MAHMOUD: A FORCE OF NATURE

Imagine, if you will, a world without Kelso (1957), Northern Dancer (1961), Sunday Silence (1986) or Frankel (2008) — all of whom trace back directly to Mahmoud. 

Of course, the overwhelming presence of Mahmoud in the pedigrees of thoroughbreds worldwide is linked to his most potent descendent: Northern Dancer. But without Mahmoud, there could never have been a Northern Dancer. And although the matter of analyzing the gene cocktail that produces a thoroughbred remains a mysterious affair, what Mahmoud contributed to his progeny — and their descendants — had the kind of impact that tells us it was significant.  

Yet Mahmoud’s story is punctuated by the dawn of a modern, mechanistic sensibility: his inconsistency on the turf made him suspect, as did his colour — in the 1930’s the thoroughbred community were still spooked by a grey horse, believing that this “off” colour indicated a lack of stamina. His size and bloodlines were called into question repeatedly when his performances fell short. And after his greatest victory on the turf, the feeling was that he’d stolen the win from far better horses or that he was lucky in running against a weak field.

Dismissed by the experts of his day, H.H. the Aga Khan III’s little grey champion “went viral” long before the concept swept the twenty-first century…..in the breeding shed.  

MAHMOUD with C.V. Whitney in 1944.

Let’s face it: we’re in a hurry to have champions. Perhaps it was always thus. But now we have a vast social media that allows us to transmit our desire and frustration minute-by-minute. That same media has also altered our sense of time: specifically whether it’s moving fast enough to suit us. The other thing about time as we know it is its persistent connection to productivity through a history of industry that gave us the prevalent metaphor of the last century: the machine. Even the mighty Secretariat, who was so much more, inherited our associations between perfection and mechanics, as in the phrase that defines his astounding victory at Belmont: “Secretariat is widening now…he’s moving like a tremendous machine.”

SECRETARIAT with Ronnie Turcotte in a work over “big sandy” before the colt’s run in the Belmont Stakes. Bob Ehalt was there and struggled to find a way to describe what he’d seen. Finally he came up with his own imagery for an amazing colt who  “…ran a hole in the wind.” Photo and copyright, The Chicago Tribune.

But the thing about machines is that they’re not alive, despite the fact that they might seem to be, and that is why they are consistent, economical and flawless (at least most of the time) in a production line.

Horses march to a different rhythm. In the case of the thoroughbred, progress (i.e. success) isn’t automatically connected with the passage of time and even when it appears to be, it’s often flawed. And, as we’ve learned over and over again, great thoroughbreds don’t reproduce themselves with the kind of speed and consistency that our modern sensibilities expect.

The story of Mahmoud sounds a cautionary note about this kind of thinking, since by today’s standards the pony-sized grey would have very likely known a similar fate to that of the brilliant Smarty Jones, whose inability to turn straw into gold in the first few years of his breeding career still echoes loud in the minds of those of us who think he has phenomenal stallion potential. (Smarty’s potential has already borne fruit, notably in the star Japanese fillies Keiai Gerbera [2006] and Better Life [2008], as well as a dozen other very good individuals who have raced in the Northern Hemisphere.)

SMARTY JONES pictured in Uruguay. A thoroughbred with the heart of a true champion, SMARTY failed to reproduce himself quickly enough for an impatient American market. But he may yet have the last laugh, as his current progeny record indicates.

Champion BETTER LIFE earned over a million dollars racing in Japan, where she defeated colts as well as fillies and built an enormous fan base.

Shown here as a broodmare, multi-millionaire KEIAI GERBERA is in foal to Deep Impact for 2014.

The breeding acumen of H.H. The Aga Khan III was remarkable. Although he started out in life as a man of modest means, the Aga proved to be a shrewd businessman, as well as a very progressive religious leader of his people. And when his wealth allowed him to purchase the best bloodstock, the Aga solicited the help of the equally brilliant George Lambton*, younger brother of the Earl of Durham. It was this alliance that would bring Mahmoud into the world.

1930 — Blenheim wins Epsom Derby (with sound)

A son of Blenheim II, Mahmoud’s dam was Mah Mahal (1928), a daughter of the incomparable Mumtaz Mahal (1921), who had been purchased as a yearling by Lambton in 1922 for the Aga’s stables. The arrival of the filly who would come to be known by the British racing public as “The Flying Filly” would have an enormous impact on the Aga’s breeding fortunes, as well as on the evolution of the modern thoroughbred. All of her offspring were very good, but it was through her daughters that Mumtaz Mahal assured her legacy. They accounted for the champion Abernant (1946), the great sire Nasrullah(1940) whose contribution to the American thoroughbred was arguably as vast as that of his grandam, the champion Bashir (1937) who raced in India and Migoli (1944), winner of the Arc and sire of the American champion, Gallant Man (1954). And scores of brilliant thoroughbreds issued from these: among them, the European champion, Petite Etoile(1956), Bold Ruler (1954) and his greatest son, Secretariat (1970), as well as a granddaughter who is still considered the Queen of American racing, Ruffian (1972).

Too, the legacy of Mumtaz Mahal would gradually teach a skeptical racing public that there was nothing inferior about grey thoroughbreds.

The Aga Khan’s BLENHEIM II, sire of MAHMOUD and Triple Crown winner, WHIRLAWAY (1938), as well as JET PILOT (1944) and champion filly A GLEAM (1949). BLENHEIM II was also the BM sire of a bevy of champions, including PONDER (1946), HILL GAIL (1949) and KAUAI KING (1963).

MAH MAHAL, dam of MAHMOUD

Mumtaz Mahal was a daughter of one of the finest thoroughbreds ever bred, The Tetrarch (1911). Like Mahmoud, the presence of The Tetrarch in the pedigrees of thoroughbreds all over the world today remains significant, particularly given that he only raced as a two year-old before being retired to stud, where he was plagued by fertility problems. 

The brilliant MUMTAZ MAHAL was dubbed “The Flying Filly” by British racegoers. Painting by Lionel Edwards.

THE TETRARCH was selected one of the best thoroughbreds of the last century, even though he only raced for a single season. Ridiculed for his markings (“chubari spots”), THE TETRARCH would have the last laugh by becoming a prepotent sire and BM sire.

Mahmoud’s BM sire was Gainsborough (1921), winner of the British Triple Crown and sire of another individual who would change the face of thoroughbred breeding forever, Hyperion (1930). Mah Mahal’s first born had indeed been the issue of the best on both sides of his pedigree, a practice the Aga considered axiomatic in the making of a champion.

The handsome GAINSBOROUGH, winner of the British Triple Crown and grandsire of MAHMOUD. GAINSBOROUGH is also — famously — the sire of HYPERION (1930).

Mah Mahal’s tiny grey colt had a lovely Arabian look about him, but given his size as a yearling, he was deemed too small and sent off to auction at Deauville in France. When the colt failed to reach his reserve, the Aga decided to keep him. As a breeder, His Highness was without sentiment. Any animal out of his stables who appeared ill-equipped to build a legacy was discharged to the sales. Nor was he moved to keep horses who proved their worth if he received a suitable offer of purchase; the result was that several of his champions found their way to America’s shores.

Although he doubted that Mah Mahal’s first born would ever amount to much, the Aga was disinclined to give the colt away for less than he was worth. So Mahmoud was sent off to Newmarket to be trained by Frank Butters, in the hopes that he would be decent on the turf, if not brilliant. An Austrian by birth, Butters settled in England where he became a leading trainer first for Lord Derby and then for the Aga. Butters enjoyed a fabulous career, his very best horses being Fairway (sire of Fair Trial among others),  Beam (winner of the 1927 Oaks), Bahram (English Triple Crown winner) and Migoli (winner of the 1948 Arc).

FRANK BUTTERS trained no less than 15 classic winners for clients like Lord Derby and HH the Aga Khan III.

MAHMOUD goes to work with two other more promising colts in the Aga’s stable, BALA HISSAR (1933) and TAJ AKBAR (1933). Photo and copyright, The Chicago Tribune.

Little Mahmoud’s first start at two was considered void when the majority of the field failed to notice a false start and ran the full course anyway. His next start was in the Norfolk Stakes, where he finished third. He then went on to win his next three starts, which made the press sit up and take notice of the diminutive grey who seemed to skim over the ground as he moved to the front of the field. Mahmoud may have been compact, but he was incredibly light on his feet, allowing him to jettison away when hitting his top speed. (Interestingly, his descendant Northern Dancer would run in exactly the same fashion.) Confirmed as the best two year-old of the season, Mahmoud’s final start came in the Middle Park Stakes at Newmarket. In 1935, the race was considered the most prestigious for juveniles, so when Mahmoud only managed to finish third, beaten over two lengths by Abjer (1933) and Dorothy Paget’s Wyndham (1933), his stamina was called into question. No-one cared that he’d rallied to finish well after getting off to a disastrous start. The thinking was that the Aga’s plucky colt wouldn’t stay the distance, for either the Derby or the 2000 Guineas.

A close-up of MAHMOUD on his way to post. In this shot, next to his even tinier groom, the colt looks much bigger than his 15.3 h. Photo and copyright, The Baltimore Sun.

The legendary Charlie Smirke had been in the saddle when Mahmoud lost the Middle Park Stakes. Smirke had been the Aga’s second string jockey until a racing injury that same year forced Freddy Fox to step down as the stables’  premier rider. Smirke was then promoted to head jockey, much to the irritation of trainer Butters, who, according to various sources, found the outspoken, happy-go-lucky Smirke an irritation. So it was that Mahmoud’s three year-old campaign was punctuated by the disgruntled, though brilliant, trainer’s attempts to keep Smirke off the colts he deemed the best, namely Bala Hissar and Taj Akbar. Butters’ preference was for another legend-in-the-making, Gordon Richards, considered by Smirke to be his foremost rival in the hunt for racing laurels.

TAJ AKBAR shown here with SIR GORDON RICHARDS in the saddle was one of the 1936 Derby favourites. He is shown here following his win in the Chester Vase. (A pity that the press couldn’t get his name quite right!) A fine colt in his own right, TAJ AKBAR would beat the American Triple Crown winner, OMAHA, in the Princess of Wales Stakes in July 1936 at Newmarket. Photo and copyright, The Baltimore Sun.

For the 2000 Guineas, Smirke chose to ride Bala Hissar. His choice may have been based on the fact that his previous ride on the two year-old Mahmoud — who was also entered — had been less than satisfactory, or that the little grey had only managed a fifth place in a previous race, the first of his three year-old season. Steve Donoghue, the top jockey of the first two decades of the twentieth century and now a fifty-one year-old veteran, was engaged to ride Mahmoud. Donoghue was the most beloved of jockeys, following in the footsteps of Fred Archer, and he remains today the only jockey to win the British Triple Crown twice, first on Pommern(1912) in 1915 and then on Gay Crusader (1914) two years later.

As it was to turn out, Smirke and Bala Hissar managed little. But Mahmoud, under the guidance of a master jockey, lost by only a short head to Lord Astor’s Pay Up (1933), a colt who had drawn a post on the far outside of the field and who had entered the Guineas as a true “dark horse.” However, Mahmoud had lost ground getting out of a packed group of horses during the race and in Donoghue’s mind it was this that accounted for his colt’s narrow defeat.

Lord Astor’s PAY UP, the winner of the 1936 Two Thousand Guineas. Photo and copyright The Baltimore Sun.

Mahmoud’s valiant run in the Guineas did little to enhance his reputation in either the Aga’s stable or among race goers. The British press abounded with articles disclaiming the colt’s breeding, since to carry two speedballs  — The Tetrarch and Mumtaz Mahal — in his family suggested speed over stamina, while his sire, Blenheim II, had been slow to find his form at three despite his Derby win. And then there was the matter of his coat colour: only two other greys, the colt Gustavus(1818) and the filly, Tagalie (1909), had ever won a Derby. Little thought was given to the fact that grey thoroughbreds were a minority, making their chances of getting the same number of serious Derby horses statistically impossible.

It was Frank Butters who won the “jockey wars” for the Derby, placing Gordon Richards in the saddle on the fancied Taj Akbar, with Smirke relegated to the Aga’s “third stringer,” Mahmoud.

The gorgeous TAGALIE and her filly foal MABELLA pictured here in 1915. As a filly, TAGALIE had won both the Epsom Derby and the 1000 Guineas, both in 1912.

Derby day was colourless and cold, with a very hard turf surface that would finish Pay Up, who came home lame and caused Lord Astor to withdraw a colt that many considered the best of his generation, Rhodes Scholar (1933). But as it turned out, the course was a gift for Mahmoud. Charlie Smirke, who had said with bravado that he would win and beat arch-rival Richards on Taj Akbar (who finished second) was in tears because, it seemed, no-one had believed in his abilities either. Here’s what the winning jockey had to say:

“…There is only one way to tell you the story of my second Derby victory., and that is from the very beginning — from the time when I had my choice of mounts. I was not asked to ride Taj Akbar and perhaps that was lucky for me. But between the Aga Khan’s two other horses, Mahmoud and Bala Hissar, there was never any doubt. I told Mr. Butters, the trainer, ‘I want to ride Mahmoud; I don’t think the other has a chance.’ And how I laughed when people kept on saying ‘Mahmoud cannot stay.’ I knew he could and Steve Donoghue…settled the matter. ‘Charlie,’ Steve said to me, ‘ You’ll just about win the Derby’ and he told me how he would ride him. When Steve tells you things like that and how he would ride at Epsom, a wise jockey listens.”

Of course, that was only part of the story. The rest was that the ground suited Mahmoud so much that he only really needed a jockey coming into the home straight. And when Smirke asked him, the little grey colt answered.

MAHMOUD and Charlie Smirke going down to the post.

The win, Smirke looking back to be certain he’s really crossing the finish all alone.

HH the Aga Khan III shows his delight as he leads his Derby winner in. TAJ AKBAR had come in second.

Here’s footage of Mahmoud’s Derby (with sound). Just follow the link and CLICK on “CLICK 1 of 1”:

http://www.itnsource.com/shotlist//BHC_RTV/1936/05/28/BGX407212133/

Another film clip, this one showing the Aga Khan meeting Mahmoud after the win. Just click on 44592 in the red box on the site:

http://www.efootage.com/stock-footage/44592/Mahmoud_Wins_The_1936_Epsom_Derby/

Other than the Aga and his team, the response to Mahmoud’s Derby win was really rather negative. Having read for weeks before the big day that the little colt would never stay the distance, both punters and racing fans, not to mention the great British turf writers of the day, were horrified to see Mahmoud charge up, leaving the likes of Taj Akbar, Bala Hissar, Pay Up and the American colt, Boswell, in his slipstream. Not only did he win, but Mahmoud’s time was the fastest in the history of the race. It is a record that will likely stand forever, given the difference in the surface at Epsom from 1936 to the present. Others disputed (and still do today) whether it was the horse or the turf that accounted for the record time:

” … Prior to Mahmoud’s Epsom success, there had been a generally held opinion that the grey thoroughbred did not, and even could not, possess sufficient stamina to win races beyond a mile…The supposition was founded less on biological or genetic grounds than on the fact that grey horses simply did not win Derbys…The author has no intention, at this point, to make out a case, either way, for the grey…as a stayer or non-stayer. He is nevertheless entitled to express a personal opinion regarding Mahmoud, which is that he was lucky to have had unusually firm ground over which to race, and that he might never have won had the going been soft, or even yielding.” (The Derby Stakes: A Complete History From 1900-1953 by Vincent Orchard)

MUNNINGS’ gorgeous painting, “SADDLING MAHMOUD FOR THE DERBY,” was turned into a British stamp in 1936 after the colt’s Derby win.

Mahmoud’s next appearance was in the St. James Palace Stakes, where he met up with a colt named Rhodes Scholar for the first time. Rhodes Scholar was a son of Pharos and the influential Lord Astor was considered by many to own THE colt of the season, Mahmoud aside. The Aga’s plucky pony was beaten a good five lengths by Lord Astor’s beautifully bred colt. Some blamed the defeat on Mahmoud’s not having had time to recover from the Derby, but they were a minority. The prevalent view was the one reflected below:

After the St. James Palace, Mahmoud was found to have cracked heels and was given a rest until the fall, when he reappeared for a final time in the St. Leger. Entered were Rhodes Scholar and William Woodford’s Boswell, together with a field of at least ten other horses. According to the Evening Post, Mahmoud was one of the favourites. However, although he produced his run in the final stretch it was too little too late and the Derby winner finished third behind Boswell, who won it, and another colt named Fearless Fox (1933). The much touted Rhodes Scholar was never a factor.

MAHMOUD comes at the leaders, BOSWELL and FEARLESS FOX, close to the finish of the St. Leger. However it was the Woodward colt who got home first, followed by FEARLESS FOX. In the final start of his career, MAHMOUD finished third. Although he came out of the race with four cracked heels, it was the opinion of Frank Butters that the distance had been the real obstacle.

Following the St. Leger, Mahmoud was retired to his owner’s Egerton Stud in Newmarket, from where, in 1939, he bred the champion fillies Majideh and Donatella II. Majideh went on to become the dam of the champion Irish filly, Masaka (1945) and even more famously, of Gallant Man, whose pedigree was rife with the influence of Mumtaz Mahal on top and bottom. Donatella II became the dam of Frederico Tesio’s Italian champion, Daumier (1948), who won the 1951 Derby Italiano, the Gran Premio del Jockey Club Italiano, the Gran Criterium and the 1951 St. Leger Italiano. As a sire, Daumier got champions in Italy and the USA. But it was in America that Mahmoud would make a lasting impact, although he was lucky to arrive there in one piece.

With the outbreak of WWII, the Aga saw fit to accept a bid of $84,000 from an American consortium, headed by Cornelius Vanderbilt Whitney, for the purchase of Mahmoud. The year was 1940. However, when the stallion showed up dockside to be boarded for his transatlantic voyage, the captain refused to take him, on the grounds that the required documentation was incomplete. The ship was subsequently torpedoed in the Atlantic. However, the ship that carried the stallion to Whitney’s stud farm in Kentucky managed the crossing without incident.

By 1946, Mahmoud had made it to the top of the North American sires list and in 1957, he headed the broodmare sire list, even though trainers like Max Hirsch had initially criticized Whitney for purchasing a stallion whose bloodline he thought would never fit with the Whitney broodmares. But Whitney’s plans were sound, since the Mahmoud genotype was found to work extremely well with, among others, mares who descended from Fair Play. Mahmoud’s progeny tended to be precocious and sound. As importantly, they won on dirt or turf. As success followed success, American breeders reconsidered their early response to Mahmoud’s potential, since the best of his progeny demonstrated both stamina and speed.

MAHMOUD pictured shortly after his Epsom Derby win.

Breeders soon flocked to MAHMOUD. Here’s a shot of champion GALLORETTE (1942) with her MAHMOUD filly, GALLAMOUD (1952). The filly went to Ireland where her son, WHITE GLOVES2 (1963) won the Irish St. Leger as well as three other Irish stakes.

Although Mahmoud produced seventy stakes winners, including First Flight (1944), Oil Capitol (1947), Cohoes (1954), The Axe II (1958) and Vulcan’s Forge (1945), it was as a BM sire that he stamped the modern thoroughbred.

Most prominent –and their names can’t help but dazzle — was Almahmoud (1945), one of the greatest matriarchs of all time and dam of the brilliant Cosmah (1953), who produced Halo (1969) the sire of Sunday Silence as well as Queen Sucree, the dam of Cannonade; the Blue Hen mare Natalma (1957), produced the most dominant sire of the second-half of the twentieth century in Northern Dancer (1961), as well as the brilliant HOF inductee Tosmah (1961). Grey Flight (1945), the dam of 9 stakes winners and the foundation mare of family 5-f who produced What A Pleasure (1965), Bold Princess (1960) and 1963 broodmare of the year Misty Morn (1952) was still another famous daughter of Mahmoud. But the list of Mahmoud’s influential daughters doesn’t end here by any means. Three others who made a huge impact were: Boudoir II (1948) the dam of Your Host, who sired the mighty Kelso (1957), as well as Flower Bed (1948), a Blue Hen mare whose daughter, Flower Bowl (1952), was the dam of Graustark (1963), His Majesty (1968) and the incomparable Bowl of Flowers (1958); Mahmoudess (1942), whose accomplished son Promised Land (1954) was the dam grandsire of champion Spectacular Bid (1976) and the BM sire of Skip Trial (1982) who, in turn, sired the fabulous Skip Away (1993) ; and Polamia (1955), the dam of Grey Dawn II (1962) — the only horse to ever beat the mighty Sea-Bird II (1962) — who became the leading BM sire of 1990 and BM sire of 125 stakes winners during his career at stud.

PROMISED LAND by Palestinian (1946) ex. Mahmoudess on track. His bloodlines would flow into the champions SPECTACULAR BID and SKIP AWAY.

On September 8, 1962, Mahmoud died at the age of twenty-nine. He was buried in the equine cemetery on C. V. Whitney’s farm, which is now part of Gainesway.

Upon his death, a touching statement was issued and reprinted in the Thoroughbred Record (later to become the Thoroughbred Times):

“Mahmoud was very much an individual and he seemed to delight in being one. One of his idiosyncrasies was that he refused to be ridden across the Elkhorn Creek bridge though he was willing to go when led. Those of us who have grown fonder of Mahmoud with each of the passing years will miss him more than words can express…He knew human affection but he did not exploit it. He was never too preoccupied to walk to his paddock fence to receive a pat. He was kind and gentle, uncomplicated; any living thing was allowed in Mahmoud’s paddock.” (Whitney Farm personnel, as recorded in The Thoroughbred Record, on the death of French-bred Epsom Derby winner Mahmoud)

By the time MAHMOUD died, his coat had turned from grey to white.

Because of the enormous genetic influence of his daughters, today Mahmoud is represented in the pedigrees of some very powerful mares, including Zenyatta, Rachel Alexandra, Havre de Grace, Black Caviar, Kind (dam of Frankel), Balance, Winter Memories, Zarkava, Royal Delta and Danedream.  And of the top ten colts on the Derby trail presently (Steve Haskin’s Derby Dozen for March 10, 2014) all carry at least a single Mahmoud influence.

Of course, the little grey stallion who got so little respect during his racing career cannot have a direct influence on either the speed or stamina of his descendants today, as he rests too far removed in most of their pedigrees. But rest assured that Mahmoud, as one of their greatest ancestors, certainly whispers in their blood.

Kelso, the 1964 Aqueduct Handicap:

Sunday Silence, Japan’s supreme sire, in the 1989 Breeders Cup Classic:

“Skippy” — the great Skip Away — winning the 1997 Breeders Cup Classic under jockey, Mike Smith:

Frankel in the Queen Anne Stakes, June 2012

Black Caviar: 25-win compilation

On the 2014 Derby Trail: California Chrome (who carries a double dose of Mumtaz Mahal, with both Nasrullah and Mahmoud in his female family) wins the San Felipe

ADDITIONAL NOTES

* The Honourable George Lambton had been a jockey and competed in the Grand National before moving on to become a leading trainer in England in 1906, 1911 and 1912. He won the Derby and the St. Leger with Hyperion. His book, Men and Horses I Have Known, published in 1924 remains a racing classic.

For those interested in reading more about The Tetrarch, his daughter Mumtaz Mahal and the history of greys in thoroughbred racing, please see an early post here on THE VAULT about Black Tie Affair: https://thevaulthorseracing.wordpress.com/2011/02/09/black-tie-affair-for-michael-blowen/

SOURCES

Baerlein, Richard. Shergar and the Aga Khan’s Thoroughbred Empire. London: Michael Joseph, 1984.

McLean, Ken. Designing Speed In The Racehorse. Russel Meerdink Company: 2006

Mortimer, Roger and Peter Willett. More Great Racehorses Of The World. London: Michael Joseph, 1982.

Orchard, Vincent. The Derby Stakes: A Complete History From 1900-1955. London: Hutchinson, 1954.

Steve Haskin’s Derby Dozen (March 10, 2014)

Tesio, Frederico. Breeding The Race Horse. London: J. Allen and Company, 1958

Willett, Peter. The Classic Racehorse. London: Stanley Paul, 1981.

Reines-de-Course: Almahmoud @www.reines-de- course

Horse-Canada: Broodmare Power In Pedigrees @ horse-canada.com

On The Turf: Short Story: Charlie Smirke (February 12, 2009) at ontheturf.blogspot.ca

The Evening Post, “Third Grey To Win” (May 28, 1935)

— “Another Champion? Aga Khan’s Champagne” (October 10, 1936)

— “The Two Thousand: Pay Up’s Narrow Win” (May 26, 1936)

— “The Derby Winner: Breeding of Mahmoud” (May 30, 1936)

— “Mahmoud’s Last Season” (July 3, 1936)

— “Surprise Result: St. Leger Stakes” (October 7, 1936)

— “The Small Horses Best” (July 14, 1936)

The Straits Times, “Mahmoud’s Jockey Tells How He Won The Derby” (June 5, 1936)

http://www.pedigreequery.com

NOTE: THE VAULT is a non-profit website. We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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EQUIPOISE “… MADE MUSIC IN THE HEART”

 

The beautiful EQUIPOISE in a study by C.W. Anderson, who captures both his kind, inquisitive eye and wide, intelligent brow.

Every once in awhile, a stellar group of juveniles appear on the scene at exactly the same time and this was the case in America in 1930. Although they spent much of their time beating each other, victory over peers of such excellence reinforced just how good each of these thoroughbreds truly was. When it was all said and done, it was Harry Payne and C.V. Whitney’s dark chestnut colt, Equipoise, who wrote himself into legend. Which is not to say that each of his competitors were not equally worthy of stardom. Jamestown, Twenty Grand, Mate, Don Leon, Vander Pool, Epithet, Tambour, Sweep All, Happy Scot, Polydorus and the wonderful filly, Baba Kenny, were all champions. But the racing gods can be fickle: of Equipoise’s challengers, only Jamestown, Twenty Grand and Mate are remembered today and two — Jamestown and Twenty Grand — are HOF inductees. Dubbed “The Big Four” by the Chicago Tribune when they lit up the two year-old ranks of 1930, Equipoise, Jamestown, Mate and Twenty Grand met and clashed a number of times, delighting racing fans, many of whom felt compelled to pledge their allegiance to one of the “Fab Four.”

Even famed correspondent John Hervey, who wrote under the pen name “Salvator,” got into the act. His choice was Equipoise.

MATE (1928) was a homebred of of Alfred C. Bostwick Jr., whose grandfather was a founding partner of Standard Oil. Winner of the 1931 Preakness, MATE raced in both the USA and England before his retirement. He is best known for his son, ELKRIDGE, a HOF inductee who was the American Champion Steeplechase Horse in 1942 and 1946.

George D. Widener Jr’s JAMESTOWN, shown here at stud. He shared American Champion Two Year-Old of 1930 honours with EQUIPOISE. As a sire, he is best known for his son, JOHNSTOWN (1936), winner of the Kentucky Derby and Belmont Stakes in 1939 and HOF inductee.

TWENTY GRAND is led in by his owner, Mrs. Payne Whitney of Greentree Stables, (H.P. Whitney’s sister-in-law), after winning the 1931 Belmont Stakes. The champion colt also won the Kentucky Derby that year, together with most of the key American stakes races. Photo and copyright, S. Lug for International Newsreel.

But the world in which the “Big Four” ran was a troubled one, devastated by economic depression and climactic disaster. People were shaken to their very roots by circumstances beyond their control. And then along came “The Chocolate Soldier”: in his Eaton-blue mask with its chocolate piping, Equipoise quickly forged a reputation for refusing to go down without a fight. He was, quite simply, the epitome of the will not only to survive, but to thrive.

A dark chestnut colt was born in the spring of 1928 to the mare Swinging (1922), a daughter of Broomstick (1901) and granddaughter of the mighty Ben Brush (1893). Bred by Harry Payne Whitney, who died before his homebred became one of America’s favourite thoroughbreds, the colt was given the name Equipoise. The name was apt. Even as a foal, anyone could see how perfect he was and he appeared to have a temperament to match. Following the death of his father, Equipoise became C.V. aka “Sonny” Whitney’s first superstar.

EQUIPOISE’S grandsire, PETER PAN, shown here as a colt racing in the colours of James R. Keene. Acquired by C.W. Whitney in 1915, PETER PAN proved himself to be a potent sire and BM sire. (Note: America’s PETER PAN was a son of the great DOMINO and should not be confused with the Australian champion of the same name.)

The Whitneys are one of America’s most famous thoroughbred horse racing dynasties and played a huge role in the making of the American thoroughbred. The family is represented today by C.V. Whitney’s last wife, Marylou Whitney, who has continued to breed thoroughbreds along the lines that have distinguished the Whitneys as both breeders and owners.

The breeding of Equipoise provides insight into the knowledge that H.P. Whitney exercised in arriving at a champion horse.

Equipoise’s sire, Pennant (1911) was a direct descendent of the great Domino (1891). Equipoise’s grandsire, Peter Pan (1904) — not to be confused with the Peter Pan (1929) of Australian fame — was a son of Commando (1898) and, through his female family, Peter Pan also carried the bloodlines of the brilliant British mare, Beeswing (1833) as well as the legendary Eclipse (1764). America’s Peter Pan was a brilliant runner, starting 17 times and distinguishing himself with wins in the Hopeful, the Brooklyn Derby and the Belmont Stakes. Of his win in the 1907 Brighton Handicap, before a crowd of 40,000, the New York Telegraph wrote that Peter Pan “accomplished a task that completely overshadowed any previous 3-year-old performance in turf history.”

Whitney acquired Peter Pan in 1915 and as a sire, he was pure gold. Among his progeny are the exceptional sire, Black Toney (1911), as well as the champion fillies Puss In Boots (1913), Vexatious (1916) and Prudery (1918). Peter Pan was also a BM sire of champions, including the Preakness winner Bostonian (1924), Whiskery (1924) winner of the Kentucky Derby and Champion Three Year Old Colt of 1927, Victorian (1925) who won the Preakness and the filly, Top Flight (1929) who was Champion Two Year Old and Three Year Old Filly and a HOF inductee. Along with Equipoise, Peter Pan was also the grandsire of the ill-fated Black Gold (1921) and of champions Brokers Tip (1930) and Bimelech (1937), a son of La Troienne (1926) who won the Preakness and Belmont Stakes and is also a HOF inductee. Bimelech sired Better Self (1945) and is the sire of Never Bend (1960) grandam. Nevert Bend, in turn, sired the British champion, Mill Reef (1968), winner of the Epsom Derby and the Prix de l’Arc de Triomphe.

The handsome PENNANT may not have been PETER PAN’S best son but he was a solid campaigner and useful sire. EQUIPOISE was PENNANT’S most successful runner.

Next to this kind of brilliance, Equipoise’s sire, Pennant, might seem pretty ordinary. But although he was lightly raced, the handsome chestnut never finished out of the money. Equipoise was his best son, but Pennant also sired the champions Bunting (1919), Crystal Pennant (1924), Dauber (1935) who won the 1938 Preakness, Jolly Roger (1922) a Champion Steeplechaser and HOF inductee, as well as that hardy campaigner, The Chief (1935), who made 101 starts before his retirement.

A conformation shot of EQUIPOISE reveals equine perfection, from the fine head through the deep chest and powerful hindquarters. One of his many famous descendants, BUCKPASSER, was blessed with the same flawless conformation.

It is fair to assume that hopes of the Whitney Stable were high for this beautifully-bred colt. But being both breeders and owners, they knew that superb bloodlines and great looks don’t necessarily add up to a champion. Happily, the youngster showed promise, winning his first two starts impressively. But in his third start, Equipoise ran into the more seasoned Vander Pool and came home third. (Vander Pool, owned by Mrs. W.P. Allen, chalked up fifteen straight victories from his maiden win in 1930 into 1931. Ending his two year-old season as a undefeated favourite for the 1931 Kentucky Derby, Vander Pool was injured and never hit the Triple Crown trail. His fifteen straight wins tied the record set by Colin in 1907-1908.)

Next came the Pimlico Nursery Stakes, in which the dark chestnut colt was partnered by the legendary Sonny Workman for the first time. It didn’t go well: Equipoise reared up at the start, pitching Workman. In the Youthful, Workman and Equipoise came home first by five lengths, but the colt was DQ’d for muscling his way to the front and the win went to Vander Pool instead. According to C.W. Anderson in his book, The Smashers, (Equipoise’s)  “zest for battle” was strong “…if he couldn’t find racing room, he made it.” This tendency would not change and the Youthful wasn’t the only race Whitney’s champ lost through disqualification. Workman, a champion rider and HOF jockey who would be Equipoise’s steady partner throughout his career, was quick to learn how to handle the assertive colt and the initial contest between them was forged into a fabulous partnership by the end of Equipoise’s first season.

EQUIPOISE aka “The Chocolate Soldier” and Sonny Workman head to the start. (Photo carries photographer’s signature, i.e. copyright. It may be Coglianese “the elder,” who took many photos of Equipoise.)

Equipoise’s next victories came in the Keene Memorial and Juvenile Stakes, beating another very good two year-old in Happy Scot. In the Keene, the colt showed he could handle the slop, running to a two length win at Belmont. Then, in the National Stallion Stakes, ” The Chocolate Soldier,” as he was dubbed by press and fans (on the basis of his dark coat) beat Polydorus and the filly Baba Kenny by six. Carrying 130 lbs. to Polydorus’ 115 in the Great American, Equipoise wired the field and crossed the finish line two lengths ahead of his rival.

Equipoise then met up with Jamestown at Saratoga in the summer of his juvenile season. Trained to a “razor’s edge” by trainer A. Jack Joyner, Jamestown built up such a lead in the Saratoga Special over the Whitney colt that Equipoise just couldn’t catch him, although he did beat Sun Meadow by eight lengths, to finish second. Carrying 132 lbs. to Mate’s 119, Equipoise lost by a head in the Champagne. The following week, The Chocolate Soldier went into battle again, facing both Mate and Jamestown in the Futurity, where each horse carried 130 lbs. In a furious stretch duel, Jamestown prevailed by a head over Equipoise. Mate finished another three lengths back.

After the Futurity, Jamestown was put away for the rest of the season. But Equipoise’s connections continued his campaign. The two year-old cruised to a five length win over Don Leon in the Eastern Shore Handicap before meeting up with still another fabulous juvenile, Twenty Grand. In the Jr. Champion Stakes at Aqueduct, with the Whitney colt carrying an extra 11 lbs, Twenty Grand prevailed by a length.

TWENTY GRAND beats EQUIPOISE in the Jr. Champion Stakes at Aqueduct. Photo and copyright: The Chicago Tribune.

In their next meeting — the Kentucky Jockey Club Stakes — Twenty Grand and The Chocolate Soldier had the crowd on their feet as they battled, head-to-head, to the wire. Twenty Grand won, but the two had set a track record of 1:36 — the fastest ever run by a two year-old over eight furlongs. H.P. Whitney died ten days later, and Equipoise became the first thoroughbred to race in C.V. Whitney’s name.

The Chocolate Soldier’s performance in the Pimlico Futurity, together with his record at two, would see him share co-honours, with JAMESTOWN, as Champion Two Year-Old Colt of 1930. Photo and copyright, The Baltimore Sun.

The Pimlico Futurity was a match of the titans, with Twenty Grand, Mate and Equipoise facing off against each other at the equal weight of 130 lbs.  It was a battle called “The Most Spectacular Race Of The Decade” by the Baltimore Sun. And Equipoise won it in a way that not only established him as a champion, but as a colt with the heart of one. The track was muddy and at the start, Equipoise and Sonny Workman broke sideways, effectively hustling both of them back so that it looked as though the pair had been left at the post. Righting the colt, jockey Workman took off after the field. Twenty Grand and Mate got into a feverish duel down the stretch and so intense was their struggle that no-one saw the hooded Equipoise charging at the leaders. In a dazzling display, The Chocolate Soldier won by half a length. Not only was his win incredible, but Equipoise had scored barefoot, having lost his two front shoes somewhere along the way. He had righted a bad trip and won on a muddy track without the benefit of the kind of grip those discarded shoes would have afforded him.

A mud-spattered EQUIPOISE and Sonny Workman head to the winner’s circle at Pimlico  after the “Chocolate Soldier’s” dazzling win in the Pimlico Futurity against TWENTY GRAND and MATE. Photo and copyright, The Baltimore Sun.

The loss of his shoes hinted at a problem that would plague Equipoise throughout the rest of his career: he had thin, shelly feet. And they would plague him even as a three year-old. After three lacklustre performances, including the Preakness, it was discovered that Equipoise had sustained a three-quarter crack and he was retired for the rest of the season. His old rival, Twenty Grand, would win the coveted Kentucky Derby, as well as the Belmont, and had an absolutely brilliant season, annexing just about every major stakes race in the country.As a result, Twenty Grand was crowned Champion Three Year-Old Colt and 1931 Horse Of The Year. (Another of Equipoise’s rivals, Mate, won the Preakness, denying Twenty Grand the Triple Crown.)

The gorgeous TWENTY GRAND with his roses, after winning the 1931 Kentucky Derby.

Were it 2014 rather than 1931, the infirm Equipoise would likely have been retired. Happily, retiring a colt with such potential, as long as he was fit, was neither the ethos of the time nor the sensibility of Sonny Whitney. And a good thing, too, since The Chocolate Soldier’s campaign as a four year-old was nothing short of spectacular.

EQUIPOISE sets off for a work, wearing the Whitney colours on his blinkers. Photo and copyright, The Baltimore Sun.

Possibly taken the same day as the photo above, EQUIPOISE gets a rubdown after a work. This photo is dated 1932. Photo and copyright, The Baltimore Sun.

Right from the start, the concern was keeping the colt injury-free, since his feet were a constant problem, not unlike the great Northern Dancer, who ran throughout his career on a quarter-crack. But the four year-old had filled out and was otherwise a stronger horse and it didn’t take long before he showed the nation that the old Equipoise was back. In fact, he made his first four wins look so easy that it was hard to believe he was running on delicate feet, taking six in as many starts, including the prestigious Toboggan Handicap, as well as the Metropolitan.

In his seventh start, the Delavan Handicap in Chicago, The Chocolate Soldier met up with a rival of old, the brilliant Jamestown. In fact, the Delavan had been especially designed for the two of them. C. W. Anderson’s account brings the drama of their meeting to life:

“…The weights were 128 for Equipoise and 118 for Jamestown. The track was at its best, and Jamestown shot away from the barrier as if to make a runaway race of it, but he could not open up more than a length or two. The pace became faster as they neared the far turn and still Workman had not asked Equipoise for his best. Not until they were in the stretch did he call on him, and the effect was startling. Already it seemed that they were running at an unbelievable pace, but Equipoise flew past Jamestown in a dozen strides and came to the finish three lengths in front. The time, 1:34 2/5, was a new world’s record. That an ovation greeted the dark chestnut as he came back to the scales is putting it mildly. He was a horse that was more than a horse. He had personality and people felt it. Always a perfect gentleman he was as calm and unconcerned in the winner’s circle as if he had been out for an exercise gallop. Jamestown showed distress from his terrific effort, but Equipoise had evidently not been fully extended.”

His world record-breaking time of 1:34 2/5 for the mile stood as an Arlington track record for twenty-six years and as a world record for twenty. And when Equipoise’s record came to an end, it was a faster track and not a faster horse that did it, according to Anderson.

In 1932, THE CHOCOLATE SOLDIER is right back in the news following his record breaking win in the Delavan Handicap.

In his next two starts, the Stars & Stripes Handicap and the Arlington Gold Cup, Equipoise beat the champion filly, Tred Avon (1928), the hardy Dr. Freeland (1926), Gusto(1929) and another rival during his two year-old season, Mate, in the Gold Cup. Then, carrying a 134 lbs. to the 111 of the winner, Plucky Play (1927), the colt was beaten by a short head, breaking a winning streak that had seen him 9 for 9.

Next stop was Saratoga, where The Chocolate Soldier annexed the Wilson and Whitney Stakes. These were both weight for age races, giving Equipoise a break from the bone-crushing weights of the handicap division. The Havre de Grace Handicap under 128 lbs. was his next victory. Burdened by weight, Equipoise lost his final two starts of 1932. But his earnings for 1932 stood at a staggering $107,375 USD — the equivalent of $1,819,915.25 today. More than enough for him to be declared Champion Handicap Horse and Horse of the Year. 

EQUIPOISE won Champion Handicap Horse for three straight years, from 1932-1934. So spectacular was he that The Chocolate Soldier was also awarded Horse of the Year in 1932 and again in 1933. Photo and copyright, The Baltimore Sun.

As C.W. Anderson notes about horses racing in the handicap division in the early part of the last century, ” For three years, Equipoise was at the top of the handicap division, where the reward for a victory is always more weight. Two- and three-year olds may finish a season undefeated, but that is absolutely impossible for a handicap star. There is a limit to what he can carry, but there is no limit to what the handicappers can put on him. He may be the best horse on the track by twenty lengths and still win less than half his races. This was the road Equipoise had to travel…”

…And, in 1933, Equipoise not only travelled, he positively triumphed.

Winning the Philadelphia, Metropolitan, Suburban and the Arlington handicaps in succession, carrying as much as 135 lbs., it seemed impossible to believe that the chocolate beauty could be conquered, either by the handicappers or chronic foot issues. At this point in his career, the hoof that had sustained the quarter-crack had frequently to be pared down so severely that it was almost to the extent of growing a new hoof. Other researchers who have written about Equipoise claim that he never ran 100% sound. But by the time 1933 had come to a close, the Whitney champ had run up a 7-race winning streak, a feat rarely accomplished by any horse in the Handicap Division. One marvels at his courage and determination, but it’s easy to see why Equipoise was a racing hero of the Depression — and why his mere presence on the track evoked a sense of hopeful anticipation.

No matter how much weight they put on him, EQUIPOISE re-enacted this scene over and over again. Here he is, coming home under his regular rider, the great SONNY WORKMAN. Photo and copyright, The Baltimore Sun.

The last two years of his racing career saw the burden of being a high weight in the handicap ranks start to tell on The Chocolate Soldier. The quarter-crack was becoming harder and harder to patch up and the Whitney Stable became even more diligent in monitoring his overall condition. But Equipoise loved to race because he lived to dominate his opposition on the track, in spite of his easy going temperament off it. And his fans…..the stands continued to shake each and every time he appeared. But soldiers soldier on, and at six Equipoise won the Philadelphia and Dixie Handicaps, before running in the Metropolitan. It was a tragic race. Chase Me (1929), an undefeated former hunter, much beloved in Maryland, went down while leading the pack home and was euthanized on the track. Equipoise came home first, but was disqualified for banging into Mr. Khayyam (1930).

Mr. KHAYYAM, a son of OMAR KHAYYAM, depicted by renowned equine artist, Frederick Voss, in 1937.

In the Suburban Handicap Equipoise carried 134 pounds, and although he came to the wire in a blaze, beating War Glory (1930) by ten lengths, it wasn’t enough to stop Ladysman (1930) from edging him out by a nose. After running third in the Narragansett Invitational, Equipoise beat Mr. Khayyam in the Whitney Trophy Handicap. It was enough to earn him a third consecutive Champion Handicap Horse award. At the age of seven, Equipoise ran only three times and all were on the West Coast, beating his old rival Twenty Grand in the Oakwood Handicap, only to again be disqualified for bumping.

Here’s rare footage of Equipoise winning the Whitney Trophy (Gold) Cup in 1934. It was found for us by a VAULT reader, Lorelei! (Just CLICK on the link below. Then, on the site, click on the number 57983 in the red box. You can also make the clip full-screen. Just look for the 2-way arrows at the bottom.)

http://www.efootage.com/stock-footage/57983/Equipoise_Wins_Whitney_Gold_Cup_Race

EQUIPOISE at seven in 1935, pictured in California, where he was training to run in the Santa Anita Handicap. Burdened with 130 lbs., he finished unplaced and was retired to stud shortly thereafter.

The Chocolate Soldier ended his career with twenty-nine wins (plus ten seconds and four thirds) in fifty-one starts, and earnings of $338,610 USD.

Sadly, his stud career was short: by 1938, Equipoise was gone. However, out of only four foal crops, the stallion produced the 1942 Kentucky Derby and Belmont Stakes winner, Shut Out (1939), helping to make him America’s leading sire that year. Happily, Equipoise’s story doesn’t end there: he is also the BM sire of Triple Crown winner, Assault (1943), and through a daughter, Alpoise (1937), he is represented in the third generation of the great Tom Fool (1949), who would go on to sire Tim Tam (1955) and Buckpasser (1963).

“Here is a living harmony in horseflesh; an embodiment of rhythm and modulation, of point and counterpoint, that sang to the eye and made music in the heart…” (John Hervey, aka Salvator, describing EQUIPOISE) Photo shows EQUIPOISE working over an unknown track. Photo and copyright, The Baltimore Sun.

 

EQUIPOISE shown here in a stunning portrait by photographer L.S. Sutcliffe. (Source: EBAY auction)

EQUIPOISE’S passing was noted in all the major race publications.

The handsome SHUT OUT as he was depicted in 1943 in the Daily Racing Form.

EQUIPOISE was the BM sire of Triple Crown winner, ASSAULT, pictured here with his handler.

Buckpasser, pictured here in 1966 with trainer Eddie Neloy was thought by equine artist Richard Stone Reeves to be the most perfect thoroughbred he had ever seen. Certainly his bloodlines were golden: not only did he count EQUIPOISE in his pedigree but his dam was the great BUSANDA (1947), a daughter of WAR ADMIRAL (1934). Photo and copyright, The Chicago Tribune.

Another descendent of EQUIPOISE was the Kentucky Derby winner, TIM TAM, shown here at work. TIM TAM went on to win the Preakness before he fractured a sesamoid in the Belmont. Amazingly, the colt finished in second place, showing all the courage of EQUIPOISE and earning the title of Champion Three Year Old colt in 1958. As a sire, TIM TAM would go on to sire the champion filly, TOSMAH (1961), as well as the dam of KNOWN FACT(1977)  and TENTAM (1969), TAMERETT (1962).  Photo and copyright, The Baltimore Sun.

SOURCES

Anderson, C.W. The Smashers. New York: Harper & Brothers, 1952.

EQUIPOISE in The Unofficial Thoroughbred Hall of Fame @ http://www.spiletta.com/UTHOF/index.html

“Horses In Arlington’s Hall of Fame” in The Chicago Tribune, June 28, 1989

NOTE: THE VAULT is a non-profit website. We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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