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What more can we say about this wonderful mare? Well, let’s have a look in “7 clicks” — just for fun.

 

CLICK #1: “…I think I remember saying to Chris (Waller), ‘Do you really like her?’ ” (one of the triad of Winx owners, Peter Tighe)

So it was that the daughter of Street Cry-Vegas Showgirl came to the stables of one of Australia’s outstanding trainers, Chris Waller. Owners Peter and Patty Tighe, Debbie Kepitis and Richard Treweeke were overjoyed at their purchase.

But had they asked Coolmore Australia’s stud manager, Peter O’Brien, who had attended the filly’s birth, he would have told them that from the outset Winx showed signs that she was going to be a late developer, even though she looked a really good individual in other ways.

During her days at Coolmore, Winx was easy to notice: she stood within 10 minutes of her birth, showed a great deal of independance very early on, and was blessed with a kind nature.

WINX at two days old. Photo and copyright: Coolmore.

 

Peter O’Brien’s understanding that it would take Winx some time to mature and show what she really was all about proved timely: Winx’s cavalry charge to the top of the world’s standings only started in earnest in 2015, when she was a four year-old.

It is likely that, had she gone to anyone other than Chris Waller, Winx would never have been given the time she needed to become the mighty mare we know today. And Winx’s owners were also prepared to wait, trusting in their trainer’s knowledge and experience.

 

CLICK #2: A surprise in Winx’s tail female

 

Winx’s dam, Vegas Showgirl, started thirty-five times, winning seven and retiring with earnings of $59,700 AUD. It is fair to say that she was not a household name, but she did win twice as a three year-old making her a solid, if not assured, broodmare prospect. Examining Vegas Showgirl’s tail female, what leaps out is Obeah in the third generation.

OBEAH, shown here with her trainer, Henry Clarke. Source: Mid-Atlantic Thoroughbred.

A grandaughter of 1943 Triple Crown winner, Count Fleet, Obeah raced for Harry and Jane Lunger out of Henry Clarke’s Delaware Park stable. Notable wins came in the Blue Hen Stakes and the Delaware and Firenze Handicaps.

But North American racing fans know Obeah best for one reason and one reason alone: she was the dam of the brilliant, ill-fated Go For Wand:

Pedigree influences up to the fifth generation carry some influence — although how much, exactly, is almost impossible to determine. But it’s a safe bet that North American fans of Winx will be delighted to learn that a small part of her DNA comes through Count Fleet and that she is a cousin, albeit a very distant one, of the beloved Go For Wand.

 

CLICK #3: How did Winx get her name?

According to owner Richard Treweeke, Winx’s name owes much to Vegas Showgirl. In an interview done by 60 Minutes Australia (below in Bonus Features), Treweeke recounted how, when one sees a stage show in Las Vegas, the showgirls give you a “…wink, wink, wink.”

So, with a slight adjustment, Vegas Showgirl’s filly became Winx.

“…wink,wink,wink.”

 

CLICK #4: What individual attributes help Winx to win — and keep on winning?

It has been speculated that Winx’s heart and lungs hold greater capacity than most thoroughbreds.

But one thing — other than her steely determination to win — that gives Winx a decided advantage has to do with her racing form, or style.

Granted, Winx’s running style isn’t the most fluid. Rather, she can look at times as though she has egg-beaters for legs.

But this is where what we think we see can be deceiving.

For one thing, the length of Winx’s stride has been measured at almost 6.8m. The stride of most thoroughbreds is about 6.1m. Exceptions are Phar Lap and Secretariat at 8.2m and the mighty Bernborough was said to have a massive stride of 8.6m.

But it’s not only Winx’s stride that helps her get the job done: whereas most thoroughbreds have a stride frequency of 130-140 strides per minute, Winx checks in at nearly 170 strides per minute. And she can maintain this frequency for much longer periods, notably as she kicks for home, a point in any race where most runners are tiring.

This short video of her win in the Sunshine Coast Guineas in 2015 highlights the impact of Winx’s stride and its frequency. The 2015 Guineas win also marks the beginning of Winx’s winning streak that now stands at 23 straight wins, 17 of which have been Group 1’s:

 

CLICK #5 : Winx and Hugh Bowman

Hugh Bowman is a jockey at the pinnacle of his career. But his promise showed even during his apprentice days, receiving the crown for champion apprentice NSW jockey in his very first year of riding, and champion Sydney apprentice followed in 1999/2000. The 37 year-old was awarded Longines’ 2017 Best World’s Jockey at the end of last season, having won 10 of the world’s Top 100 Group/Grade 1 races, six of which were on Winx. It was Bowman’s masterful win in the 2017 Japan Cup aboard Cheval Grand at Tokyo Racecourse that sealed the Longines’ title. Among the champions they beat in the Japan Cup were HOTY Kitasan Black and champions Makahiki, Soul Stirring and Satono Crown.

So strong is trainer Waller’s faith in Bowman, that Winx was withdrawn from what would have been her first start of the season (in the 2018 Apollo Stakesin Sydney) when a suspension made it impossible for Bowman to ride her. Unlikely that few were surprised by Waller’s decision, since Bowman and Winx are an established partnership at this point in time and no-one other than her inner circle knows the mare as well as Bowman. Famous racing pairs dot the history of thoroughbred racing worldwide and these powerful relationships underscore the importance of finding just the right fit between a jockey and a thoroughbred.

Here, in footage collected in February 2018 at a trail at Randwick,we catch a glimpse of some of the relationship between Winx and Bowman, as well as that between Bowman and Waller. The video also illustrates the complexities of conditioning a thoroughbred and, in this aspect, sheds a light on the profession that is universal.

(Note: Footage from the cam recorder picked up during Bowman’s ride comes at the end of the video.)

 

CLICK #6: Umet Odemisioglu  wanted to be an actor…

After her most recent win, in the 2018 Chipping Norton, an emotional Chris Waller noted that professional as she is, Winx loves to go home where “…she can just be a horse.”

And there’s no question that Umet Odemisioglu and Candice are the two of the humans that make Winx feel that she’s home.

 

WINX with Umet Odem.

Born in Turkey, Umet is Chris Waller’s foreman and one of Winx’s strappers. The champion mare is one of some twenty thoroughbreds in his care.

But his path to Winx’s side was an unlikely one: Umet’s first love was film. He studied acting for two years in Turkey before attending what he describes as a “horse university” in Istanbul. Once he’d graduated, Umet left for Ireland, where he worked on a stud farm until his arrival in Australia in 2006. He has worked for trainer Chris Waller since 2011.

Umet has looked after Winx since she first arrived in Waller’s barn as a youngster. If she were an actress, he figures Winx would be Angelina Jolie because, “…they’re both sweethearts, especially Angelina with the charities. They’re both box office superstars who bring in the crowds.” (quoted in “Strapper Recalls Winx Journey” by Matt Kelly in G1X)

Back at home after a trial or a race, Winx doesn’t like to be bothered — she likes lots of time to herself. And it is Umet who assures that the mare’s down time is just that. On big days, it’s Umet who brings her into the spotlight, equipped with hood that blocks out some of the sounds of the track.

Winx is no lover of the starting gate and Umet, together with Candice, as well as her trainer and jockey, each play their part in keeping her off her toes as much as they can before the gates fly open. He walks close to her, letting her know that he’s there and focusing on keeping the mare as calm and relaxed as possible. And this is no easy job when you’re assailed by cameras, together with the noise and movement of a huge, jostling crowd.

Winx may be used to the attention, but Umet needs to be able to anticipate what she’s not used to seeing. It’s a big part of keeping her safe.

(Note: To learn more about Winx’s second strapper, Candice, please see BONUS FEATURES, below.)

 

CLICK #7: The “Paradox of Champions”

The excitement that characterizes each time a champion like Winx races is fuelled by the risk of her losing. This is what we have coined as the “paradox of champions.”

All those feelings — “Can she do it again?” “Will X defeat her?” “Can she win no matter the odds?” “Is she ready for today’s race?” — are underpinned by the anxiety that Winx may, indeed, be beaten. Even the speculation that her owners might consider Ascot or Hong Kong or Japan or the 2018 Breeders’ Cup is underpinned, to some extent, by the lure of the risk.

It is this paradox that accounts for analogy between the careers of great thoroughbreds and the archetypal hero/heroine’s mythical journey. Like the heroine of myth, Winx needs to keep overcoming obstacles, be they foreign courses or other talented thoroughbreds to guard her title of one of the very best worldwide.

At this point, no-one knows what the 2018 plans are for Winx, in what may well be the last season of a brilliant career.

But, thankfully, it seems clear that Winx herself will be foremost in making that decision.

 

 

 

 

BONUS FEATURES

1) TEAM WINX

 

 

 

2) 60 MINUTES AUSTRALIA

 

 

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It’s early days yet. But the mighty Frankel has already bested the record of first non-stakes winners in their first crop of both his sire, Galileo, and of one of Europe’s most consistent sires, Sea The Stars.

 

 

Of the 130 mares booked to Frankel in 2013, the first eight have hit the turf running, with seven winning on debut. The eighth, Last Kingdom, finished second in his first start. Two of the eight, Cunco and Queen Kindly, earned black type based on their performances at Royal Ascot, where they both finished third in two different stakes races. And all of this has sent the British press into the same tizzy of delight as they evinced during Frankel’s racing career.

It is easy to forget that Frankel represented over 40 years of breeding by his owner, HRH Prince Khalid Abdullah, making him a “jewel in the crown” like no other. Too, as we have indicated in previous articles about Frankel, the colt demanded the skill of the incomparable Sir Henry Cecil, of work-rider Shane Fetherstonhaugh and jockey, Tom Queally, to get his exuberance under control in a manner that didn’t quench his spirit and allowed him to dominate on the turf. In the early stages it was hard work, and the colt didn’t make his two year-old debut until mid-August of 2010 where he was shadowed home by the brilliant Nathaniel who, of all the Frankel challengers in his 14 starts, remains the colt who got closest to him.

 

Like everything else in his life, Frankel’s stud career has been meticulously planned. It was anticipated that 100 mares would be accepted from outside breeders, including Japan and America, and in all cases, preference was given to Group 1 winners and/or producers of Group 1 winners. (The remaining 30 would come from Juddmonte bloodstock.)

Said general manager of Banstead Manor Stud, Philip Mitchell, shortly after the champion’s retirement:

“We’d always try and keep a restriction on the number of mares he covers … This is an exclusive horse and we want to keep him exclusive.

“If someone is spending that level of nomination fee [£125,000] to use Frankel, you don’t want to get to a situation where you find a large number of his progeny being sold. By keeping him to 130, we won’t be flooding the market. Juddmonte are owner-breeders and we’ll aim to get the right balance between owner-breeders and commercial breeders.”

“… We have certain mares that whatever we send them to, they produce the business … For instance, Clepysydra is one of those mares. The stallion could be the best in the world but I feel it’s hugely important to get the right calibre of mare.

“It’s still early days for us [Juddmonte] with the matings for next year but Frankel will be getting first pick. We want to give Frankel every opportunity at stud and we’ll be supporting him as much as possible. But it is very difficult – we’re spoiled at the moment because we’ve also got Dansili and Oasis Dream and we can’t ignore them. It’ll be a balance.” (Racing Post, November 23, 2013)

FRANKEL and OASIS DREAM at Banstead Manor.

FRANKEL and OASIS DREAM at Banstead Manor.

As trainer John Gosden said of a recent Frankel winner, Seven Heavens, “He has a positive attitude on life and he likes to get on with things. He is a strong-willed horse and is like his father in that way. I think he (Frankel) will probably pass that on to his offspring.” (Sky Sports, July 8, 2016)

Bred by Cheveley Stud, Seven Heavens was a rare Juddmonte purchase at Tattersalls October Yearling Sale last year.  “Rare” because Juddmonte is a huge breeding enterprise all on its own, making the purchase worth noting. Seven Heavens is beautifully bred: his dam, Heaven Sent (2003), a daughter of Pivotal (1993), was a dual winner of the Dahlia Stakes. And Pivotal is a world-class leading sire, with 100 stakes winners to date, including Farhh (2008) and Excellent Art (2004).

 

SEVEN HEAVENS as a yearling in 2015. Photo and copyright, Tattersalls.

SEVEN HEAVENS as a yearling in 2015. Photo and copyright, Tattersalls.

Watching Seven Heavens’ debut was the kind of thing that makes you believe time and space really is curved: the youngster looks so much like Frankel and, unlike his other winning progeny to date, Seven Heavens shows that “pumping” action in his fore that we so associate with Frankel’s distinctive running style. Add to that the parallels in performance between Seven Heavens’ maiden race and that of Frankel’s own debut (above), and the picture is complete.

Video of Seven Heavens’ win, with the beautifully-bred Lockheed (Exceed and Excel/BM sire Motivator) chasing him home. (Please advance the video to 2:46 to see the whole race without the preamble, or click on the link under the video that just offers the race itself.)

 

 

http://www.tdn.premiumtv.co.uk/streaming/watch/RacingUKFlashVOD/partnerId_166/videoFileId_15587411/clipId_2612660/index.html

Said his jockey, Robert Havlin, after the win:

“He’s a nice horse … They didn’t go very quick early on, and following Tom (Marquand on Monoshka) he was struggling after three and a half furlongs and couldn’t take me any further, so literally from the two-pole to the line he had to do it all on his own.

“He’s never been off the bridle in his life before, so it was a big ask, and he just got a little bit lonely and just started to drift to the left a little. I was impressed with him.

“I’ve ridden two Frankels now and they’ve both wanted to get on with things at home, but come raceday they are as good as gold.”

SEVEN HEAVENS strides clear of the fast-closing to win on debut.

SEVEN HEAVENS strides clear of the fast-closing LOCKHEED to win on debut.

 

1337000717if-Frankel-Nmkt-10

An unmistakeable likeness: FRANKEL takes a rehearsal run at Newmarket before his final start.

Seven Heavens isn’t the only first crop Frankel that makes you blink: Cunco and Majoris, to a lesser extent, both have the “Frankel look” about them. Another son, Frankuus, is a grey and his two daughters to race, Queen Kindly and Fair Eva, are both chestnuts. But the whole of this select group seem to have Frankel’s precocity, indicating that at least some of this first crop may have been similarly stamped by their famous sire. Too, as was the case with Team Frankel, will it take patience, together with skill, to harness the inclination of these first few (as well as those to come) to “get on with things” without dampening their love of the race?

Cunco (named after a city in Chile and owned by Don Alberto Corp. Ltd.), Frankel’s firstborn son was also the very first Frankel to hit the turf, winning nicely at Newbury on May 13, ridden by Richard Havlin. Needless to say, there was keen interest among Frankel followers and much praise for his debut effort. Cunco also treated spectators to some of his sire’s spunk, rearing up in the saddling enclosure on his second start at Ascot. Since his May win, Cunco has started twice, coming in third (at Ascot) and fourth, respectively.

Baby CUNCO with his dam, Chrysanthemum.

Baby CUNCO with his dam, Chrysanthemum.

Blink: CUNCO as a yearling looks the picture of his sire.

Blink: CUNCO as a yearling looks the picture of his sire.

As of this writing, Queen Kindly is the first Frankel to chalk up 2 wins (in 3 starts), bringing the stallion’s overall strike rate to 8 winners from 14 starters. The filly is also Frankel’s first-born daughter and her dam, Lady of the Desert, by the great Rahy, gives the filly’s story a distinctly American connection.

The lovely QUEEN KINDLY after her debut win.

The lovely QUEEN KINDLY after her debut win at Caterick.

Please click on the link below for a video of Queen Kindly’s second win:

http://www.tdn.premiumtv.co.uk/streaming/watch/RacingUKFlashVOD/partnerId_166/videoFileId_15595124/clipId_2613781/index.html

Nor is Frankel’s talented daughter the only offspring in his first crop with American connections. Waiting in the wings are: Brooklyn Bobby (colt by Balance), In Luxury (filly by In Lingerie/Japan), Aspirer (filly by Nebraska Tornado by Storm Cat/Juddmonte), an unnamed filly by Oatsee, the dam of Shackleford, Elphin (filly by Aspiring Diva by Distant View, dam of Emulous/Juddmonte), Finche (colt by Binche by Woodman, dam of Proviso/Juddmonte), Solo Saxophone (colt by Society Hostess by Seeking The Gold), Mirage Dancer (colt by Heat Haze by Green Desert/Juddmonte), Mi Suerte (colt by Mi Sueno by Pulpit/Japan) and Aljezeera (colt by Dynaforce by Dynaformer).

IN LINGERIE with her FRANKEL baby, IN LUXURY.

IN LINGERIE (Empire Maker) with her FRANKEL baby, IN LUXURY, in Japan where the filly was born.

However, as has been pointed out by the Racing Post’s Tony Morris, with about 100 or more runners to come, Frankel’s record won’t stay anywhere near his initial wins-starters ratio. It will, in fact, substantially decline — unless every Frankel proves a winner and that is, even for this great, great horse, an impossibility. As for the precocity of these first few, one can’t really talk about Frankel’s tendency to breed precocity into his offspring when so few of them have raced to date. Nor does he occupy the top spot for freshman sires, currently occupied by Mayson (a son of Invincible Spirit with 8 winners of 24 runners), since none of Frankel’s eight progeny to run have scored in stakes company. Frankel currently ranks ninth, but look for that to change.

MAJORIS who was very green in his first start nevertheless showed some depth in coming home first.

MAJORIS showed some depth in coming home first in his first start.

 

The grey FRANKUUS shown winning on debut.

The grey FRANKUUS shown winning on debut. He was very green but still had the turn of foot to get the job done.

 

The lovely FAIR EVA won impressively in her first and only race to date.

The lovely FAIR EVA won impressively in her first and only race to date.

Here’s the thing: these early Frankels don’t even represent the best of what he’s got coming, in terms of sons and daughters of champion and/or Blue Hen mares. Together with those listed above in “American connections,” we can add: Nothing But Dreams, the daughter of Arc winner champion, Danedream, who is training in France with Roger Varian; Erdogan, the son of triple G1 winner Dar Re Mi (dam of the impressive So Dar Mi) who is training with the brilliant John Gosden; Mori, the son of the great Midday, training with Sir Michael Stoute; La Figlia, the priciest Frankel to pass through auction, by the dual Guineas champion Finsceal Beo is with William Haggas; and in Japan, there is the daughter of the brilliant Stacelita, Soul Stirring. Consider too: Aurora Gold, the daughter of Juddmonte’s Midsummer, the dam of Midday, who is with John Gosden; Australian champion More Joyous’ unnamed daughter, in training with Gai Waterhouse; the aforementioned Clepsydra’s filly, Amser, who is training with Andre Fabre; champion Alexander Goldrun’s daughter, Gold Rush, training with Jim Bolger; and Dancing Rain’s filly, Rainswept, a Darley purchase, is in the stable of Andre Fabre.

MIDSUMMER, the dam of MIDDAY and her FRANKEL filly join other mares with their baby FRANKELS at Banstead in 2014.

A FRANKEL troupe: MIDSUMMER, the dam of MIDDAY and her FRANKEL filly join other mares with their baby FRANKELS at Banstead in 2014.

 

DANEDREAM and her 2014 FRANKEL filly. She also has a 2015 FRANKEL colt.

DANEDREAM and her 2014 FRANKEL filly. She also has a 2015 FRANKEL colt.

DAR RE MI'S colt by FRANKEL looks a good deal like his sire.

DAR RE MI’S colt by FRANKEL looks a good deal like his sire.

STACELITA'S filly by FRANKEL as a yearling.

STACELITA’S filly by FRANKEL as a yearling.

MORE JOYOUS with her as yet unnamed FRANKEL filly.

MORE JOYOUS with her as yet unnamed FRANKEL filly.

So, yes, it’s early days.

But this is surely what it’s all about: the courage to dream, the courage to hope ……. that one great thoroughbred will slip the bonds of time to go on and on and on.

 

 

 

Sources

The Racing Post, “Frankel’s Flying Start” by Tony Morris

Juddmonte website: http://www.juddmonte.com/stallions/frankel/default.aspx

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

*********************************************************************************************************************************************

 

 

 

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Using history as a guide, if I was shopping for a potential champion, I’d be looking for an “ugly duckling.”

NORTHERN DANCER by Brewer, Jr.

NORTHERN DANCER by Brewer, Jr. The colt was royally bred, but so tiny that E.P. Taylor failed to sell him as a yearling. In fact, potential buyers laughed when he was paraded out with the other yearlings!

Of course, none of the thoroughbreds discussed in this article were ugly. Not literally. But metaphorically, there was something about each one of them that hearkens back to Hans Christian Andersen’s fairy tale: they seemed to be ugly ducklings but what no-one saw at the time was that they were not ducklings at all. Some weren’t good-looking enough. Others took too much time to come into their own. And still others were waiting for a special someone to come along, someone who looked into their eyes and saw who they really were.

The individuals whose stories appear here are only the proverbial “tip of the iceberg” — VAULT readers will certainly be able to name many others who fall into this category.

And it all adds up to this: If there’s any “secret” to finding yourself another Frankel or American Pharoah or Black Caviar or Treve, it has to do with looking “under the feathers.”

“UGLY DUCKLINGS” #1: TOO UGLY TO EVER BE A CHAMPION

Perhaps we can’t help it. Horses are beautiful animals and thoroughbreds can be exquisite. And no matter how often horse folk remind us that beauty and talent don’t necessarily go hand in hand, it’s all too easy to ignore when you’ve got a plain bay standing next to a magnificent chestnut…….

 

KINCSEM (filly, 1874-1887)

This lovely print of KINCSEM shows off her lustrous liver-chestnut coat, massive chest and powerful hindquarters.

This lovely print of KINCSEM shows off her lustrous liver-chestnut coat, massive chest and powerful hindquarters. But it was painted in hindsight, when the world already had learned that she was incomparable, making one doubt its absolute accuracy.

She may well have been the greatest thoroughbred of them all, winning 54 times in as many starts on two different continents. Kincsem took on all comers and was so devastatingly good that she also ran in 6 walkovers when no-one would run against her.

But at her birth, she was declared by her owner-breeder, Ernest Von Blaskovich, to be the ugliest foal that he had ever seen — and most agreed with him. When Von Blaskovich offered the majority of that year’s crop of foals to Baron Orczy, the latter purchased all but two — and one of the rejects was Kincsem.

Here is one fairly accurate description of a thoroughbred that was so brilliant she actually paused to graze before taking off after the others, only to win going away:

She was as long as a boat and as lean as a hungry leopard … she had a U-neck and mule ears and enough daylight under her sixteen hands to flood a sunset … she had a tail like a badly-used mop … she was lazy, gangly, shiftless … she was a daisy-eating, scenery-loving, sleepy-eyed and slightly pot-bellied hussy …” (Beckwith in “Step And Go Together”)

As a broodmare, Kincsem was pretty decent, although she never duplicated herself. But through one of her daughters, she comes down to us today in the bloodlines of Coolmore’s fine colt, Camelot. In her native Hungary, Kincsem is a national hero and a film based on her life (although it appears that the mare isn’t its central protagonist) is due for release in 2016.

For more on this remarkable thoroughbred:

https://thevaulthorseracing.wordpress.com/2013/09/20/kincsem-the-mystery-and-majesty-of-an-immortal/

And on the film:

http://www.euronews.com/2015/10/06/multi-million-dollar-hungarian-movie-hopes-to-compete-with-hollywood/

 

IMP (filly, 1894-1909)

IMP in 1898, going to post at Hawthorne Race Track.

IMP in 1898, going to post at Hawthorne Race Track.

 

She was the 1899 HOTY and twice won the honours for Champion Handicap Mare (1899 & 1900). She had her own theme song (below): “My Coal Black Lady.” And she was inducted into the Racing Hall of Fame in 1965.

But when she came into the world, the tiny daughter of Fondling (1886) by the stallion, Wagner (1882) was looked upon poorly by her owner-breeder because she wasn’t pretty and her conformation showed not the slightest hint of promise. But her owner-breeder, D.R. Harness of Chillicothe, Ohio kept her anyway, perhaps because the fact she was bred in the purple overrode his misgivings. Her ancestry included direct descent from the Darley Arabian, Eclipse and Lexington.

Imp raced an unthinkable number of times: 171. But she won 62 times, with 35 seconds and 29 thirds and raced more against the boys than those of her own sex. She set track records from 1 3/4 to 1 1/16.

By the time she was retired, at the age of eight, she was a national figure.

For more about Imp:

https://thevaulthorseracing.wordpress.com/2013/12/06/my-coal-black-lady/

 

PHAR LAP (gelding, 1926 – 1932)

“Bobby” as he was called by those closest to him, arrived in the stable of trainer Harry Telford looking like a very, very sorry excuse for a racehorse. Which, in turn, precipitated the first crisis in Phar Lap’s biography, unbeknownst to the scrawny, dishevelled colt who had been born in New Zealand and was a son of the promising sire, Night Raid. Trainer Telford had bought Bobby for owner, David J. Davis, who rushed over excitedly to see his latest acquisition. After a moment of silence, Davis went ballistic. The compromise was that Bobby would be leased to Telford for a period of three years, the trainer covering all costs and the owner getting one third of the colt’s earnings. Assuming he could run.

How big was PHAR LAP? Have a look at these figures! Photo and copyright, Victoria Racing Museum, Australia.

How big was PHAR LAP? Have a look at these figures! Photo and copyright, Victoria Racing Museum, Australia.

The rest, as they say, is history: Bobby aka The Red Terror aka Phar Lap (meaning “lightning/bolt of lightning/lights up the sky” in the Thai language) was a champion. His great heart, together with his victories, moved Australia and New Zealand — and the racing world– to fall in love. And, in 2016, we are still in love with him:

Bobby’s risky run @ The Melbourne Cup in 1930 should have been a movie:

https://thevaulthorseracing.wordpress.com/2013/11/08/bribes-threats-bullets-phar-laps-melbourne-cup-1930/

 

WAR ADMIRAL ( colt, 1934-1959)

“Sons of Man O’ War ought to look different,” Mr. Riddle decided, as he looked at Brushup’s new foal. It was a bay colt with no real pizzazz to it …. and it was tiny. Riddle found it impossible to hope for much from the little fellow, who much-resembled his dam. And Brushup had been hopeless as a runner, pretty as she was. Riddle tried, in vain, to hand the colt over to his partner, Walter Jeffords Sr., but when Jeffords refused, it was decided that Brushup’s boy would stay in the Riddle stable until he showed what, if anything, he had as a runner.

War Admiral [2006 Calendar, Nov]

 

By the time he was a three year-old, Riddle had learned that even though The Admiral was the size of a pony (15.2h) he did, indeed, carry his sire’s blood.

And that blood would show in not only in War Admiral’s Triple Crown, but also in the breeding shed. As a sire, his contribution to the breed was as definitive as was the impact of sons and daughters like Busanda, Busher, Bee Mac, Searching, War Jeep and Blue Peter on the sport itself. War Admiral led the general sire list in 1945, the 2 year-old sire list in 1948 and the broodmare sire list in 1962 and again in 1964.

Although The Admiral’s sons were not influential as sires, both Busanda and Searching made a huge impact. Their descendants include the likes of Swaps, Buckpasser, Numbered Account, Iron Liege, Hoist the Flag, Gun Bow, Striking and Crafty Admiral, as well as two Triple Crown winners, Seattle Slew and Affirmed. Other descendants of note from the War Admiral line include Dr. Fager, Alysheba, Cigar and, most recently, Zenyatta.

To this day, breeders point with pride to War Admiral in the lineage of their thoroughbreds. What the name connotes is timeless, synonymous with the very essence of the thoroughbred.

For more on War Admiral:

https://thevaulthorseracing.wordpress.com/2012/01/09/war-admiral-the-little-horse-who-could-and-did-for-john-shirreffs/

 

ZENYATTA (filly, 2004)

As the tale is now famously told, the yearling daughter of Street Cry did not look her best in the sales ring as a yearling, due largely to a case of ringworm. But David Ingordo could see beyond all that. And Ann Moss has recounted how she and the filly seemed to “just click” at first meeting at Keeneland, just as though Zenyatta had chosen her.

When the hammer fell, the filly had been acquired by the Mosses. But she was not their only purchase that year and shortly after their yearlings arrived at Mayberry Farm, they received a call from Jeanne Mayberry. Jeanne had this to say,”Either you bought yourselves some very slow yearlings or else that Street Cry filly is very, very good. Because when they’re out together running, she leaves them all behind as though they aren’t even moving.”

Prophetic words.

But fast as Zenny was, it took time and patience to “get her right,” as the Mosses’ Racing Manager, Dottie Ingordo Sherriffs, has said. But when trainer, John Sherriffs, did get her right, the result was the birth of an American racing legend:

Retired with a record of 19 wins and 1 second place in 20 starts, Zenyatta’s fans have not diminished in the slightest. At this writing, Zenyatta is the only filly/mare to have ever won two different Breeders’ Cup races and the only filly/mare to ever have won the BC Classic.

 

“UGLY DUCKLINGS” #2: STANDING IN THE SHADOWS

In any institution, whether a school or a sport like horse racing, it works out a lot better if everyone develops in the same, linear way. Couple that with our love affair with speed — intelligence being linked to quickness and, in the case of thoroughbreds, ability with running fast enough to win, preferably at two — and you have the “cracks” through which genius and greatness all-too-frequently slip ……..

 

EXTERMINATOR (gelding, 1915 -1945)

 

 

EXTERMINATOR. Copyright The Estate of Bob Dorman.

EXTERMINATOR. Copyright The Estate of Bob Dorman.

The story of “Old Bones” is famous. He’s as legendary a figure in American thoroughbred racing as Man O’ War — and some say he was the best of them all. High praise for a big, coarse gelding who was bought as a rabbity for a flashy colt named Sun Briar, the hope of  Willis Sharpe Kilmer for the 1918 Kentucky Derby.

The man who first saw under the surface of the lanky chestnut with the deep, dark eyes was trainer Henry McDaniel. It was he who studied Bones and Sun Briar as they worked, noting the intelligence of the former at dealing with his moody running mate. And when Sun Briar couldn’t run in the Derby — and after considerable lobbying by McDaniel and Colonel Matt Winn, the President of Churchill Downs — Kilmer agreed to let the ugliest of his horses run instead. And so it was that Exterminator stepped on to a muddy track and transformed, in three minutes, from an ugly duckling to a Swan King.

To read more about Exterminator: https://thevaulthorseracing.wordpress.com/2016/01/07/a-collectors-mystery-exterminator-and-bob-dorman/

 

DISCOVERY (colt, 1931- 1958)

 

Discovery, a brilliant runner and outstanding broodmare sire, won Horse of the Year in 1935 over Omaha. Discovery appears 4X5X4 in Ruffian's pedigree.

DISCOVERY on the track. Photo and copyright, The Chicago Tribune.

The son of Display had a brilliant, dazzling chestnut coat and lots of chrome. Born at Walter J. Salmon’s Mereworth Farm and owned by Adolphe Pons, the colt was impressively bred and ran head-first into the accompanying expectations. Predictably, he disappointed, winning only 2 of 13 starts as a two year-old.

At three he appeared again, looking fit enough. However, among the 3 year-olds that year was a colt named Cavalcade, who had already beaten Discovery the year before. In the Derby, Discovery chased Cavalcade home; in the Preakness, he finished third to High Quest and Cavalcade.

But Discovery was just getting going. He went on that same year to win the Brooklyn and Whitney Handicaps, and then set a world record time for 1 3/16 miles in the Rhode Island Handicap.

But his finest years were at four and five. In 1935, the colt won 11 of 19 starts, carrying an average of 131 lbs., gaining him the nickname “The Iron Horse.” Retrospectively named 1935 Horse of the Year (over Triple Crown winner, Omaha) and throughout 1936, Discovery’s winning ways continued. Of his Whitney win, the New York Times wrote that the chestnut ran “…the most decisive victory to be scored in a big American stake in many years.”

DISCOVERY was named Horse of the Year for 1935. Photo and copyright, The Chicago Tribune.

DISCOVERY was named Horse of the Year for 1935. Photo and copyright, The Chicago Tribune.

As a sire, it was Discovery’s daughters who gave him purchase on immortality, producing the great Native Dancer, Bold Ruler and Bed O’ Roses.

 

SEABISCUIT (colt, 1933-1947)

Rejected outright as a colt foal because of his size and conformation, the little son of Hard Tack languished as a runner until he hooked up with trainer Tom Smith, who could see right through the disguise. In Smith’s hands, “The Biscuit” blossomed into a horse with fire in his blood. It was the Depression Era: a good time for a hero to come along. Especially one who had once been “not good enough,” through no fault of his own. He battled back from defeat. He battled back from injury. And he taught America how to look a setback straight in the eye — and vanquish it.

Enjoy this rare footage of The Biscuit at work and play:

 

RED RUM (gelding, 1965- 1995)

 

 

RED RUM at work on the beach. Photo and copyright, The Baltimore Sun

RED RUM at work on the sands of Southport, England. Photo and copyright, The Baltimore Sun

 

“Beloved”  is probably the first response when someone speaks his name. Or “Immortal.” Something like that.

In its long, distinguished history the National Hunt has known many great horses, but none who rose to the standard of Red Rum. He was, quite simply, the greatest steeplechaser who ever lived.

By the time Donald “Ginger” McCain got his hands on the bay gelding, he had won a few one-mile races over the flat before being passed from one training yard to another. The horse who had descended from the great St. Simon, and whose name originated from the last three letters of his dam (Mared) and sire (Quorum) was never going to amount to much, running in cheap races with modest purses.

GINGER McCAIN WITH RED RUM PICTURED AT HIS STABLES BEHIND SECOND HAND CAR SHOWROOM. SOUTHPORT 1975. pic by George Selwyn,119 Torriano Ave,London NW5 2RX.T:+44 (0)207 267 6929 M: 07967 030722 email: george@georgeselwyn.co.uk Vat no:3308110 05

Ginger McCain with RED RUM, pictured at his stables behind his used car dealership in Southport, 1975. Photo and copyright, George Selwyn.

The first thing that McCain set out to do was to rehabilitate the gelding, who suffered from the incurable disease, pedal osteitis, a disease of the pedal bone. (This was discovered after the trainer paid a goodly sum for “Rummy” on behalf of owner, Noel le Mare.) The “cure” was swimming and long works on the beaches of Southport. And it worked miracles. Red Rum blossomed into a tough, rugged individual. (It should be noted that Ginger adored Rummy and the horse was never put at-risk in any of his races, unlike the situation when he was running on the flat.)

The result was not one, but three, wins in the Aintree Grand National, arguably the greatest test of any horse’s courage and stamina in the world. His first win came at a time when the Grand National was flirting with extinction. It needed a hero and it got one, in the form of a thoroughbred once-destined to run on the flat until he could run no more, and a used car salesman who “also” trained National Hunt horses — and saw something quite different in his Champion’s eye:

 

JOHN HENRY (gelding, 1975-2007)

“For the first two years of his life, John Henry had been peddled like a cheap wristwatch.” (Steve Haskin, in John Henry in the Thoroughbred Legends series)

JOHN HENRY at work.

JOHN HENRY at work.

To say he was “difficult” doesn’t even come close: for what ever reason, John had a nasty disposition, despite his workmanlike performances on the track. It would take trainers (and there were many) like Phil Amato and Ron McNally to work their way around temperament issues to gain the gelding’s trust before the John Henry we now know and admire emerged.

In his 3 year-old season, there were glimmers of ability. But from 1980 to his final win, at the ripe old age of nine, John Henry turned out to be the stuff of greatness. And not only was it his “arrival” as a turf star: John’s rags-to-riches story captivated fans who even today, almost nine years after his death, still revere his memory. Indeed, for many, John Henry is one of a pantheon of superstars, right up there with Exterminator, Man O’ War, Secretariat, Ruffian and American Pharoah.

By the time he was retired to the Kentucky Horse Park in Lexington, John had twice won the Eclipse Award for Horse of the Year (1981, 1984), with 39 wins in 83 starts and earnings of over six million dollars USD. His 1981 election as Horse of the Year was unanimous and at the time, unprecedented for a nominee to receive all votes cast. In addition, John was inducted into the American Horse Racing Hall of Fame in 1990.

 

ISTABRAQ (gelding, 1992)

Unlike John Henry (above), whose bloodlines were blue collar, Istabraq came from a royal line: a son of Sadler’s Wells (Northern Dancer) whose dam, Betty’s Secret, was a daughter of Secretariat. Owned by E.P. Taylor, the Canadian thoroughbred breeder and owner of Northern Dancer, Betty’s Secret was sent to Ireland in 1987 to be bred to some of Northern Dancer’s British sons. Taylor died two years later and the mare, in foal to Sadler’s Wells was purchased by Hamdan Al Maktoum.

The foal she was carrying was Istabraq.

ISTABRAQ as a foal with his dam, Betty's Secret (Secretariat).

ISTABRAQ as a foal with his dam, Betty’s Secret (Secretariat).

The colt foal seemed to understand from the very beginning that he was “someone special.” And indeed he was destined to be — but it took time.

The colt’s name was Sindhi for “brocade” but the weave of him proved inferior on the flat, where he managed only 2 wins. His jockey, the great Willie Carson, described the youngster as a “slow learner” who “…also lacked speed and was not at home on fast ground…I came to the conclusion that the reason he was struggling was because he had no speed. In fact, he was one-paced…”

As a three year-old, he developed foot problems. He was, in fact, flat-footed, making shoeing him a problem. When Istabraq refused to quicken in his last race as a three year-old, despite Carson’s aggressive ride, Sheikh Hamdan let trainer John Gosden know that it was enough: Istabraq was to be sold.

John Durkan started his career as a jockey.

John Durkan started his career as a jockey before becoming an assistant trainer to the great John Gosden.

When John Durkan, Gosden’s assistant trainer, heard that Istabraq would be listed in the 1995 Tattersall’s sale he resolved to acquire him. He saw possibilities for Istabraq, but not on the flat — as a hurdler. Having informed Gosden that he would be leaving to go out on his own, Durkan began searching for a possible buyer for Istabraq and found one in J. P. McManus, a wealthy Irishman who had made a fortune as a gambler. Following the sale at Tattersall’s, McManus shipped Istabraq back to Ireland with the understanding that the colt would be trained by Durkan. In his young trainer, Istabraq had found someone who believed in him.

“He is no soft flat horse. He is the sort who does not get going until he’s in a battle. He has more guts than class and that’s what you need, ” Durkan told McManus, “He will win next year’s Sun Alliance Hurdle.” Prophetic words.

"No soft

“He is no soft flat horse…” Durkan counselled J. P. McManus. And you see it here, in the power as ISTABRAQ launches, even though he’s a good distance from the hurdle.

But the young Durkan would soon be beset with tragedy, although not before watching his beloved gelding take ten hurdle races in a row from 1996-1997. Durkan was battling cancer and was shipped to Sloane Kettering Hospital in New York City; Aidan O’Brien took over training duties. By 1998, John was dying and moved home to Ireland, succumbing on the night of January 21, 1998.

Charlie Swan wore a black armband in John’s memory on the day of Istabraq’s first start in 1998, the AIG Europe Champion Hurdle. The gelding, who was now 6 years old, was a national hero and thousands turned out to watch him begin his 6 year-old season in grand style at Leopardstown:

And then this gallant thoroughbred just went on and on and on, beginning with a win two months later at Cheltenham in what would be the first of three wins in the Champion Hurdle:

Retired in 2002, Istabraq is now in the fourteenth year of a happy retirement at his owner, J.P. McManus’ Martinstown Stud. There, the horse who was voted in 2009 the favourite of the last 25 years by the Irish people, hangs out with his BFF, Risk of Thunder, and continues to greet fans who visit from all over the world:

For more about Istabraq, one of Secretariat’s greatest descendants: https://thevaulthorseracing.wordpress.com/2011/02/23/secretariats-heart-the-story-of-istabraq/

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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Together,we saved over 20 horses from going to slaughter in Canada or Mexico in 2015. And every donation counted in this effort because no donation is too small. Hale, Trendy Cielo, Maya Littlebear, Felicitas Witness and 16 others, including two mares and their foals, thank you.

Please consider making a donation to a worthy cause so that we can help more rescue efforts in 2016.

Thank you.

https://www.gofundme.com/8d2cher4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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My idea to collect photographs of the progeny of Northern Dancer, our King of Thoroughbred Racing here in Canada, led to the discovery of just how influential this tiny thoroughbred stallion really was — and continues to be today, particularly in Great Britain, Ireland, Europe and Australia.

NORTHERN DANCER QUOTE by SANGSTER_$_57

It was the last Kentucky Derby my ailing grandfather and I watched together. He sat, wrapped in blankets, in his favourite armchair and I sat cross-legged near him on the carpet, the rest of the family ranged in chairs around the black and white television console. When the little colt hit the wire, the room erupted with gasps, followed by delight. Here he was, the very first Canadian bred and owned 3 year-old to win the Kentucky Derby and he had done it in record-breaking time.

As we watched EP Taylor leading his fractious champion into the winner’s circle at Churchill Downs, my grandfather exclaimed, “Well I never……just look at him ….he’s only a pony!”

I had been born with Grandpa’s “horse gene,” as my mother liked to say. Shortly after the Derby win, I bought a copy of Sports Illustrated magazine, carefully removed a photo of “The Dancer” winning the Florida Derby and glued it onto a sturdy sheet of blue cardboard, under which I wrote: ” ‘He’s all blood and guts and he tries hard.’ Northern Dancer: first Canadian owned-bred horse to win the Kentucky Derby. Time: 2:00:00 flat.”

The photo and the memory stuck. Today, as I write this, the faded blue cardboard with The Dancer’s photo and my round printing sits in a frame just above the computer.

This SI shot of Northern Dancer winning the Florida Derby has come down through the decades with me. Once the prized possession of a 14 year-old girl, it now sits in a frame above my computer.

This SI shot of Northern Dancer winning the Florida Derby has come down through the decades with me. Once the prized possession of a 14 year-old girl, it now sits in a frame above my computer.

Punctuated as he was by the love of a grandfather who was gone only a year later, as well as that festering horse gene of mine, it was predictable that by 1990 I had decided to collect original press photos of Northern Dancer and some of his progeny. What I had in mind was a project: to collect some photos and then mount them in an album, together with a little research on The Dancer’s most prominent progeny.

Lester Piggott and NIJINSKY, the last British Triple Crown winner.

Lester Piggott and NIJINSKY, the last British Triple Crown winner.

I started out in earnest, shopping on places like the newly-opened EBAY. But little did I know what I was going to uncover. The search for original photos of Nijinsky and The Minstrel connected me to a number of UK sellers — and it was here that the proverbial “floodgates” flew open. My career and family had necessitated a lengthy sabbatical from all things thoroughbred, leaving me somewhat amazed to discover that through the aegis of the great trainer and horseman, Vincent O’Brien, Canada’s tiny Dancer had, in fact, gone viral. 

NORTHERN DANCER by Brewer, Jr.

NORTHERN DANCER by Allen F. Brewer, Jr. The artist’s exquisite portrait belies the temperament of Canada’s King of Thoroughbreds which was, to quote E.P. Taylor’s daughter, “Not very nice at all.”

 

I had bought a few albums to house the photos and had started mounting them together with text. But as the sheer number of photos mounted, I could see that I was making myself a project that would take a lifetime to complete. It wasn’t that I had no criteria for acquiring a photo…..it was that truly great thoroughbreds kept coming and coming, like an enormous tidal wave, prompting the question: Where do I draw the line?

Think about it. Out of the “Danzig connection” alone, another galaxy of superstars in England, Ireland, Europe and Australia have emerged. And this is only one of many Northern Dancer sire lines.

DANZIG pictured here at Claiborne Farm in Kentucky where he stood for the whole of his career at stud.

DANZIG pictured here at Claiborne Farm in Kentucky where he stood for the whole of his career at stud.

 

DANZIG'S best son, DANEHILL.

DANZIG’S best son, DANEHILL.

 

DANEHILL'S son, DANEHILL DANCER, a sire of sires.

DANEHILL’S son, DANEHILL DANCER, a sire of sires.

 

DANSILI, another son of DANEHILL who is making a huge impact on the breed worldwide.

Juddmonte’s DANSILI, another son of DANEHILL who is making a huge impact on the breed worldwide.

 

Among the remarkable thoroughbreds who descend from a bewildering galaxy of Northern Dancer sire lines and families, and who have recently retired are the champions: Rachel Alexandra (USA), America’s sweetheart and 2009 Horse of the Year, is a daughter of Medaglia d’Oro and granddaughter of Sadler’s Wells; Black Caviar (AUS) whose sire, Bel Esprit, is the grandson of Nijinsky and whose dam, Helsinge, is the granddaughter of the late Green Desert (by Danzig); the incomparable Frankel (GB) a son of Galileo (by Sadler’s Wells) whose dam, the Blue Hen, Kind, is a daughter of Danehill (by Danzig); America’s two-time Horse of the Year and turf star, Wise Dan (USA), who carries Storm Bird (by Northern Dancer) and Lyphard (by Northern Dancer) on both sides of his 4th generation pedigree; the 2014 and 2013 Investec Derby winners Australia (IRE) by Galileo and Camelot (IRE) by Montjeu; Arc winner Danedream (GER), whose sire Lomitas is a grandson of Nijinsky and whose dam, Danedrop, is a daughter of Danehill (by Danzig); the brilliant Nathaniel (IRE), a son of Galileo and only one of two horses to seriously challenge Frankel, the other being Zoffany (IRE) by Dansili, a son of Danehill and grandson of Danzig; the mighty Igugu (IRE), winner of the SA Triple Tiara and a daughter of Galileo; the immortal Hurricane Fly (IRE) whose sire Montjeu is a son of Sadler’s Wells; the undefeated Arc winner Zarkava (IRE) whose sire, Zamindar, is a grandson of The Minstrel and whose dam, Zarkasha, is by the superb Kahyasi, a grandson of Nijinsky; the ill-fated and brilliant St. Nicholas Abbey (IRE) a son of Montjeu; the Australian champion All Too Hard (AUS), the half-brother of Black Caviar, and a grandson of Danehill (by Danzig); the wonderful mare, The Fugue (IRE), a daughter of Dansili (by Danehill) whose dam, Twyla Tharp, is by Sadler’s Wells; Canada’s Inglorious, winner of the 2011 Queen’s Plate, who is a granddaughter of Storm Bird (by Northern Dancer); and last but hardly least, Goldikova (IRE) whose sire, Anabaa is a son of Danzig and whose dam, Born Gold, is a granddaughter of Lyphard (by Northern Dancer).

It’s impossible to think of thoroughbred racing or the National Hunt without these individuals — but even they are the tip of the proverbial iceberg in the ongoing genetic dance of The Dancer.

Below, a video of the American turf superstar, Wise Dan, winning the 2013 Breeders Cup Mile for the second straight year:

“The bird has flown” — the fabulous Nathaniel winning the King Edward VII Stakes at Royal Ascot:

The “sensational” Canadian filly,Inglorious, winning the 2011 Queen’s Plate at Woodbine, Toronto, Canada:

Stallions — so many names that one gets dizzy just trying to keep them in a kind of chronological order. Among the best-known: Giant’s Causeway, Medaglia d’Oro, Elusive Quality, Animal Kingdon, Big Brown and War Front in the USA; Galileo, Sea The Stars, Yeats, Invincible Spirit, Cape Cross (sire of Sea The Stars, Ouija Board and Golden Horn), New Approach, Oasis Dream, Kingman, Mastercraftsman, Dansili and Dubawi in Great Britain, Ireland and Europe; So You Think, Exceed and Excel, Sepoy, Redoute’s Choice, Fastnet Rock, More Than Ready, Bel Esprit and Snitzel in Australia; and in Japan, the great Empire Maker and leading sires by earnings, Deep Impact and King Kamehameha ( a son of Kingmambo who is inbred 2 X 4 to Northern Dancer through his sons, Nureyev and Lyphard, and carries Nijinsky’s son, Green Dancer, in his 4th generation).

A look back at the late Bart Cummings’ great champion, So You Think:

And in 2015?

Well, let’s see.

There’s America’s first Triple Crown winner in 37 years, American Pharoah (whose brilliance, I will continue to insist, owes at least as much to Empire Maker and his Blue Hen dam, Toussaud, a daughter of Northern Dancer’s El Gran Señor as to any other in his pedigree), the Investec Derby winner Golden Horn, Shadwell’s brilliant Muhaarar, Coolmore’s Gleneagles, the up-and-coming sire, Mastercraftman’s The Grey Gatsby and Amazing Maria in Great Britain. And it’s impossible to overlook the incomparable Treve, who now has her own theme song!

This year, they all look like him, carrying his bay coat and dark mane and tail into a future he never saw. But the familiar colours of my “tiny Dancer” always take me back to that last Kentucky Derby my grandfather and I watched together. And as for my collection of photographs, it’s tailed off considerably since it arrived at 500 + images. I’m well behind in recording them all, so the considerable overflow are now housed in an archival file.

But then along came 2015.

And I can see that my collecting is not yet done…….

 

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UPDATE

Since I began THE VAULT’S rescue fund, $1,542.00 CAD has been raised, allowing THE VAULT readers and yours truly to rescue Hale, as well as a Standardbred gelding and a beautiful blue roan QH mare, in foal, from slaughter. Too, donations have been made to Our Mims and RR Refuge. I continue to work to save horses, one horse at a time: this week, it was a granddaughter of Secretariat.

This blue roan mare, in foal, was rescued from slaughter by VAULT readers the week of August 31, 2015

This blue roan mare, in foal, was rescued from slaughter by VAULT readers the week of August 31, 2015

Here’s some footage of Hale, a mere month after VAULT readers, his new owner and yours truly rescued him:

If you love THE VAULT, please accept my heartfelt thanks. I write it for you.

And please consider making a donation:

http://www.gofundme.com/8d2cher4

Together we can make a difference.

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Twitter and Facebook are already in a flutter at the prospect of these famous babies making their first start. And, because we’re human, we’re inclined to think that this anticipation — which feels like a chronic twitch deep in the equine lover’s soul — is absolutely unique.

COZMIC ONE, the first born out of champion Zenyatta, shown working out at Santa Anita under his regular exercise rider, Kevlyn            . Photo and copyright, Jane Wade.

COZMIC ONE, the first born out of champion Zenyatta, shown working out at Santa Anita under his regular exercise rider, veteran Kevlan Henry. Photo and copyright, Jane Wade.

Except that it isn’t.

Down through the years, the arrival of the first progeny of great thoroughbreds has been greeted with the same kind of feeling. Today, however, the Frankels and Rachels and Nellys and Zenyattas are public figures — and that means we can witness every detail of the development of their sons and daughters as though we were actually right there. Now that really is unique.

Even though televised coverage made Native Dancer a public hero, social media today allows fans, punters and journalists worldwide a degree of involvement with thoroughbreds that is immediate and unprecedented. In the case of two of America’s great mares, Rachel Alexandra and Zenyatta, a devoted community have followed Jess’s Dream (2011) aka Taco and Cozmic One (2011) aka Coz from their first steps right up to their training towards a first start. In the UK, many are following the progress of baby Frankels, born in 2014 to mares like Danedream and More Joyous, while in Australia, Black Caviar’s first born is now six months old and already has her own “Nelly groupies.”.

RACHEL ALEXANDRA'S first born, JESS'S DREAM (on outside) is also working towards a first start which is likely to come in Florida.

RACHEL ALEXANDRA’S first born, JESS’S DREAM (on outside) is also working towards a first start which is likely to come in Florida.

Seventy or more years ago, even though the expectations for the offspring of champions like Man O’ War was probably as great, the general public didn’t have the kind of access to them that we have today. And the down-side of our real-time relationship to these royally-bred babies may well be that our expectations for them are weighty enough to crush an elephant.

Happily, horses are oblivious to tidal waves that arise in virtual space.

The magnificent EBLOUISSANTE, half-sister to champion ZENYATTA is very much her own person, as trainer John Shirreffs understands. Photo and copyright, Jane Wade.

The magnificent EBLOUISSANTE, a 17h half-sister to champion ZENYATTA is very much her own person, as trainer John Shirreffs understands. Thank goodness for that, because it leaves her fans lots of room to appreciate her for exactly who she is. Photo and copyright, Jane Wade.

When Great Britain’s lavishly-spotted The Tetrarch (1911) — arguably the best two year-old ever produced in that part of the world — retired, there can be little doubt that his progeny were eagerly anticipated. As a sire, The Tetrarch was able to pass some of his special qualities on, notably to a son, Tetratema (1917), but he principally inscribed himself in breeding history through his Blue Hen daughter, Mumtaz Mahal, the “Flying Filly.” She was “The One” of all of the Tetrarch’s comparatively small number of progeny who most ignited memories of her sire when she appeared on the turf, and the sprightly grey filly had her own fan club because of it. In the breeding shed, Mumtaz Mahal became the ancestress of the sire lines of Nasrullah, Royal Charger, Tudor Minstrel and Mahmoud, making her influence on the breed in the last century one of the most important. The narrative of The Tetrarch and his brilliant daughter is one of those rare cases when a direct offspring caught the genes of a brilliant parent in spades.

THE TETRARCH.

THE TETRARCH

TETRATEMA, pictured here by W.A. Roach, a champion son of THE TETRARCH

TETRATEMA, pictured here by W.A. Roach, a champion son of THE TETRARCH, was best over short distances but he won 5 races in 1919 and the King’s Stand, King George and 2000 Guineas the following year. As a sire he was very good, producing excellent fillies and colts like ROYAL MINSTREL(1925) and FORAY (1934). In their book A Century of Champions, Randall and Morris rated TETRATEMA as the third best 2 year-old of the century, just behind THE TETRARCH and TUDOR MINSTREL.

MUMTAZ MAHAL, his daughter, is one of the most important of all thoroughbred broodmares.

MUMTAZ MAHAL is one of the most important of all thoroughbred broodmares.

On the other hand, it was anything but “in the cards” that one of the world’s greatest thoroughbred sires, Hyperion, as well as his descendant, Canada’s Northern Dancer, would amount to much at stud. For one thing, both were tiny; for another, Hyperion was almost as famous for his laziness as he was for winning the Epsom Derby and Northern Dancer was not only temperamental, but raced his whole career on a split hoof. So they were both, in a sense, “wild cards” from a breeder’s perspective. And while Canada waited to see their “Dancer’s” sons and daughters rekindle the excitement of his Triple Crown campaign, it is unlikely that Hyperion’s get were welcomed with anything near the same enthusiasm. But, as we know today, both stallions had an astounding impact on the breed, passing their “bloodedness” on to generation after generation. Which reminds us that it can take several generations before an individual comes along whose bloodlines scream his/her ancestry: in the case of Northern Dancer, thirty years intervened.

Rare and fascinating footage of Hyperion’s Derby (no sound). Lord Derby’s “pony” wears #9:

NIJINSKY and Lester Piggot just following their win in the 1970 Epsom Derby.

NIJINSKY and Lester Piggot just following their win in the 1970 Epsom Derby. England’s last Triple Crown winner, NIJINSKY made a name for himself overseas and was significant to the rise of his sire, NORTHERN DANCER. Standing at Claiborne Farm, NIJINSKY proved to be an excellent sire and sire-of-sires, through sons like Caerleon. He also distinguished himself as a broodmare sire.

Frankel's BM sire, Sadler's Wells, and his millionaire sons out for a walk at Coolmore Ireland. The grand old man is followed by Galileo, Montjeu and High Chaparral.

SADLER’S WELLS, another son of NORTHERN DANCER, single-handedly changed the face of thoroughbred racing worldwide. The stallion is shown here, followed by his millionaire sons GALILEO, MONTJEU and HIGH CHAPARRAL on a walk at Coolmore, Ireland. Photo and copyright, The Racing Post.

 

Sometimes, it is thoroughbreds who fly “under the radar” that have a huge impact on the sport of racing. A case in point is Bold Venture (1933), one of any number of colts and fillies whose racing career –through no fault of their own — did precious little to recommend them to the racing public and, subsequently, to breeders. The 1936 Kentucky Derby winner, Bold Venture was the son of the British import, St. Germans (1921), the leading sire of 1931 and sire of the great Twenty Grand (1928). Bold Venture’s dam was a granddaughter of Commando (1898). Despite his pedigree, the colt entered the Kentucky Derby without a single stakes win, going off at 20-1 odds and ridden by an apprentice jockey, Ira “Babe” Hanford.

Jockey IRA "BABE" HANFORD with HOF trainer, Max Hirsch and daughter, Mary Hirsch.

Jockey Ira “Babe” Hanford (on the fence) with HOF trainer, Max Hirsch, and his daughter, Mary Hirsch, who became America’s first registered female trainer.

Underdogs certainly win important races, but the 1936 Kentucky Derby was such a debacle that few were convinced that Bold Venture deserved the honours. When the gates flew open, the favourite, Joseph E. Widener’s Brevity (1933), was knocked to his knees. Another excellent three year-old, Granville (1933), threw his jockey when slammed in a chain reaction involving Bold Venture and another horse. In the end, with Brevity giving full chase, Bold Venture flew under the wire to win.

Trained by the brilliant Max Hirsch, Bold Venture was back to run in the Preakness with HOF George Woolf in the irons, nosing out Granville at the wire to win. The colt was retired at the end of an undefeated 3 year-old season and sent to stud in Kentucky, having been sold to Robert J Kleberg for $40,000 USD. He had little success there and was subsequently moved to Kleberg’s King Ranch, in Texas — where he sired the Triple Crown winner, Assault (1943), and Kentucky Derby winner, Middleground (1947). Bold Venture remains the only Kentucky Derby winner to sire two other Kentucky Derby winners.

Wearing roses: BOLD VENTURE and the young Ira "Babe" Hanford, the youngest jockey to ever win the Kentucky Derby.

Wearing roses: BOLD VENTURE and the young Ira “Babe” Hanford, the youngest jockey to ever win the Kentucky Derby.

Triple Crown winner, ASSAULT.

Triple Crown winner, ASSAULT.

The Kentucky Derby and Belmont winner, MIDDLEGROUND, captured by Brewer.

The 1950 Kentucky Derby and Belmont winner and 1951 Horse of the Year, MIDDLEGROUND, captured by the late Allen F. Brewer, equine artist extraordinaire.

 

There’s almost nothing to make the soul of a racing fan soar with hope than watching a horse they love bring babies into the world, fillies and colts filled with all the promise of a golden future.

Goldikova, Danedream, Havre de Grace, More Joyous — and down the road, Gentildonna, Taghrooda and The Fugue — are but a few of the well-loved thoroughbred mares who have embarked on broodmare careers. In the recent past there have been several great broodmares whose young set the flame burning anew, including Toussaud (Empire Maker, Chester House, Decarchy, Honest Lady), Kind (Frankel, Noble Mission, Bullet Train, Joyeuse), Personal Ensign (My Flag, Miner’s Mark, Our Emblem), Dance Smartly (Dancethruthedawn, Scatter the Gold, Dance With Ravens) and Urban Sea (Galileo, Sea The Stars, My Typhoon, Black Sam Bellamy, All Too Beautiful).

Miswaki's lovely and accomplished daughter, Urban Sea

URBAN SEA, Arc winner and Blue Hen, dam of GALILEO, SEA THE STARS, MY TYPHOON, BLACK SAM BELLAMY and ALL TOO BEAUTIFUL. There is absolutely no question that URBAN SEA passed on her greatness to her offspring.

 

PERSONAL ENSIGN with her colt foal, MINER'S MARK. The dam of MY FLAG and grandam of STORMFLAGFLYING and WAR EMBLEM was a champion from track to foaling barn.

PERSONAL ENSIGN with her colt foal, MINER’S MARK, her first born. The dam of MY FLAG and grandam of STORMFLAGFLYING and WAR EMBLEM was a champion from track to foaling barn.

 

Toussaud and her goat. This great mare is Bode's grandam on his tail female.

TOUSSAUD and her goat. The dam of EMPIRE MAKER, CHESTER HOUSE, DECARCHY, HONEST LADY and CHISELLING made a lasting contribution to thoroughbred bloodlines.

 

 

Dance Smartly always kept her shape, no matter how many foals she had. Here she is in Kentucky, having visited Thunder Gulch. Photo and copyright, The Blood-Horse.

DANCE SMARTLY, the only filly to ever win a Triple Crown in mixed company in North America, went on to become a Blue Hen for Sam-Son Farm. Here she is in Kentucky, having visited Thunder Gulch. Photo and copyright, The Blood-Horse.

 

So what does the future hold for royal babies like Cozmic One and Jess’s Dream? Have they inherited the brilliance of their dams? of their sires? of both?

Like human children, these colts and fillies are a one-off. Unique. They’ll train differently and run differently than their parents. They’ll meet different challenges and obstacles along the way as they build their own reputations. Some will be brilliant, others hard-working, and still others, just plain unlucky. Most will bring the heart and courage of their breed to each and every race and most will do their very best to win.

But whatever their destiny, hours and hours of skill, dedication, encouragement and love have brought them to a new beginning.

Let the magic begin!

COZMIC ONE at Santa Anita. Photo and copyright, Jane Wade.

COZMIC ONE (Bernardini ex. Zenyatta) at Santa Anita. Photo and copyright, Jane Wade.

 

THE VAULT wishes to thank photographer Jane Wade for the use of some of her outstanding photographs in this article.

BONUS FEATURE

John Shirreffs, trainer of Derby winner Giacomo and HOTY Zenyatta, among others, reflects on the early success of Zenyatta’s half-sister, Eblouissante, in this TVG Special. In so doing, Shirreffs provides insight into just what it takes to get even the most royally-bred thoroughbred to the track and to keep them feeling happy within themselves:

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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When America’s racing royalty met up with its Australian equivalent at Claiborne Farm in 1985, it was reasonable to hope that something great lay in the cards. But, of course, had it been that straightforward, there would be no point in telling the story……

Australia's super filly, ROSE OF KINGSTON, pictured here with her owners.

Australia’s super filly, ROSE OF KINGSTON, pictured here with her owners, David and Helen Hains, after her juvenile win in the AJC Champagne Stakes.

SECRETARIAT goes to the post for the last time at Woodbine in Toronto, Canada, with EDDIE SWEAT by his side.

SECRETARIAT goes to the post for the last time at Woodbine in Toronto, Canada, with his best friend, EDDIE SWEAT, by his side.

 

The sire-to-be was none other than the incomparable Secretariat.

The mare in question was the Australian champion filly, Rose of Kingston (1978). She herself had come into the world as the result of the connection between Australian golfer and racing enthusiast, Norman Von Nida, and “The Master of Dormello,” the brilliant Frederico Tesio.

Although his name is less bandied about today, Tesio was the one man who likely came closest to breeding the “perfect” thoroughbred, at his Dormello Stud in Italy, in the first half of the twentieth century. Putting his breeding acumen into practice, Tesio bred many champions, the most influential of which were Donatello II (1934), Nearco (1935) and Ribot (1952). Happily for the breed worldwide and North America in particular, Tesio was not inclined to jealously hold on to either his breeding theories or the champions he produced. And a good thing, too. Without Nearco’s sons — Nasrullah (1940), Nearctic (1954) and Royal Charger (1942) — it is impossible to imagine the modern thoroughbred as we know it today. And although his influence was less pervasive than that of Nearco, Ribot also played an important role in the development of the breed, through progeny like Tom Rolfe (1962), Graustark (1963) and His Majesty (1968).

 

NEARCO, shown here after his win in the Grand Prix de Paris

NEARCO, shown here after his win in the Grand Prix de Paris, with a delighted Frederico Tesio at his side.

 

In the case of Rose of Kingston, it was a Tesio homebred and winner of the Italian Derby, with the inauspicious name of Claude (1964), who takes at least 50% of the credit. However, like most narratives, there are twists and turns, as well as a dash of fate, before the sire of Rose of Kingston makes his entrance into the story.

CLAUDE, the sire of ROSE OF KINGSTON, was a homebred of Frederico Tesio who won the Italian Derby. He began his stud career at Dormello in Italy, before moving to Kingston Park farm in Australia.

CLAUDE, the sire of ROSE OF KINGSTON, was a homebred of Frederico Tesio who won the Italian Derby. He began his stud career at Dormello in Italy, before moving to Kingston Park farm in Australia.

It all began over a game of golf, where Norman Von Nida became acquainted with the Australian businessman, David Hains. Hains had been looking for something to occupy him in his leisure time and Von Nida quickly convinced him that that “something” must be thoroughbred horses. In 1959, Hains purchased Kingston Park Farm and, under Von Nida’s continuing tutelage, began to breed and race thoroughbreds. Charged with procuring promising broodmares for Kingston Park, Von Nida attended auctions in the Southern Hemisphere looking for Nearco and/or Ribot bloodstock, convinced that these bloodlines would be a perfect match with the right Southern Hemisphere stallion. Von Nida’s faith in the Tesio breeding method turned Kingston Park Farm into an almost overnight success.

By the 1970’s, Von Nida’s allegiance to Tesio bloodstock was given its fullest expression: travelling to Italy, he bought six Dormello broodmares for Kingston Park. One of these, Ada Hunter (1970), a granddaughter of Ribot, became the dam of one of the greatest Australian horses of the last century — and of all time — the Hains’ mighty Kingston Town (1976). Then, in 1977-78, Dormello sold one of its stallions, Claude (1964), to David Hains and the stallion took up duties at Kingston Park. There he was bred to Kingston Rose (1971), a granddaughter of My Babu (1945), acquired as a 2 year-old by Hains in 1973. Racing in the Kingston Park silks, Kingston Rose won six races at distances from 5f to 8f before her retirement.

Rose of Kingston, her second foal, was sired by Claude and she was a filly who was nothing short of wonderful.

Nothing short of exceptional -- ROSE OF KINGSTON comes home to notch still another Grade 1 victory.

Nothing short of exceptional — ROSE OF KINGSTON comes home to notch still another Grade 1 victory.

This portrait of ROSE OF KINGSTON was commissioned by the Hains family.

This portrait of ROSE OF KINGSTON was commissioned by the Hains family.

 

Kingston Rose and Claude’s little daughter was a chestnut as bright as a copper penny, with great bone and an intelligent, decidedly feminine head.

ROSE OF KINGSTON goes to post. Photo and copyright,

ROSE OF KINGSTON shining like a bright penny as she goes to post. Photo and copyright, Brent Thomas.

As a 2 year-old, under the guidance of renowned trainer Bob Hoysted, Rose of Kingston took the AJC Champagne Stakes and the VRC Oaks.  The following year, the filly became the first 3 year-old in 38 years to win the AJC Derby against colts. Rose of Kingston rounded out her career with wins in the VRC Craiglee Stakes, the SAJC Derby and the Queen of the South Stakes, and was crowned 1982 Australian Horse of the Year. Retired at the end of the season, the filly was despatched to Lexington, Kentucky, where David Hains had set up his Kingston Park Stud. As some will know, the 1970’s was a decade of champions worldwide and the USA was no exception. By the time Rose of Kingston arrived in Kentucky, there were a number of stallions that her owner was keen to have her visit. High on the agenda was a date with the great Secretariat, which took place in 1985 at Claiborne Farm, where “The Great One” held court.

SECRETARIAT captured early after his retirement, frolicking in his paddock at Claiborne Farm.

SECRETARIAT captured early after his retirement, frolicking in his paddock at Claiborne Farm.

 

Even in the choice of Secretariat, Frederico Tesio’s influence hovered: the majestic chestnut was the great grandson of Nearco, through his grandsire Nasrullah and sire, Bold Ruler. Rose of Kingston’s future offspring would therefore boast Tesio thoroughbreds on both the top and bottom of its pedigree.

One can only guess at the excitement when the young broodmare gave birth to a coat foal in March, 1986 as coppery-red as his parents. The colt also sported two white feet and a wide blaze down the centre. The stud manager’s notes described the colt as “chestnut…magic.”

There was magic alright, although it would take still another character to conjure it: the legendary trainer, Bart Cummings, whose accomplishments include an unprecedented 12 winners of the Melbourne Cup with champions like the great Galilee (1963) and Cummings’ homebred, his beloved Saintly (1992). North Americans will know Cummings from one of his more recent superstars, So You Think.

LIGHT FINGERS was Bart Cummings very first Melbourne Cup winner. Cummings stands next to the jockey in the days when his thick mane of hair was still dark.

The filly LIGHT FINGERS (1961) was Bart Cummings very first Melbourne Cup winner in 1965. Cummings stands next to the jockey in the days when his thick mane of hair was still dark.

SAINTLY was not only beloved by his owner and trainer but by the whole nation. Upon SAINTLY'S retirement, the gelding took up residence at Saintly Place, owned by Cummings.

SAINTLY was not only beloved by Bart Cummings, but by the whole nation. Upon his retirement, the gelding took up residence at Living Legends. In 2007 he was moved to Princes Farm, owned by Cummings, where he was bred and born. Now the 87 year-old Cummings and his great champion can see each other every day.

BART CUMMINGS today, standing in the company of his twelve Melbourne Cups.

BART CUMMINGS in the company of his row of Melbourne Cups, representing an unprecedented 12 wins since 1965.

 

Rose of Kingston’s colt was christened Kingston Rule and sent off to France, to the stable of noted trainer Patrick Biancone. However, the flashy chestnut who physically so resembled Secretariat that it was uncanny, showed little promise. Unwilling to give up on the colt, David Hains had him shipped back to Australia and into the hands of the great Tommy Smith, who had trained the Hains’ fabulous gelding, Kingston Town. One can only imagine how the Secretariat colt must have seemed to Smith after the likes of Kingston Town. In his first start at Warwick Farm in 1989 over a heavy track, Kingston Rule finished 35 lengths behind the winner, prompting the trainer to advise Hains to geld the 3 year-old in the hopes of getting more out of him.

KINGSTON RULE was a stunning colt who reminded many of his sire, SECRETARIAT.

KINGSTON RULE was a stunning colt who reminded many of his sire, SECRETARIAT.

Hains, as the story goes, couldn’t bring himself to do it. Not only was Kingston Rule a beautiful individual, but those bloodlines were just too good to neutralize. And shortly thereafter, Hains moved the son of Rose of Kingston to the stable of one of Australia’s most notable trainers, James Bartholomew (“Bart”) Cummings. In a way, the arrival of the colt was a kind of homecoming for Cummings: it was he who had advised Hains to buy Kingston Rose, the colt’s grandam, in partnership with himself and it was Cummings who had trained her. In his autobiography, Bart: My Life, Cummings says he realized that Kingston Rule had no taste for heavy ground and then set about trying to understand “what was bothering him.” For all his crusty directness, with horses Bart Cummings exercises nothing but patience. Although it remains unclear what magic Cummings wrought on the youngster, we would observe that the colt may well have lacked the dominant instinct that often drives colts to conquer all before them. He certainly proved a kindly, sweet stallion in retirement. But in the hands of a horseman who by 1990 had racked up 6 Melbourne Cups and had many years under his belt of breeding his own horses, Kingston Rule found the “horse whisperer” he so desperately needed.

Under Cummings’ firm, patient conditioning, Kingston Rule stepped up, first taking a race at Sandown in 1990 before moving on to a win in the Group 2 Moonee Valley Cup which punched his ticket, in turn, for the 1990 Melbourne Cup. As he does with all his horses, Cummings worked Kingston Rule hard, while making certain that he ran him over firm turf, which the colt appeared to relish. In his run-up to Melbourne, Kingston Rule also finished second in a pair of stakes races.

KINGSTON RULE, looking every inch the picture of SECRETARIAT, charges to take the lead in the Moonee Valley Cup in 1990.

KINGSTON RULE, looking every inch the picture of SECRETARIAT, charges to take the lead in the Moonee Valley Cup in 1990.

Melbourne Cup day dawned fair and clear, and as Bart Cummings took his place in the grandstand with the Hains’ he felt absolutely confident that Kingston Rule was ready to run the most important race of his life. Young Darren Beadman, who had never won his nation’s most prestigious race, was in the saddle.

(NOTE: The 1990 Melbourne Cup featured a typically huge field of runners. Watch for the white blaze, white forelegs, sheepskin noseband and the yellow silks/red cap on the jockey.)

Beadman gave the colt a brilliant ride, overcoming a less-than-ideal start, a bumping mid-way through the race and the loss of ground immediately thereafter. And Kingston Rule ran his heart out, stopping the clock in record time that stands to this day.

On his way to the winner's circle -- KINGSTON RULE and his young jockey.

On his way to the winner’s circle — KINGSTON RULE and his young jockey.

The celebration: Darren Beadman, Bart Cummings and David Hains (background) with KINGTON RULE

The celebration: Darren Beadman, Bart Cummings and David Hains (background) with KINGSTON RULE

KINGSTON RULE with his proud trainer and owner.

KINGSTON RULE with his proud trainer and owner.

The Champ heads for the barn, wearing the winner's blanket.

The Champ heads for the barn, wearing the winner’s blanket.

 

Most thoroughbreds will achieve something spectacular just once in their racing lives. It may come early or late in their careers. But whenever it happens, it is this achievement that defines them for all of time. So it is that we hearken back to a host of shining moments, like Secretariat’s Belmont or Personal Ensign’s final race, where she struggled through the mud to win the BC Distaff over another equally valiant filly, Winning Colours, or So You Think’s second consecutive victory in the Cox Plate.

Kingston Rule’s Melbourne Cup was such a moment.

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BONUS FEATURE

Terrific footage of Nearco and Frederico Tesio, as well as shots from Dormello Stud as it looks today. The voice-over is in Italian, but you don’t really need to know the language to understand 90% of the video!

 

 

ADDITIONAL READING:

1) Kingston Rule: To read about American equine photographer Patrricia McQueen’s trip to Australia to visit Secretariat’s champion son, please click on the link:

http://www.photopm.com/index.php/photography-blog/17-memories-of-melbourne-cup-winner-kingston-rule

2) Kingston Rule: To read another summary of Kingston Rule’s career, please click here:

http://thebreed.thethoroughbred.com.au/feature/a-tribute-to-a-king

3) Bart Cummings: To learn more about this phenomenal breeder and trainer, please click here:

http://www.sahof.org.au/hall-of-fame/member-profile/?memberID=53&memberType=legends

4) Nearco: A thumbnail summary of this great thoroughbred’s impact on the breed:

 

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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Since THE VAULT first published, it has been my goal to research and write about the development of the thoroughbred and the sport in Australia and New Zealand. While the story of Phar Lap is universal and the exploits of the incomparable Black Caviar and So You Think turned world attention to thoroughbreds from “down under,” these contemporary champions are only the most recent in a star-studded history. In fact, Australia and New Zealand have produced absolutely brilliant individuals that could hold their own in the company of great thoroughbreds anywhere and the history of how these stars came to be is rich and fascinating. As well, uncovering some of this history has only reinforced my sense of how intermingled the families of thoroughbreds are worldwide and how these connections have brought us the individuals who light up the turf from Great Britain to the USA to India to Japan today.

This, then, is the first of a series on thoroughbreds from Australia and New Zealand and begins, quite properly, with a thumbnail history of the origins of the sport. 

(NOTE: Being Canadian and having few contacts in either Australia or New Zealand, it has been very difficult trying to discern what books to buy that would give me a good history of the Australian and New Zealand thoroughbred, including significant people as well as thoroughbred champions. Any suggestions from VAULT readers would be deeply appreciated!) 

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BACKGROUND

The horse wasn’t indigenous to Australia, but with the arrival of British colonists it quickly became an essential component of settling the “new” land (i.e. “new” to the settlers, that is).

As is the case worldwide, the Australian and New Zealand (AUS + NZ) thoroughbred owes its origins to Great Britain, where the breed originated. However, AUS + NZ have a history of close collaboration in the development of their thoroughbred horse, much like that of England and Ireland. Although often lumped together for this reason, AUS + NZ are, of course, different cultures with different histories, even though Australians have embraced New Zealand-bred champions as their own. To this day, prestigious trainers like Bart Cummings (So You Think, Kingston Rule, Saintly and countless other great individuals) visit the New Zealand bloodstock sales looking for future stars — and they are seldom disappointed.

There are, of course, differences in the breed and the sport itself in AUS+ NZ that make comparison with other countries difficult, if not impossible. In the Southern Hemisphere (SH), a thoroughbred’s birthdate is August 1, not January 1 as it is in the Northern Hemisphere (NH). In other words, in any given year, a NH thoroughbred is more than half a year older than a SH thoroughbred. The best way to compare individuals has always been to race them against each other, but SH horses have historically done poorly when shifted to NH climes, and vice versa. There have been a few exceptions, of course, but they are too few and far between to aid in any serious comparison. Even Black Caviar seemed at a distinct disadvantage at Royal Ascot; the same might be said of So You Think, a great champion in his native Australia who adjusted rather poorly to his new digs at Ballydoyle.

Another unique feature of AUS + NZ racing is that geldings are invited to run in classic races. And a good thing, too, since a number of AUS+ NZ’s greatest thoroughbreds have been geldings, among them the mighty Phar Lap, who was bred and born in New Zealand and became one of Australia’s best-loved thoroughbreds during the Depression era.

SO YOU THINK, a two-time winner of the Cox Plate,  was equine royalty in Australia before he was shifted from trainer Bart Cummings to Ballydoyle in Ireland. Despite his victories in Great Britain, can we say that we really saw the true So You Think?

SO YOU THINK, a two-time winner of the Cox Plate, was equine royalty in Australia before he was shifted from trainer Bart Cummings to Ballydoyle in Ireland. Despite his victories in Great Britain, can we say that we really saw the true So You Think?

From the beginning, the primary goal in breeding thoroughbreds in AUS + NZ was to get individuals who combined strength and endurance. If they also had speed, that was a bonus. None of this was made easy in the 1800’s by a steady influx of British governors who either countenanced or reviled horse racing, banning it when the latter was true. Despite the interruptions caused by racing bans, classic races were set up in AUS over distances of 1.5 -3+ M as a means of culling out horses who didn’t meet the breeding criteria. In 2014, with the advent of a market demanding speed and precocity, many races have been pruned down to shorter distances, although the greatest of the classic races, notably the Melbourne, Sydney, Brisbane and Caulfield Cups, the AJC and VJC Derbies and AJC Oaks, are still contested at distances from 1.5-2+ M. (And just as there are those who despair at the change in thoroughbred tastes in North America, Great Britain and elsewhere, so the trend has been decried in AUS + NZ.)

SKYLINE typifies the "look" of the AUS + NZ thoroughbred which focuses on solid and sensible.

Champion SKYLINE (1955) typified the “look” of the AUS + NZ thoroughbred which focuses on “solid and sensible.” However, with the recent appetite for speed, we are inclined to wonder if that “look” with its emphasis on stamina is undergoing a qualitative shift.

 

BEGINNINGS: AUSTRALIA

The first recorded instance of a thoroughbred to land in Australia (AUS), Rockingham (1790), arrived on a ship from the Cape of Good Hope in 1799.  His sire is not known for certain, but he is believed to be a son of another Rockingham (1781), a talented thoroughbred who raced in England. Precise details about the earliest thoroughbred imports are skewed by the fact that the earliest individuals in AUS linked to the development of the thoroughbred were either Arabians or mixed with Arabian blood, and this may well have been the case with Rockingham (1790). However, in 1802 the thoroughbred stallion Northumberland (nd) was imported directly from England, arriving in the company of Hector, an Arabian stallion. This would appear to indicate that the mix of different breeds — particularly that of the Arabian or “Persian” horse — was still popular amongst AUS breeders at this time and did, in fact, play a pivotal role in establishing the AUS + NZ thoroughbred breed. The first Thoroughbred mare of proven origin, Manto (1822), arrived in Sydney, AUS in 1825. The Godolphin Arabian appears in Manto’s fifth generation and her pedigree is spotted with the names of prominent early thoroughbreds, such as Woodpecker (1773), Diomed (1777), Herod (1758), Matchem (1748) and Marske (1760).

This painting of HECTOR is an indication of the accuracy of the record of his arrival to AUS in 1830. The travel companions were also known as OLD HECTOR and OLD NORTHUMBERLAND.

This painting of HECTOR is an indication of the significance  of his arrival to AUS in 1830. The travel companions were also known as OLD HECTOR and OLD NORTHUMBERLAND respectively, making the tracing of their influence even more complex.

 

By 1840 the Australian Racing Committee was formed, re-named the Australian Jockey Club (AJC) in 1842. In keeping with their mission to nurture the development of a unique AUS thoroughbred, one known for strength and stamina, the AJC inaugurated and organized a program of Classic races, the chief among them the VJC Derby (AUS oldest derby), the AJC Derby and the Melbourne, Sydney, Brisbane and Caulfield Cups. All of the races accepted into the Classic program were at distances of 1.5 miles or better.  Other states and jurisdictions in Australia developed their own racing clubs in the 19th century, including Victoria, which inaugurated its own Victoria Jockey Club in 1864, as well as Queensland, Southern and Western Australia and the island of Tasmania. By 1883, 192 racing clubs were registered with the AJC.

Under the influence of horseman like Captain Henry John Rous, Australian breeders became increasingly convinced that it was through importing British bloodstock that they would achieve a fine thoroughbred of their own and interest in Arabian bloodstock fell sharply. Rous was a British Naval Officer who came from a horse racing family that had great influence in British racing circles and was destined to become, according to Peter Willett, “the third great dictator of the British turf.” In fact, it was Rous who came up with the “weight for age” handicapping. During his visits to Western Australia in 1827-1828, Rous made connections with thoroughbred breeders and was responsible for importing the stallion, Rous’ Emigrant (1822). Another leader in the field, Charles Smith, established Bungarribee Stud at Doonside, New South Wales in 1830. The stud boasted only English-bred horses and it was Smith who gave Australia its first important homebred, Sir Hercules, who was foaled in 1843. Sir Hercules’ sons Cossack (1847), Yattendon (1861) and The Barb (1863) won the St. Leger and AJC Derby, respectively, as well as other classic races. Today many Australian thoroughbreds can still be traced back to Sir Hercules.

Another important early influence was Fisherman (1853), a British stallion imported by Hurtle Fisher in 1860 to stand at his stud in Victoria, Maribyrnong .

FISHERMAN (1853) was one of the Foundation Sires of the AUS+ NZ thoroughbred. He is depicted here by the great equine artist, Herring.

FISHERMAN (1853) was one of the Foundation Sires of the AUS+ NZ thoroughbred. He is depicted here by the great equine artist, John Frederick Herring, Sr.

If ever a horse was the incarnation of stamina and strength, it had to be Fisherman who, during his racing career, won 70 races, including 21 wins from 35 starts in a single racing season. Winner of 26 Queen’s Plate trophies and two Ascot Gold Cups, Fisherman on the occasion of his win of the first Gold Cup, was rewarded by being saddled up the very next day to run in the 3+ M Queen’s Plate — which he won stylishly, ears pricked. Fisherman was one of the best British stayers of the nineteenth century and it was little wonder he exercised such a potent influence on the AUS + NZ thoroughbred: in a short 5 seasons before his death, the champion sired 10 stakes winners and his progeny boasted a total of 25 stakes wins.

BEGINNINGS: NEW ZEALAND

New Zealand began to import its earliest thoroughbreds from New South Wales (AUS) in the 1840’s- 1850’s, having been infected by the “racing bug” through the commerce and exchange with its larger Australasian neighbour. What New Zealand brought to the table was a lush, fertile environment for raising horses, in contrast to the markedly small territory that Australia could offer, given its vast reaches of dry, arable land. By 1890, NZ racing had been organized under a central authority when all of its racing clubs were affiliated with the NZ Racing Conference. What began as the influence of one neighbour upon another continues between AUS + NZ to this day, a recent example being M.J. Moran and Piper Farm’s (NZ) superstar, So You Think, who quickly earned the love and respect of Australian racegoers. So You Think is just one of many champions to travel from NZ to AUS, where they earned the love and loyalty of a racing public who would never forget them.

The mare Lucy Banks (1839) is the first British-bred thoroughbred to be imported to New Zealand, although another mare, Moonshine(1853), together with three sons of the excellent British stallion Melbourne (1834) — Incledon(nd), The Peer(1855) and Towtown(1850) — arrived at nearly the same time, between 1857 – 1865 (approx.). What NZ breeders were after was a tough individual with middle distance ability and stamina. Like their AUS neighbours, NZ horsemen subscribed to the theory that thoroughbreds should be run “hard and often” since this seemed the best way to select out those horses that should be bred. In turn, this explained their great interest in the progeny of a British stallion like Melbourne, who sired the British Triple Crown winner West Australian (1850), the St. Leger winner Sir Tatton Sykes (1843) and the peerless winner of both the Epsom Derby and Oaks, the filly Blink Bonny (1854). So, although Melbourne never set foot in NZ, he is one of the important early sires of the AUS + NZ thoroughbred.

Still another sire of great importance to the flourishing of the breed in New Zealand was Traducer (1857), a son of The Libel (1842) who was imported in 1862. Despite his reputedly savage temperament, Traducer got 9 winners of the NZ Derby and another 8 winners of the Canterbury Cup, a weight-for-age race run over a 2.5 M course.

BLINK BONNY: the peerless daughter of MELBOURNE, won both the Epsom Derby and Oaks in 1857.

BLINK BONNY: the peerless daughter of MELBOURNE, won both the Epsom Derby and Oaks in 1857.

The greatest influence among the early imported mares was that of Flora McIvor (1828), an AUS-born daughter of Rous’ Emigrant out of Cornelia (AUS, b. 1825), a daughter of Manto. Brought to New Zealand by Henry Redwood, the “father of the NZ Turf”, the 25 year-old Flora McIvor produced two daughters by Sir Hercules: Io (1855), the ancestress of the important stallion Trenton (1881) and Waimea (1857), the ancestress of Phar Lap’s contemporary, Nightmarch (1925), and the superb filly, Silver Scorn (1929), acknowledged to be one of the best of her sex to ever race in NZ. The following short video celebrates the contribution of Redwood to the NZ thoroughbred industry, while giving viewers a glimpse into the early history of the sport:

The next major event in the development of the breed is the arrival of Musket (1867) in 1878, for it fell to this sire to produce the kind of brilliance that would put New Zealand “on the map” as a place where fine thoroughbreds could be found. Bred by Lord Glascow, Musket was a sturdy bay with a winning heart and he put both to good use, winning at distances up to 3 miles in Great Britain, including the Flying Dutchman H. (10F at York), the Ascot Stakes (2 1/2M at Ascot), Her Majestys Plate at Lincoln (2M), Her Majestys Plate at Shrewsbury (3M), the Seven Cup (2M) and the Alexandra Plate (3M) in which he carried 132lbs.

The amazing MUSKET, who had won at distances up to 3M, would give the NZ thoroughbred a world-class status.

The amazing MUSKET, who had won at distances up to 3M, would give the NZ thoroughbred a world-class status.

As great as were Musket’s gifts on the turf, in the breeding shed he lent his superb genes to sons Trenton (1881) and Martini-Henry (1880). From the latter would descend the 1946 Epsom Derby winner, Nimbus (1943), and the superb Grey Sovereign (1948), twice leading sire in France. The brilliant Trenton excelled at stud, producing 404 winners over 9 seasons; a daughter, Rosaline (1901), became the grandam of the great British sire, Gainsborough (1915).

But Musket’s most superb gift of all came in 1885, when Carbine was foaled.

CARBINE, captured in oil by artist Percy Brinkworth.

CARBINE, captured in oil by artist Percy Brinkworth.

Carbine, aka “Old Jack,” was as loved as Phar Lap (who is a direct descendant) by all who saw him race. He is considered one of the best thoroughbreds ever produced in AUS + NZ to this day. Carbine proved himself a consummate runner, embodying the strength and endurance that AUS + NZ breeders were aiming for in the horses they bred. In 1890 at the Randwick Carnival, the colt proved his mettle, taking five top-class races in eight days over distances ranging from 1 mile to 3 miles. That same year Carbine won the Melbourne Cup, where he faced a field of 39 other horses (today the field is limited to 24). Not only did Carbine win: he set a new race record, even though he was carrying 66 kg (146 lbs.), the most weight ever carried by a Cup winner. It seems unbelievable, does it not, that a 16h horse could carry that much weight over 2 miles and set a track record? That alone speaks loud about who Carbine was. Racing in Australia until he was retired at five, the best son of Musket won 33 times in 43 starts and was unplaced once throughout his career on the turf. He was the first AUS+ NZ champion to win 15 successive races, which he did in his remarkable season as a four/five year-old.

CARBINE depicted on a postcard of the day.

CARBINE depicted on a postcard of the day.

Sent off to the breeding shed, Carbine stood four seasons in Australia before being sold in 1895 to the Duke of Portland, the owner of St. Simon (1881). Shipped to England to the Duke’s stud,Welbeck Abbey, Carbine was installed as the “second” to St. Simon. The champion might not have gotten the choicest mares, but his genes were so potent that he made an indelible mark on the thoroughbred anyway. Even before leaving Australia, Carbine had sired three very good individuals: Wallace (1892), winner of the VATC Caulfield Guineas, the Sydney Cup and Victoria Derby, among others, who would top the Australian sire list in 1915/16; the superb filly, La Carabine (1894), winner of the VRC Australian Cup, the Sydney Cup and two-time winner of the AJC Plate, who went on to be a black-type producer; and Amberite (1894) winner of the Victoria Derby, VATC Caulfield Cup, the AJC Derby, the AJC St. Leger and the AJC Plate. All in all, in his short stud career in Australia, Carbine sired winners of 203 races with combined earnings of 48,624 APS.

CARBINE at stud, probably in the UK, circa 1900.

CARBINE at stud, probably in the UK, circa 1900.

 

WALLACE was the best of Carbine's sons. Painting by Martin Stainforth

WALLACE was the best of Carbine’s sons born in Australia and an important sire there. Painting by Martin Stainforth

 

LA CARABINE, brilliant daughter of CARBINE born and bred in Australia.

LA CARABINE, brilliant daughter of CARBINE born and bred in Australia.

 

At Welbeck Abbey, Carbine continued his career as a sire of champions, the arguably most famous among these being the English Derby and Grand Prix de Paris winner, Spearmint (1902). Although of delicate constitution himself, Spearmint became a sire of classic winners. He also turned out to be a brilliant BM sire. Among other Spearmint progeny: the great sire Chicle (1913) who sired America’s Mother Goose (1922) and was the BM sire of Shut Out(1939); the 1920 Epsom Derby winner Spion Kop (1917); Johren (1915), winner of the Belmont Stakes in 1918 and an American HOTY; the 1922 St Leger Stakes winner Royal Lancer(1919); as well as Spike Island (1919), winner of the 1922 Irish Derby; the exceptional filly Fausta (1911), winner of the 1914 Italian Derby and Oaks; and Spelthorne (1922), winner of the 1925 Irish St Leger Stakes.

CARBINE'S best British son was SPEARMINT. Although a fragile runner with poor legs, SPEARMINT'S progeny were noted for their classic lines.

CARBINE’S best British son was SPEARMINT. Although a fragile runner with poor legs, SPEARMINT’S progeny were noted for their classic lines and it was he more than any other Carbine progeny who assured his sire’s place in the development of the thoroughbred.

SPEARMINT'S daughter, PLUCKY LIEGE, exerted an enormous influence on the breed through her sons BULL DOG,

SPEARMINT’S daughter, PLUCKY LIEGE, exerted an enormous influence on the breed through her sons BULL DOG and SIR GALLAHAD III.

NOGARA, granddaughter of SPEARMINT and dam of NEARCO.

NOGARA, granddaughter of SPEARMINT and dam of NEARCO.

 

However, Spearmint’s greatest success as a stallion was through his daughters, of whom the most influential was arguably Plucky Liege (1912), dam of Bull Dog (1927), Sir Gallahad III (1920), Bois Roussel (1935) and Admiral Drake (1931). Seaweed (1916), another daughter, was the dam of multiple stakes winners Hotweed(1926) and Broulette (1928). Yet another daughter, Catnip (1910), was the dam of the great blacktype producer, Nogara (1928), whose son, Nearco (1935), exerted an enormous influence on thoroughbred pedigrees worldwide through his sons, Nearctic (1940) the sire of Northern Dancer (1961), Nasrullah (1940) the founder of a dynasty and sire of Bold Ruler (1954) and Royal Charger(1942), sire of the important stallion Turn-To (1951) and of American champion, Mongo (1959). From Turn-To comes First Landing (1956), sire of Riva Ridge and Sir Gaylord (1959), sire of the British champion miler and good sire, Habitat (1966), as well as the great British champion, Sir Ivor (1965). Another son of Turn-To, Hail To Reason (1958), made the greatest impact of all, through his sons Halo (1969), the sire of Sunday Silence (1986) and Bold Reason (1968), the BM sire of Sadler’s Wells (1981).

NEXT TIME: The series continues with a look at some of the greatest AUS+NZ champion thoroughbreds in the first part of the twentieth century.

 

NOTE: THE VAULT is a non-profit website. We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

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