hurdles to the “real deal,” Istabraq demonstrated a flair for jumping. He didn’t back away and he didn’t hesitate. Swan recalls, “He was quite amazing, a real natural.” It was the beginning of a famous partnership.
Even at the very beginning, while he was still in training, ISTABRAQ demonstrated his jumping talent.

Even at the very beginning, while he was still in training, ISTABRAQ demonstrated his jumping talent.


In Istabraq’s first start over hurdles at Punchestown (IRE), O’Brien instructed Swan to focus on making the experience an enjoyable one for the horse. To that end, he told the jockey to drop Istabraq behind and, if he felt that the horse was willing and ready, to move him up to the leaders as they turned for home. It is the considered opinion of many that it is Aidan O’Brien’s instinctive understanding of a horse’s mind that has been the major ingredient in a stellar career. In character, O’Brien is a modest, shy man, whose greatest concern is always for the well-being of the thoroughbreds in his care. And not unlike Istabraq’s first trainer, John Gosden, O’Brien understood the virtues of patience in building up a thoroughbred’s confidence and stamina.

The plan went off perfectly until the final hurdle, where Istabraq made the kind of mistake a novice might well make, losing ground as he raced toward the finish. But the game colt finished second, beaten only by a short nose. All concerned were pleased with his performance. In defeat, Istabraq had shown the qualities of a champion — albeit an inexperienced one. And sure enough, from his second start in 1996 through to his twelfth race in 1997, Istabraq took ten hurdle races in a row; he won on courses that were rated from soft to yielding and from good to firm to heavy. Along the way, he won the hearts of a nation.
It was impossible not to love this courageous pair: Charlie and ISTABRAQ.

It was impossible not to love this courageous pair: Charlie and ISTABRAQ.


Over the same period, John Durkan’s valiant battle with cancer continued. His belief in Istabraq, combined with the support of family and colleagues back home in Ireland gave him the will to go on. After each race, O’Brien, McManus and/or Swan would call Sloane Kettering to share all the details of Istabraq’s performance. Sometimes John was able to hear the races live over the radio from his hospital bed. And once he made it back to Ireland to see his colt win, going 2m 3f at Leopardstown — a victory the press described as a “mere formality,” so certain were punter and fan alike of the colt’s prowess. For John, however, Leopardstown was a special moment, renewing his resolve to beat leukaemia and return to the sport — and the colt — he loved.

In March 1997, from an apartment in New York where he awaited a bone marrow transplant the following day, John was able to hear the running of the Royal Sun Alliance Novices Hurdle from Cheltenham (ENG) live via his father-in-law’s mobile phone. As John listened in, little did he know that Istabraq was giving his trainer and jockey cause to worry. As was the case with the great Nijinsky, Istabraq had inherited the “delicate sensibility” of many of the Northern Dancers. Even when home at Coolmore, he would fret if there were any changes in his routine and this had made shipping him to Cheltenham tricky. In the walking ring prior to the Sun Alliance, surrounded by noisy onlookers, Istabraq became increasingly agitated. His blood-bay coat was dark with sweat. The only solution — one that was to cost both O’Brien and Swan a small fortune in fines throughout the horse’s career — was to get Istabraq out of the walking ring and onto the race course. And although National Hunt rules prohibit a horse from going onto the course before the others, the tactic never once resulted in Istabraq’s being disqualified from a race.
As John battled cancer, Aidan O'Brien stepped in to train ISTABRAQ. Shown here in conversation with Charlie Swan.

As John battled cancer, Aidan O’Brien stepped in to train ISTABRAQ. Shown here in conversation with Charlie Swan.

Istabraq ran his race even though it took Swan some moments to settle him. The colt was coming up a winner when he was bumped hard by another horse as they flew over a hurdle. Charlie Swan feared his mount would go down, but miraculously the colt landed on his feet. It was unbelievable that   Istabraq recovered: he had been travelling at about 30mph when the other thoroughbred cannoned into him. Istabraq was on his feet and moving, but winded. Swan gave the colt about three strides to collect himself before asking him to pick it up. And Istabraq, who had once been regarded as lacking a good turn of foot, turned it on. With a horse called Mighty Moss at his throat latch Istabraq battled back, winning the Sun Alliance by a length. Mobbed by ecstatic fans, the gelding was led into the victory enclosure. Over the din, Aidan O’Brien, JP McManus and Charlie Swan got on a mobile phone to share every moment with John Durkan. Not only had John’s bold prediction for the grandson of Secretariat come true, but Istabraq would go on to finish the 1997 season unbeaten.

As Istabraq’s star ascended, John’s health went into sharp decline. The decision was made to bring him home to Ireland where he could spend his days in the company of family and friends. Despite the fact that he was dying, John turned out to see Istabraq win The Hatton’s Grace Hurdle in November, 1997. It was the last time he would see “his lad” : on the night of January 21, 1998, John Durkan died. 
ISTABRAQ and Charlie Swan in full flight at Cheltenham in 1998. Photo and copyright, George Selwyn.

ISTABRAQ and Charlie Swan in full flight at Cheltenham in 1998. Photo and copyright, George Selwyn.

Charlie Swan wore a black armband in John’s memory on the day of Istabraq’s first start in 1998, the AIG Europe Champion Hurdle at Leopardstown. The gelding, who was now 6 years old, handled the race with ease. John Durkan had been laid to rest only the day before, making it a bittersweet victory. But John’s wife, Carole, joined Istabraq in the winner’s enclosure and accepted the trophy on behalf of her late husband. 

The AIG had been a final prep for Istabraq before the prestigious Smurfit Champion Hurdle Challenge Trophy, to be run at Cheltenham in March. By this point, Istabraq was a mature and experienced hurdler at the top of his form. Charlie Swan gave him a final work before the big day and as they returned to the stable, Aidan O’Brien confided, “He will bloody destroy them.” Swan was taken aback at the force of O’Brien’s conviction. “But Aidan, this is the Champion Hurdle.” To which the trainer replied, “I don’t care. He will destroy them.” And destroy them he did: Istabraq took the first of what were to be three consecutive Champion Hurdle victories by twelve lengths, in a time just shy of the record. It had been 66 years since a thoroughbred had won the trophy so decisively — and that horse had only faced a field of 4. 

“This one’s for John…” ISTABRAQ and Charlie lead the field home by an astonishing 12 lengths.

Istabraq’s victories in the Champion Hurdle in 1998, 1999 and again in 2000 remain the races for which Istabraq is renowned. In the 2000 race, he not only won but set a time record and joined an elite group of four other thoroughbreds who had also clinched the trophy three times. As the Racing Post put it, “Istabraq exchanged greatness for immortality.”

Here he is in a video summary of the highlights of the career of the “Mighty Istabraq”:

“… it was the manner of Istabraq’s wins that remains shocking … he simply cruised to victory, whatever the conditions, with a grace and strength that often beggared belief.” Shown here, with Charlie Swan.

In 2001, an outbreak of foot-and-mouth forced the cancellation of the Champion Hurdle and as Istabraq’s legion of fans — together with Aidan O’Brien — insist to this day, the likelihood of his winning a fourth consecutive time. Given the fact that he had won the second and third Champion Hurdles under less-than-ideal circumstances, one could not blame them for believing that Istabraq would “destroy” the field one more time.

Returning to Cheltenham a year later as a 10 year-old, Istabraq was not the horse he had been in 2000. Days after Charlie Swan rode him off the course after only the third hurdle, Aidan O’Brien announced that the gelding had damaged the equivalent of the Achilles tendon in his hock. Istabraq was retired, having won 23 of 29 starts over jumps, with earnings of over 1 million BPS.

ISTABRAQ takes flight. Note his distance from the actual hurdle.



In 1989, the year that Secretariat died, it was discovered that he had a very large heart — literally — estimated to weigh between 22-23 lbs. It was a perfect heart in every other way. Prior to this discovery, it was thought that the great thoroughbred Phar Lap (1926) had possessed the largest heart, at 14 lbs.  The discovery of Secretariat’s huge heart sparked renewed interest in  X-chromosome research that had been taking place for a number of years on human runners, as well as in the work of equine geneticists like William E. Jones of California and Dr. Anthony Stewart of Australia. The X-chromosome is a more potent carrier of genetic material than the Y, although both have important roles to play in the making of a thoroughbred. But it is the X that is a possible precursor of thoroughbred performance when it is linked to the transmission of a large heart. Subsequently, it was discovered that Sham (1970), Secretariat’s mightiest rival, had a heart that weighed 18 lbs., lending credence to the probability that had he been born in any other year, Sham would have swept the Triple Crown himself. Today we know that there are 4 sire lines that transmit a large heart on the X-chromosome: Princequillo, War Admiral, Blue Larkspur and Mahmoud. These 4 sires, if one traces back the genetic pattern for the transmission of the X — which is from sire to daughter and from that daughter to her son(s) — the incidence of strong race performance is more or less continuous. Secretariat produced 4 double-copy daughters: Weekend Surprise (1980), Secrettame (1978), Terlingua (1978) and Betty’s Secret. (Double-copy because all carried Princequillo plus one or more of the other 3 sire lines on the top and bottom of their pedigrees.) All of these, in turn, produced at least one son who is a potential heart-line source, notably A.P. Indy (Weekend Surprise),  Gone West (Secrettame), Storm Cat (Terlingua) and Istabraq (Betty’s Secret). Of these mares, only Betty’s Secret carried Princequillo on the top and bottom of her pedigree, suggesting that she would pass on to a son like Istabraq a “double dose” of Secretariat’s large heart. 

ISTABRAQ in retirement with his best buddy, RISK OF THUNDER.

At 19, Istabraq still greets vistors at J.P. McManus’ Martinstown Stud (IRE). Although politely sociable with his fans, Istabraq’s greatest affection is reserved for his pasture pal, Risk of Thunder. Watching the two nuzzle and romp and roll in the dirt together, they are just horses. But when Istabraq’s fans come to visit, they see the greatest Irish champion hurdler who ever set foot on the turf. As if to let him know how much they love him, the Irish public voted him their favourite horse of the last 25 years in 2009. 

Recently, ISTABRAQ was honoured by his Irish fans and his racing Team.  Join them in this delightful short:

It’s impossible to mistake the stamp of greatness. Just watch Istabraq coming to win his first Champion Hurdle by 12 lengths in strides so enormous that he seems to be eating up the ground as he goes. Or watch how he quickens at the last, producing a mighty surge that precious few thoroughbreds could muster.

No question about it: in Istabraq, the heart of Secretariat has come home.

Still a ham for the camera, ISTABRAQ cavorts in his paddock in 2010.

Catching up with Istabraq, February 2018:

 

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In conformation, she is unmistakably her mother’s daughter. But at this stage of the game, Soul Stirring is also the best of Frankel’s first crop, as well as his first and only G1 winner of 2016.

Champion STACELITA with her FRANKEL filly, born in 2014 and to be named SOUL STIRRING.

2014: Champion STACELITA with her newborn FRANKEL filly, SOUL STIRRING. Photo source: Twitter.

This is one alliance of bloods that did exactly what might be expected, much to the delight of Katsumi, Haruya and Teruya Yoshida, the owners of Shadai, Northern and Oiwake farms on the island of Hokkaido, in Japan. Take an outstanding stallion in Frankel– arguably the greatest thoroughbred that England has ever known — and put him to a champion thoroughbred mare and daughter of Monsun, Stacelita. Then hope and pray.

 

Prayers aside, it sure helps if the possibility inherent in a particular mating is a gleam in the Yoshidas’ eye, as this much-anticipated foal was. After all, these are the breeders who imported Sunday Silence from the USA and turned the son of Halo into the Northern Dancer of Japan and a leading sire from 1995-2008. In 2017 Shadai remains the home of Sunday Silence’s most powerful sons and daughters, notably the pre-potent Deep Impact. But there’s a down side to any giant bloodline: so prevalent is Sunday Silence’s blood in Japanese bloodstock in their own country that the Yoshidas, together with most Japanese breeders, are keen to acquire mares who provide an outcross to his bloodline.

Enter champions like Stacelita, Danedream, Azeri, Ginger Punch, Proud Spell, Champagne d’Oro, In Lingerie, Mi Sueno, Zazu, Sarafina, Evening Jewel, Princess of Sylmar and, more recently, Curalina and Don’t Tell Sophia, among other global acquisitions purchased by the Yoshidas.

 

Nor are the brothers only interested in broodmares. Daughters of Deep Impact, like the great Gentildonna, also need suitable suitors. Shopping in North America, Britain and Europe for great bloodstock for well over three decades, Shadai has acquired champions like War Emblem (now retired and living at Old Friends in Kentucky), Harbinger, Workforce (now standing at Knockhouse Stud in Ireland), Novellist, Carroll House, Tony Bin, Falbrav, Empire Maker (now back in the USA), I’ll Have Another and Pentire.

The Frankel-Stacelita union represents a desire to enrich and diversify the Shadai bloodstock through the introduction of powerful bloodlines like that of Monsun, Galileo and Danehill (through Frankel’s dam, Kind). But the pairing was a crapshoot: Frankel, standing his first season, was unproven and Stacelita was also a wild card, since her first foal, a filly by Smart Strike, was only a yearling.

SOUL STIRRING just before she was weaned is already an impressive individual.

SOUL STIRRING just before she was weaned was already an impressive individual. Photo source: Twitter.

When snow drifts lay high and gleaming against the bare trees, Stacelita brought her filly foal into the world. As winter melted away and greenery festooned paddock and tree at Shadai Farm, it became clear that Stacelita’s daughter had inherited her dam’s conformation, coat colour and large, expressive eyes. According to trainer Chad Brown, who took over training duties from Jean-Claude Rouget in France, Stacelita was noted for her “presence” — something that other thoroughbreds noticed and respected. At three and four, Stacelita won the Prix St. Alary, Prix Vermeille, Prix Jean Romanet, La Coupe and the Prix de Diane. In France, she was an absolute superstar. Shipped to Chad Brown, she annexed the Beverly D. and the Flower Bowl Invitational, but a terrible trip in the Breeders Cup that same year resulted in her giving a lacklustre performance. It didn’t matter: Stacelita was the Eclipse Award winner for Best Turf Female in 2011. She retired with well over two million in earnings and visited Frankel in 2013.

 

Right from the start, STACELITA'S little daughter had presence. Used with the permission of Michele McDonald. Photo and copyright, Michele McDonald.

Right from the start, SOUL STIRRING had presence. Shown here with her dam, STACELITA. Used with the permission of Michele McDonald. Photo and copyright, Michele McDonald.

Frankel followers were beginning to note that many in his first crop shared a distinctive feature: on the outside, they took after their dams. And Soul Stirring, as she was named, had Stacelita’s size, scope and bone. As a baby, what she had inherited from Frankel certainly couldn’t be discerned just by looking at her.

The devotion Frankel had gained as a racehorse showed no sign of ebbing when he retired, and  “The First Frankels” were eagerly awaited, despite the risk that this great thoroughbred wouldn’t necessarily prove to be as great a sire. Frankel nevertheless got the immediate support of Juddmonte, who offered him a modest book of exceptional mares in 2013. And this trend is likely to continue throughout his stallion career. The idea is to keep him “exclusive” — as his privileged status demands.

So it was that Soul Stirring’s first start in July 2016 in the land of her birth was greeted with great excitement. She was, after all, Japan’s own “baby Frankel.”

And her win came with a sense of what Frankel had almost certainly contributed to her pedigree (Soul Stirring is #3, yellow-striped silks and red cap):

True, she won it by a fraction of a nose, but the explanation for that probably came in the walking ring before the race (video below), where the 2 year-old was fractious. Unlike other Frankels, who showed his enthusiastic forward locomotion, Soul Stirring’s running style was reminiscent of Stacelita. But although her willingness and speed couldn’t be attributed to Frankel alone, it seemed likely that on the “X” her sire had contributed was more than a little of Danehill, one of the most stunningly successful sires of the last forty years.

Soul Stirring had indeed stirred hearts around the world. But one start does not a champion make. With Christophe Lemaire back in the irons for trainer Kazuo Fujisawa, the filly made her second start, this time against the colts, in the October 2016 Ivy Stakes (please click on video):

This win was something different: Soul Stirring showed a lightning turn of foot when asked, powering into the lead to finish with ears pricked. It was a thrilling, decisive victory. And even the champion and two-time Horse of the Year in Japan, Gentildonna, had only won once in two starts as a two year-old. So Japanese racing fans, together with Teruya, aka “Terry” Yoshida, were ecstatic.

SOUL STIRRING in the walking ring before the Ivy Stakes looked composed.

SOUL STIRRING in the walking ring before the Ivy Stakes looked composed. Photo source: Twitter.

 

Crossing the finish line, ears pricked.

Crossing the finish line, ears pricked. Photo source: Twitter,

Soul Stirring was acquiring a following after beating the colts, and social media was regularly peppered with shots of her preparation for the final start of her two year-old campaign, the Hanshin Juvenile Fillies, a G1 race for the best juveniles in the land. Should she win it, Soul Stirring would become Frankel’s first G1 winner. The filly seemed to have it all — looks, turn of foot, ability to rate off the pace and blazing speed. It was impossible not to wish the best for her in her final race, scheduled to take place in December.

SOUL STIRRING works prior to the G1 Hanshin Juvenile Fillies.

SOUL STIRRING works prior to the G1 Hanshin Juvenile Fillies. Photo source: Twitter.

Elsewhere, it was late in the flat season: The Frankels racing in England and France, despite signs of brilliance, had not managed a G1 and had been put away until their three year-old season. Too, a majority of the best-bred Frankels hadn’t even shown up on the turf: Frankel himself raced at two, but he was by all accounts a “late bloomer,” a quality that seemed in evidence in his 2014 crop.

December 11th arrived and Soul Stirring’s cheering section held its breath, while those in other parts of the world consumed gallons of coffee the evening before and got set to stay up all night. (Soul Stirring is #2, yellow-striped silks, white cap):

With that, it was settled. Stacelita’s daughter was indeed a champion juvenile, having beaten the best of her age and sex with relative ease. The win would be enough to award her Champion Two Year Old Filly honours in Japan, before getting some time off.

A delighted Christophe Lemaire congratulates his filly.

A delighted Christophe Lemaire congratulates his filly. Photo source: Twitter.

 

Victory salute.

Victory salute. Photo source: Twitter.

 

SOUL STIRRING, Champion two year-old of 2016.

SOUL STIRRING, JRA Champion Two Year-Old Filly of 2016. Photo source: Twitter.

 

What a difference two months can make.

By February 2017, Soul Stirring was back in training for the first start of her three year-old campaign, the Tulip Sho, in March. The choice of the Tulip Sho spoke volumes: the race is the habitual qualifier for the Japanese Filly Triple Crown, comprised of the Oka Sho (Japanese 1000 Guineas), the Yushun Himba (Japanese Oaks) and the Shuka Sho (formerly the Queen Elizabeth II Commemorative Cup, run from 1976–1995). The most recent winner of the Filly Triple is the brilliant Gentildonna, who won it in 2012.

Caught in the lens of eager photographers, Soul Stirring was already bigger and stronger than the juvenile version of herself, just eight weeks after her mini-break. In fact, she had added 20 kgs. Put another way, the filly was beginning to “grow into herself.”

SOUL STIRRING, December 2016.

SOUL STIRRING, December 2016. Photo source: Twitter.

 

SOUL STIRRING, February 2017

SOUL STIRRING, February 2017. Photo source: Twitter.

 

February 2017: SOUL STIRRING works, prior to the Tulip Sho. The hood is used to keep her mind on business — and likely signals to the filly that something important is on the horizon. Photo source: Twitter.

By now Frankel lovers around the world knew about Soul Stirring and, as even breeders are inclined to feel, the sense that she could be “The One” (of 2014) to carry the beloved Frankel into the future was visceral. When you love a thoroughbred you pray for that, pray that time won’t swallow them up and render them ghostly. And Soul Stirring gave people the same stirring in the heart, in the soul, as Frankel had once done. She drew you in. She had presence alright — and that ineffable something that sets hearts and minds on fire.

But would she train on into her third year? So many brilliant two year-olds don’t…..

March 3, the day of the Tulip Sho, Frankel enthusiast Jess Samy noted: “Don’t mess with me. She’s a girl on a mission” And Soul Stirring sure did. Tight as a coiled spring, she strode the walking ring between her handlers exuding power, making it impossible to take your eyes off her — even at 1 a.m. in the morning (central North American time).

 

“A girl on a mission,” said Jess Samy. She’s got her game face on. Photo source: Twitter.

Walking ring footage. Soul Stirring is #10:

The competition befitted a Triple Crown qualifier, the strongest of them being Entry Ticket (#4), Lys Gracieux (#3) and Miss Panthere (#7), all granddaughters of Sunday Silence. Two others were by the winningest of Japanese sires, Deep Impact. And Soul Stirring was starting from deep outside the rest of the field.

With Christophe Lemaire once again her pilot, Soul Stirring stepped into the starting gate:

Hugely evident in her victory is that Soul Stirring had come into 2017 very much the same, willing competitor as she had been at two. That, and how readily she quickened to win, ears pricked. As an American jockey might say, “I still haven’t gotten to the bottom of her yet.”

SOUL STIRRING in her winning colours. Photo source: Twitter.

April and the Oko Sho (1,000 Guineas) await, where Soul Stirring may very well face another very good Frankel daughter in Mi Suerte (out of Mi Sueno), as well as Miss Pathere and Lys Gracieux who finished second and third, respectively, in the Tulip Sho.

But on that day, all around the planet, you’d better believe that hearts will swell and hope will power her wings.

SOUL STIRRING, taken in February 2017. Photo source: Twitter.

SOUL STIRRING seems to be saying, “That’s right. I did it again.” (In winner’s circle, Tulip Sho.) Photo source: Twitter.

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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Special thanks to Charlotte Farmer, who introduced this great filly to me, and John Engelhardt, Executive Director, Ohio Thoroughbred Breeders and Owners. Without their help, this article would never have been written and I would have missed out on the story of an exceptional thoroughbred. Thank you.

This article is dedicated to Ryan Brady, whose journey with a filly he had never met speaks of a love great enough to overcome adversity, and an enduring respect for those who weave our history. 

GLACIAL PRINCESS with her dam, GAY NORTH, a daughter of the mighty NEARCTIC, who sired NORTHERN DANCER.

GLACIAL PRINCESS with her dam, GAY NORTH, a daughter of the mighty NEARCTIC, who sired NORTHERN DANCER. Photo courtesy of the Ohio Thoroughbred Breeders and Owners.

When you study thoroughbred history you quickly come to see that the stories of hundreds of great thoroughbreds have been forgotten. The reasons are as many as the individuals themselves, but at particular risk are those thoroughbreds who raced locally, often in the states where they were born, never venturing to prestigious venues or those races, like the Kentucky Derby, that almost guarantees an enduring legacy. That they are forgotten is especially harsh, considering that these horses are in many ways the true heroes and heroines of racing in North America and in the world at large. Without them and the many racetracks where they ran, there would be no sport at all.

The dark filly pictured above with her dam could have run with the best of her year, colt or filly, but she made her stand principally at Beulah Park in Ohio. Glacial Princess, as she would be named by owners William Fouss and Dr. John Graver, crowns the pantheon of thoroughbred champions in her state. A legend and beloved, she brought people to the track just to see her, to breathe in a little of the same air that Glacial Princess inhaled and to go home saying that they had seen a mighty filly run.

Despite a proud 91-year history, Beulah Park, its people and their stories were about to disappear forever.

During a walk through Beulah Park with his fiancee shortly before it closed, Ryan Brady and his intended came upon Glacial Princess’ headstone. Brady’s fiancee wondered aloud if the champion filly’s memorial would be paved over, once the track was sold and developers started to dig up the infield. The thought made Brady feel ill.

“…’It was really important to find a dignified resting place for Glacial Princess,’ Brady told thisweeknews.com. ‘I couldn’t stand the thought of her grave being paved over by a parking lot or a new building.

‘I never got to see her race, but growing up in Ohio, I knew her history,’ added Brady, ‘and I thought this is just the right thing to do.’ ” (excerpted from The Blood-Horse, January 19, 2017)

And so it was that Ryan Brady began a two-year campaign to honour a Princess he had never actually seen. And he was lucky enough to enjoy the full support of many key people, among them Beulah Park’s new ownership.

Dr. John Graver, who owned Glacial Princess in partnership with William Fouss, was stoutly behind Brady’s efforts and agreed to donate his filly’s headstone, should a suitable burial site be found for her. Brady also consulted with Charlotte Farmer, who had located, exhumed and transported the champion Noor’s remains from California to Old Friends in Georgetown, Kentucky for re-burial. And when he heard about the efforts to find an eternal place of rest for Glacial Princess, Michael Blowen of Old Friends stepped forward once again, just as he had for Noor and Barbara D. Livingston’s beloved champion, Springsteel, who found himself in similar straits when Rockingham Park closed, to offer “…a place for her {Glacial Princess’} fans to come and honour her.” Upon hearing the news, Charlotte Farmer expressed her joy, saying, “…Now my Prince {Noor} will have a Princess beside him to complete his royal court.”

noors-grave_a27821b25dc6e687af31113b8eb00abf

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BRENT'S PRINCE was Ohio's Horse of the Year in

BRENT’S PRINCE was Ohio’s Horse of the Year in 1975. The son of the 1967 winner of the Kentucky Derby, Proud Clarion (Hail To Reason), BRENT’S PRINCE proved a very good sire. Photo and copyright, the Estate of Tony Leonard.

Glacial Princess was bred by Cider Mill Farm in Ohio and came into the world in 1981. Other than a white star, the youngster bore a distinctive white spot on her right flank. The spot was like a kiss from Mahmoud, who appeared in her female family in the 5th generation. But that was just the beginning. The dark-coated newborn was racing royalty: a daughter of the 1975 Ohio Horse of the Year and 3 year-old Champion, Brent’s Prince (a son of the 1967 Kentucky Derby winner Proud Clarion by Hail To Reason) and Gay North, a daughter of Nearctic, the sire of Northern Dancer. And within the bloodlines of the filly foal’s pedigree were other legendary names: Nearco, Bull Page and his sire, Bull Lea, Hyperion, Turn-To, Blue Larkspur, Scapa Flow (GB) and Gainsborough (GB).

 

NEARCTIC, who famously sired Canada's NORTHERN DANCER, was the BM sire of GLACIAL PRINCESS.

NEARCTIC, the BM sire of GLACIAL PRINCESS, also sired Canada’s NORTHERN DANCER.

There was not much question who had dominated the Princess’ blood. She had Nearctic’s determination to never be headed in a race, and his (at times) thoroughly unloveable personality. In fact, as far as her character went, Glacial Princess was a carbon copy of Northern Dancer, who reserved his affection for only one person — Winnie Taylor, the wife of E.P. Taylor, who bred and owned him. Otherwise, he was a mean-spirited little bully. In the case of the daughter of Brent’s Prince, the object of her affection was trainer John Rutherford. By the time she arrived at Rutherford’s barn, Glacial Princess had matured into a tall, iron-grey filly and she quickly let everyone know that she just wasn’t cut out to be a cuddle bug.

Lynn Boggs, herself a thoroughbred owner, got to know Glacial Princess when Rutherford asked her to braid roses into the filly’s mane for an upcoming race.

“With John, she was an angel. He loved that horse and she loved him,” she {Boggs} said. “Other people — she didn’t much like dealing with them.

“She had a little bit of a mean streak in her, it’s true,” she said. “But when you have a horse like that, so regal and proud on the track, you can’t help but fall in love with them.” (excerpted from This Week Community News, January 11, 2017)

 

GLACIAL PRINCESS on track, wearing the colours of Fouss and Graver's Equinall Stable.

GLACIAL PRINCESS on track, wearing the colours of Fouss and Graver’s Equinall Stable. Photo courtesy of the Ohio Thoroughbred Breeders and Owners.

 

It didn’t matter that she wasn’t one of the “sweet” ones. Glacial Princess was as rare as flamingos in an Ohio winter: a superstar filly who would triple her sale price in earnings by the end of her juvenile season. Ironically, her nickname was the “Iron Lady,” the same as that of another racing champion born a year after Glacial Princess, Lady’s Secret.

Ohio’s Iron Lady not only earned the title for her steel grey coat, but also for her fierce competitive spirit. Running against fillies and colts, under all conditions and carrying as much as 128 lbs. on her back, Glacial Princess always gave it her best shot. She was one of those thoroughbred’s who answers the question with 150% effort in race after race after race. The jockeys who guided her through to a remarkable career included Heriberto Rivera Jr., Danny Weiler and Sebastian Madrid.

In 1985, Glacial Princess ran 17 times, winning 11, 9 of which were stakes and earning Ohio Horse of the Year honours.

GLACIAL PRINCESS out of the gate.

GLACIAL PRINCESS out of the gate. Photo courtesy of the Ohio Thoroughbred Breeders and Owners.

The following year, Glacial Princess ran 19 times, closing out the year with a record of 8-2-2. The filly made Ohio thoroughbred racing history, when she became the first Ohio-bred to ever record $200,00 plus earnings in back-to-back years and she went on to win a second consecutive Horse of the Year title in a tie with the colt, Rhinflo.

1986 also saw Glacial Princess run her finest race, cruising to victory in the Miss Southern Ohio Stakes at River Downs by 5 lengths. The performance is emphatic enough to spark memories of Ruffian and of Rachel Alexandra’s Oaks. But 1986 also brought disappointment: defeat at Aqueduct in The G.III Vagrancy — although Glacial Princess was later found to have had a virus — and in Hawthorne’s Yo Tambien Handicap (The Chicago Tribune, October 2, 1986.).

And somewhere along the way, the filly had lost trainer John Rutherford, first going to Marvin Moncrief and finally to Gary M. King. In fact, on the Pedigree Query website, two other trainers’ names appear next to the filly’s list of graded stakes wins: Linda Lysher (Evergreen Stakes, 1986) and Patrick J. Kerins (George Lewis Memorial Stakes, 1986, Diana and Lady Liberty Stakes, 1987).

Still, her year had been a winning one. As co-owner Graver told the press, ” …All of her losses this season have been justifiable…She will continue racing as long as she remains healthy and sound.” (The Cincinnati Enquirer, May 24, 1986.)

GLACIAL PRINCESS was racing royalty and Ohio's greatest pride.

GLACIAL PRINCESS was Ohio’s greatest pride. Photo courtesy of the Ohio Thoroughbred Breeders and Owners.

 

On April 25, 1987 it all came to an end when Glacial Princess broke down. The injuries she sustained made it impossible to save her and she was buried in the infield at Beulah Park, near the finish line.

When a loved one is taken, the bereft mourn forever. So it was with the Ohio racing community: a filly who raised hopes and hearts was gone.

Old Beulah Park cradled her in its arms, an embrace that bespoke memory and loss.

GLACIAL PRINCESS' headstone, in the infield at Beulah Park. Photo courtesy of the Ohio Thoroughbred

GLACIAL PRINCESS’ headstone, in the infield at Beulah Park. Photo courtesy of the Ohio Thoroughbred Breeders and Owners.

 

The film below chronicles Glacial Princess’ career, offering rare footage of her as a filly foal and on the track. It was written and produced in a collaboration between Carroll and Marlane Nibert, John Engelhardt and the filly’s owners.

It is an absolute treasure:

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In January 2017, having the approval of Beulah Park’s Pat Kelley and the Grove City administration, the search for Glacial Princess’ mortal remains began, with the assistance of members of the anthropology department at Ohio State University. John Queen of Richwood, a friend of Brady’s, supplied the back-hoe and the team went to work with Brady in attendance. They knew where the filly had been buried, but other important details were sketchy.

“…after hours of digging Saturday, the group found no trace of her. It’s possible the remains deteriorated, they said.

“They found a railroad spike, the remains of a small dog wrapped in a blanket, and a race ticket believed to be from the 1930s. Ultimately, after excavating a good portion of the infield, they decided that Glacial Princess will remain permanently at rest at the track where her impressive career began and ended.” (excerpted from an article in the Columbus Dispatch, January 22, 2017.)

The video below includes footage from the original short film about Glacial Princess (above) but also includes coverage of the search for the champion filly’s remains:

 

With mixed emotions, Ryan Brady carefully collected pieces of the winner’s circle, some dirt from the finish line and the burial site, together with an old betting ticket that they had found. Then he deposited it all into a tote that would be sent on to Old Friends, followed by Glacial Princess’ headstone. Of very real comfort was the fact that the plan for the development of Beulah Park will include a sizeable park to commemorate Grove City’s racing history — and preliminary renderings {of said plan} show it encompassing Glacial Princess’ grave, meaning that what remains of her won’t be disturbed.

When the Memorial Service in her honour takes place at Old Friends, Ryan plans to bring red carnations — the state flower of Ohio — for his Princess.

ohio-state-bird-and-flower-magnet-438-xl

 

 

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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chrome-maya-angelou_15976959_1361347417250185_3490810252961142422_n

(Source: Facebook.)

 

The heart and mind process imminent endings before they actually happen. There are reflections, a fondness for the past tense, a sense of distancing the self from the event, because when heart and mind know an ending is upon them, they rehearse.

But eyes and mind are different, as they must be, since the eyes live in an eternal present. On January 29, 2017 California Chrome left his stall on the Gulfstream shed row to begin a new career at Taylor Made in Kentucky. Eyes and hearts watched him go for the final time, saw the empty stall, began to register the absence.

As I watched Chrome leave his home in Los Alamitos, I knew in my heart what Art, Alan, Dhigi and Raul were feeling. They had welcomed me into Chrome’s world, closing the space between the far-away me and themselves, and as the van pulled out of Los Alamitos for the last time I was filled with sadness. “The eyes are the window of the soul” and my soul was right there beside the people who made Chrome’s stall a home.

Chrome’s departure for Gulfstream had almost nothing to do with the Pegasus and everything to do with the closing chapter of a brilliant career for me. And along with the Team Chrome family, I knew I’d miss the presence in my life of this magnificent copper horse and his honest, courageous heart.

 

TEAM CHROME: IN THE BARN AND ON THE TRACK

Trainers Art & Alan Sherman, exercise riders Willie Delgado (until April 2015 approx.) and Dhigi Gladney (April 2015-January 2017 approx.), groom Raul Rodriquez and jockey Victor Espinoza comprise the “hands on” of Team Chrome, the people who did everything from picking out his feet to teaching him how to win.

And they did it brilliantly, while always making time for the press and their colt’s devoted Chromies by throwing open windows to the tribulations, trials and excitement of campaigning a great horse.

(Videos: from 2014, produced by David Trujillo and Blood-Horse, respectively):

 

Art Sherman was not entirely a stranger to the media, having been champion Swaps’ exercise rider in 1955, at the age of eighteen. Between 1957-1979, Sherman was a professional jockey, turning to training thoroughbreds after that. And even though California Chrome was Sherman Stables’ first Kentucky Derby contender, Art brought a depth of knowledge about thoroughbreds to the table. His down-to-earth, straight-shooting and always cordial style set the bar on what it means to be a consummate professional. The Shermans are sportsmen and they love the game. Art’s admiration for Shared Belief and Arrogate was palpable following their victories over Chrome, and bespoke a classy gentleman of the track.

In the three/four years that the colt and his trainers were under the microscope they taught us all so much — not only about California Chrome, but about the life of a trainer responsible for a North American racing icon. Expressions like, “He (Chrome) ran his eyeballs out…” and “He’s just a cool horse,” became part of my lexicon, as did the familiarity of Art in cap and jacket, hands in his pockets, answering still another round of questions.

Of all the interviews with Art, this one, after his colt’s win in the 2016 World Cup, is my favourite. I was so thrilled for Art, Alan, Dhigi and Raul that I danced all around the living room, my eyes glazed with tears.

But glamour of Dubai aside, the largest percentage of Chrome’s racing life happened at the Sherman Stables in Los Alamitos (and before that, at Hollywood Park). It’s easy to forget just how much time thoroughbreds spend in their stalls or in training; a trainer’s greatest skill is keeping his horse happy during the (sometimes) long stretch between races. Keeping a horse “well within himself” is based on familiar routines, appropriate exercise and attention from those who are most important to him/her. Centre stage are the exercise rider(s) and the groom(s) and it is the latter who often become a thoroughbred’s best friend. As with dogs and cats, the person who cares for them is, in the horse’s mind, the person to whom they belong.

Enter Raul Rodriguez, who accompanied Chrome from his very first start to his retirement (video produced by the Blood-Horse in 2014):

 

Raul’s bonuses from Chrome’s wins have allowed him to purchase a home amid an 80-acre ranch in his home, Jalisco (Mexico), where he intends to retire. As I write this, Raul is with his boy at Taylor Made, helping him to settle in. And I’m remembering Eddie Sweat taking Secretariat and Riva Ridge to Claiborne, and that photo of Eddie in tears, leaning against a stone wall….. May your goodbye be a kinder one, Raul.

Raul and his boy, CALIFORNIA CHROME

Raul and his boy

It was William Delgado and Dhigi Gladney who put the muscle on America’s 2014 and 2016 Horse of the Year. Working in tandem with Art and Alan, they were the ones who taught the juvenile his job. Through their hands and voices, Chrome learned about gallops, works and cooling out. They taught him how to break from the starting gate and how to change leads on the fly. It was from Willie and Dhigi that he received praise, and began to understand how to work with a rider instead of against him. Too, it was from Willie that the colt first heard “the question” — that moment a thoroughbred is invited to really run. With Dhigi came the fine tuning — sharpening Chrome’s sensitivity to his rider’s commands, helping him move fluidly from one “gear” to another. And both of these fine young men had everything to do with the champion’s “attitude” towards racing.

Delgado worked Chrome as a juvenile and then until April 2015, teaching him many key lessons along the way (video produced by America’s Best Racing in 2015) :

And it was Dhigi’s beautiful smile, cordiality and enthusiasm that lit up the last 18 months of Chrome’s career, as he added his skill to the racing repertoire of the champion (video produced in 2017 by Gulfstream Park):

 

The accomplished Victor Espinoza was Chrome’s jockey throughout most of his career. Victor is a man known for his generosity with fans. But he is also the man that guided Chrome home, giving him confidence when he needed it and helping him navigate safely through traffic. There is another kind of intimacy between a jockey and a horse he knows well, and it was when Victor took over the irons in the King Glorious Stakes at Hollywood Park in 2013 that California Chrome began to turn into the Chrome we know and love. There was a chemistry between them. An understanding. And it was Victor who took care of Chrome in his final start, making certain that the horse got back to the barn without sustaining what could have been a fatal injury.

Here they are in the August 21, 2016 Pacific Classic, where they took on an absolutely stellar field:

 

TEAM CHROME: THE OWNERS

Msrs. Steve Cobourn and Perry Martin were the first owners of California Chrome and through the eyes of two new to the sport, we shared the ups and downs of Chrome’s early career. One can only wonder how many newcomers were inspired to get into the game by knowing the enthusiastic duo and their copper-coated colt with his purple silks.

Mr. Perry Martin and Mr. Steve Cobourn

Mr. Perry Martin and Mr. Steve Cobourn

Although Perry Martin had wanted to retire the colt in 2015, partner Steve Cobourn sold his share in the horse to Taylor Made Farm in Kentucky and the whole game plan changed. When the Taylors joined Team Chrome, the colts silks turned from purple to chrome, literally. Too, following his loss in the 2015 Dubai World Cup, he was sent to Taylor Made after a stint spent in the UK before returning to the Shermans for the 2016 racing season. It was a joy to see him hanging out in Kentucky and I thought the idea a brilliant one: since Chrome would retire to Taylor Made, I wondered whether or not getting used to the place would ease the transition, when it came.

But in Taylor Made, the Champ found a new home. A family business where he was greeted with deep respect and love.

Chrome playing with Taylor Made Stallion Manager, Gilberto Terrazas (video produced in 2015 by Armando Reyes)

This superb Blood-Horse video features the story of post-UK Chrome (2015) right up to the Dubai World Cup win (2016) and gives viewers a great look at what Taylor Made is all about:

 

 

Leading up to California Chrome’s retirement, the new partnership busied themselves setting up a form of “super syndicate,” partners who will make a 4-year commitment to Chrome at stud and assure him great mares.

Through the final campaign in the Champion’s career, Taylor Made were there. And when he arrived at the farm, they found their own way to make it clear that they knew we Chromies were out there.

(Video produced on Jan. 30, 2017 by Taylor Made Sales Agency Inc.)

 

 

(Video produced on Jan. 30, 2017 by Taylor Made Stallions)

 

 

THANK YOU, TEAM CHROME.

Thank you for your warmth and kind generosity.

Thank you for reaching out and “seeing” me — and understanding what it is to love a horse.

And thank you, Chrome. You made my heart soar. You made me feel wonder.

And I will love you forever.

 

 

(Video by David Truhillo, Nov 2016)

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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